| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2335 |
| Prevalence of Second Most Common Vertical Interval |
0.183 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7834 |
| Vertical Unisons |
0.06105 |
| Vertical Minor Seconds |
0.009913 |
| Vertical Thirds |
0.329 |
| Vertical Tritones |
0.007704 |
| Vertical Perfect Fourths |
0.06982 |
| Vertical Perfect Fifths |
0.183 |
| Vertical Sixths |
0.1181 |
| Vertical Sevenths |
0.02591 |
| Vertical Octaves |
0.1725 |
| Perfect Vertical Intervals |
0.4863 |
| Vertical Dissonance Ratio |
0.07127 |
| Vertical Minor Third Prevalence |
0.3614 |
| Vertical Major Third Prevalence |
0.3455 |
| Chord Duration |
2.456 |
| Partial Chords |
0.6084 |
| Standard Triads |
0.2901 |
| Diminished and Augmented Triads |
0.006969 |
| Dominant Seventh Chords |
0.0008711 |
| Seventh Chords |
0.006098 |
| Non-Standard Chords |
0.09538 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.037 |
| Average Number of Simultaneous Pitch Classes |
2.198 |
| Variability of Number of Simultaneous Pitch Classes |
0.7109 |
| Average Number of Simultaneous Pitches |
2.628 |
| Variability of Number of Simultaneous Pitches |
0.9205 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.025 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
72.74 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2263 |
| Stepwise Motion |
0.6212 |
| Melodic Thirds |
0.1252 |
| Melodic Perfect Fourths |
0.08026 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04254 |
| Melodic Sixths |
0.01445 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01605 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.0 |
| Melodic Embellishments |
0.0304 |
| Direction of Melodic Motion |
0.4434 |
| Average Length of Melodic Arcs |
1.765 |
| Average Interval Spanned by Melodic Arcs |
4.77 |
| Melodic Pitch Variety |
5.002 |
| Mean Melodic Interval |
2.442 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3949 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5732 |
| Amount of Arpeggiation |
0.2841 |
| Repeated Notes |
0.1003 |
| Importance of Middle Register |
0.7648 |
| Importance of High Register |
0.0064 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.31 |
| Mean Pitch Class |
5.226 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.0992 |
| Prevalence of Most Common Pitch Class |
0.1688 |
| Relative Prevalence of Top Pitches |
0.9435 |
| Relative Prevalence of Top Pitch Classes |
0.981 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.864 |
| Pitch Class Variability |
3.599 |
| Pitch Class Variability After Folding |
3.152 |
| Pitch Skewness |
-0.1073 |
| Pitch Class Skewness |
0.1887 |
| Pitch Class Skewness After Folding |
0.415 |
| Pitch Kurtosis |
5.365 |
| Pitch Class Kurtosis |
4.847 |
| Pitch Class Kurtosis After Folding |
7.019 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2288 |
| Note Density per Quarter Note |
0.9212 |
| Note Density per Quarter Note per Voice |
0.2303 |
| Note Density per Quarter Note Variability |
0.5303 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0032 |
| Prevalence of Medium Rhythmic Values |
0.5504 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8208 |
| Prevalence of Very Long Rhythmic Values |
0.0896 |
| Prevalence of Dotted Notes |
0.1208 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.978 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3712 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7672 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.923 |
| Rhythmic Value Skewness |
1.525 |
| Rhythmic Value Kurtosis |
10.98 |
| Mean Rhythmic Value Run Length |
1.694 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.304 |
| Mean Rhythmic Value Offset |
0.0704 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8884 |
| Complete Rests Fraction |
0.000691 |
| Partial Rests Fraction |
0.6662 |
| Average Rest Fraction Across Voices |
0.2905 |
| Longest Complete Rest |
0.9377 |
| Longest Partial Rest |
453.0 |
| Mean Complete Rest Duration |
0.9377 |
| Mean Partial Rest Duration |
17.14 |
| Median Complete Rest Duration |
0.9377 |
| Median Partial Rest Duration |
3.782 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
65.12 |
| Variability Across Voices of Combined Rests |
216.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6112 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1955 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.127 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8067 |
| Rhythmic Variability - Tempo Standardized |
0.05257 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1250.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.615 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.621 |
| Average Note Duration |
0.6741 |
| Variability of Note Durations |
0.531 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
276.5 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2732 |
| Strength of Second Strongest Rhythmic Pulse |
0.249 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.097 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5222 |
| Rhythmic Variability |
0.03585 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
23.74 |
| Duration in Seconds |
296.9 |
| Note Density |
4.21 |
| Note Density Variability |
1.681 |
| Average Time Between Attacks |
0.4161 |
| Average Time Between Attacks for Each Voice |
0.9557 |
| Variability of Time Between Attacks |
0.243 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.5235 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.2144 |
| Relative Note Durations of Lowest Line |
1.035 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.836 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.04529 |
| Average Number of Independent Voices |
2.81 |
| Similar Motion |
0.1285 |
| Contrary Motion |
0.1941 |
| Oblique Motion |
0.6322 |
| Parallel Fifths |
0.001848 |
| Parallel Octaves |
0.0009242 |
| Variability of Number of Independent Voices |
0.9628 |
| Voice Equality - Number of Notes |
72.74 |
| Voice Equality - Note Duration |
47.32 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
11.67 |