| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2273 |
| Prevalence of Second Most Common Vertical Interval |
0.1864 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8199 |
| Vertical Unisons |
0.04443 |
| Vertical Minor Seconds |
0.002479 |
| Vertical Thirds |
0.3113 |
| Vertical Tritones |
0.00786 |
| Vertical Perfect Fourths |
0.09587 |
| Vertical Perfect Fifths |
0.177 |
| Vertical Sixths |
0.1259 |
| Vertical Sevenths |
0.02182 |
| Vertical Octaves |
0.1829 |
| Perfect Vertical Intervals |
0.5001 |
| Vertical Dissonance Ratio |
0.06686 |
| Vertical Minor Third Prevalence |
0.2831 |
| Vertical Major Third Prevalence |
0.3593 |
| Chord Duration |
2.655 |
| Partial Chords |
0.573 |
| Standard Triads |
0.3015 |
| Diminished and Augmented Triads |
0.01288 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008584 |
| Non-Standard Chords |
0.117 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4264 |
| Average Number of Simultaneous Pitch Classes |
2.142 |
| Variability of Number of Simultaneous Pitch Classes |
0.7554 |
| Average Number of Simultaneous Pitches |
2.587 |
| Variability of Number of Simultaneous Pitches |
1.04 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.195 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
48.46 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2173 |
| Stepwise Motion |
0.7005 |
| Melodic Thirds |
0.1286 |
| Melodic Perfect Fourths |
0.03459 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07568 |
| Melodic Sixths |
0.001081 |
| Melodic Sevenths |
0.004324 |
| Melodic Octaves |
0.006486 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.587 |
| Melodic Embellishments |
0.01292 |
| Direction of Melodic Motion |
0.4852 |
| Average Length of Melodic Arcs |
1.956 |
| Average Interval Spanned by Melodic Arcs |
5.004 |
| Melodic Pitch Variety |
5.44 |
| Mean Melodic Interval |
2.453 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4832 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4497 |
| Amount of Arpeggiation |
0.2638 |
| Repeated Notes |
0.04865 |
| Importance of Middle Register |
0.6577 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.88 |
| Mean Pitch Class |
5.198 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1119 |
| Prevalence of Most Common Pitch Class |
0.2013 |
| Relative Prevalence of Top Pitches |
0.9327 |
| Relative Prevalence of Top Pitch Classes |
0.8289 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.188 |
| Pitch Class Variability |
3.344 |
| Pitch Class Variability After Folding |
4.316 |
| Pitch Skewness |
0.1114 |
| Pitch Class Skewness |
0.1777 |
| Pitch Class Skewness After Folding |
1.191 |
| Pitch Kurtosis |
5.521 |
| Pitch Class Kurtosis |
4.86 |
| Pitch Class Kurtosis After Folding |
4.55 |
| Major or Minor |
0.0 |
| First Pitch |
41.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3423 |
| Note Density per Quarter Note |
0.7866 |
| Note Density per Quarter Note per Voice |
0.1967 |
| Note Density per Quarter Note Variability |
0.4744 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4747 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8052 |
| Prevalence of Very Long Rhythmic Values |
0.1399 |
| Prevalence of Dotted Notes |
0.1173 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.393 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3412 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8202 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.365 |
| Rhythmic Value Skewness |
0.4983 |
| Rhythmic Value Kurtosis |
9.231 |
| Mean Rhythmic Value Run Length |
1.708 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.185 |
| Mean Rhythmic Value Offset |
0.05597 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7522 |
| Complete Rests Fraction |
0.0007744 |
| Partial Rests Fraction |
0.6658 |
| Average Rest Fraction Across Voices |
0.3182 |
| Longest Complete Rest |
0.9145 |
| Longest Partial Rest |
163.5 |
| Mean Complete Rest Duration |
0.9145 |
| Mean Partial Rest Duration |
18.33 |
| Median Complete Rest Duration |
0.9145 |
| Median Partial Rest Duration |
3.894 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
36.94 |
| Variability Across Voices of Combined Rests |
62.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6173 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1953 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.161 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8125 |
| Rhythmic Variability - Tempo Standardized |
0.05292 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
929.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.858 |
| Minimum Note Duration |
0.1974 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.742 |
| Variability of Note Durations |
0.6046 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
283.1 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2877 |
| Strength of Second Strongest Rhythmic Pulse |
0.252 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.142 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5397 |
| Rhythmic Variability |
0.03645 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
25.98 |
| Duration in Seconds |
252.8 |
| Note Density |
3.675 |
| Note Density Variability |
1.665 |
| Average Time Between Attacks |
0.4466 |
| Average Time Between Attacks for Each Voice |
1.098 |
| Variability of Time Between Attacks |
0.3141 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.6127 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.2799 |
| Relative Note Durations of Lowest Line |
1.148 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7298 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.163 |
| Parallel Motion |
0.05774 |
| Average Number of Independent Voices |
2.715 |
| Similar Motion |
0.1286 |
| Contrary Motion |
0.1457 |
| Oblique Motion |
0.668 |
| Parallel Fifths |
0.002625 |
| Parallel Octaves |
0.003937 |
| Variability of Number of Independent Voices |
1.048 |
| Voice Equality - Number of Notes |
48.46 |
| Voice Equality - Note Duration |
13.3 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.826 |
| Importance of Loudest Voice |
11.67 |