| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1994 |
| Prevalence of Second Most Common Vertical Interval |
0.1943 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9748 |
| Vertical Unisons |
0.05198 |
| Vertical Minor Seconds |
0.00593 |
| Vertical Thirds |
0.3736 |
| Vertical Tritones |
0.006987 |
| Vertical Perfect Fourths |
0.08121 |
| Vertical Perfect Fifths |
0.1669 |
| Vertical Sixths |
0.1286 |
| Vertical Sevenths |
0.01961 |
| Vertical Octaves |
0.1423 |
| Perfect Vertical Intervals |
0.4425 |
| Vertical Dissonance Ratio |
0.05861 |
| Vertical Minor Third Prevalence |
0.4936 |
| Vertical Major Third Prevalence |
0.4641 |
| Chord Duration |
2.478 |
| Partial Chords |
0.4433 |
| Standard Triads |
0.4461 |
| Diminished and Augmented Triads |
0.00734 |
| Dominant Seventh Chords |
0.001694 |
| Seventh Chords |
0.01299 |
| Non-Standard Chords |
0.09768 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.554 |
| Average Number of Simultaneous Pitch Classes |
2.428 |
| Variability of Number of Simultaneous Pitch Classes |
0.7264 |
| Average Number of Simultaneous Pitches |
2.886 |
| Variability of Number of Simultaneous Pitches |
0.9358 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.712 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
102.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1667 |
| Stepwise Motion |
0.6433 |
| Melodic Thirds |
0.1628 |
| Melodic Perfect Fourths |
0.08944 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05389 |
| Melodic Sixths |
0.006111 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01778 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.186 |
| Melodic Embellishments |
0.03603 |
| Direction of Melodic Motion |
0.4852 |
| Average Length of Melodic Arcs |
2.042 |
| Average Interval Spanned by Melodic Arcs |
5.702 |
| Melodic Pitch Variety |
5.756 |
| Mean Melodic Interval |
2.736 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4767 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3497 |
| Amount of Arpeggiation |
0.2611 |
| Repeated Notes |
0.02667 |
| Importance of Middle Register |
0.7594 |
| Importance of High Register |
0.005543 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.65 |
| Mean Pitch Class |
5.401 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.128 |
| Prevalence of Most Common Pitch Class |
0.1984 |
| Relative Prevalence of Top Pitches |
0.7532 |
| Relative Prevalence of Top Pitch Classes |
0.7514 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.619 |
| Pitch Class Variability |
3.549 |
| Pitch Class Variability After Folding |
3.222 |
| Pitch Skewness |
0.09723 |
| Pitch Class Skewness |
0.3388 |
| Pitch Class Skewness After Folding |
0.5291 |
| Pitch Kurtosis |
5.506 |
| Pitch Class Kurtosis |
4.807 |
| Pitch Class Kurtosis After Folding |
6.824 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.235 |
| Note Density per Quarter Note |
0.9107 |
| Note Density per Quarter Note per Voice |
0.2277 |
| Note Density per Quarter Note Variability |
0.5466 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4823 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8415 |
| Prevalence of Very Long Rhythmic Values |
0.1208 |
| Prevalence of Dotted Notes |
0.1297 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.313 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3298 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9815 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.209 |
| Rhythmic Value Skewness |
0.4258 |
| Rhythmic Value Kurtosis |
9.925 |
| Mean Rhythmic Value Run Length |
1.678 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.428 |
| Mean Rhythmic Value Offset |
0.05848 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8717 |
| Complete Rests Fraction |
0.0005856 |
| Partial Rests Fraction |
0.5524 |
| Average Rest Fraction Across Voices |
0.2406 |
| Longest Complete Rest |
1.16 |
| Longest Partial Rest |
248.8 |
| Mean Complete Rest Duration |
1.16 |
| Mean Partial Rest Duration |
17.02 |
| Median Complete Rest Duration |
1.16 |
| Median Partial Rest Duration |
2.473 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
34.25 |
| Variability Across Voices of Combined Rests |
103.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6163 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1874 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.288 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8038 |
| Rhythmic Variability - Tempo Standardized |
0.05259 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1804.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.296 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
7.241 |
| Average Note Duration |
0.7373 |
| Variability of Note Durations |
0.5695 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
289.4 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.3244 |
| Strength of Second Strongest Rhythmic Pulse |
0.258 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.257 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5825 |
| Rhythmic Variability |
0.03891 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
82.09 |
| Duration in Seconds |
437.9 |
| Note Density |
4.119 |
| Note Density Variability |
1.76 |
| Average Time Between Attacks |
0.4447 |
| Average Time Between Attacks for Each Voice |
1.009 |
| Variability of Time Between Attacks |
0.2963 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5833 |
| Relative Range Isolation of Loudest Voice |
0.196 |
| Relative Range of Highest Line |
0.5833 |
| Relative Note Density of Highest Line |
0.1463 |
| Relative Note Durations of Lowest Line |
0.9474 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9135 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.05106 |
| Average Number of Independent Voices |
3.071 |
| Similar Motion |
0.1264 |
| Contrary Motion |
0.2254 |
| Oblique Motion |
0.5971 |
| Parallel Fifths |
0.004981 |
| Parallel Octaves |
0.002491 |
| Variability of Number of Independent Voices |
0.9614 |
| Voice Equality - Number of Notes |
102.3 |
| Voice Equality - Note Duration |
22.82 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.0 |
| Importance of Loudest Voice |
11.67 |