| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2437 |
| Prevalence of Second Most Common Vertical Interval |
0.1753 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7194 |
| Vertical Unisons |
0.05987 |
| Vertical Minor Seconds |
0.01066 |
| Vertical Thirds |
0.3929 |
| Vertical Tritones |
0.01589 |
| Vertical Perfect Fourths |
0.05831 |
| Vertical Perfect Fifths |
0.1472 |
| Vertical Sixths |
0.1151 |
| Vertical Sevenths |
0.04416 |
| Vertical Octaves |
0.1154 |
| Perfect Vertical Intervals |
0.3808 |
| Vertical Dissonance Ratio |
0.1251 |
| Vertical Minor Third Prevalence |
0.4419 |
| Vertical Major Third Prevalence |
0.2746 |
| Chord Duration |
1.703 |
| Partial Chords |
0.6218 |
| Standard Triads |
0.2277 |
| Diminished and Augmented Triads |
0.01386 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1505 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.949 |
| Average Number of Simultaneous Pitch Classes |
2.225 |
| Variability of Number of Simultaneous Pitch Classes |
0.6296 |
| Average Number of Simultaneous Pitches |
2.46 |
| Variability of Number of Simultaneous Pitches |
0.5583 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.422 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
36.86 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2721 |
| Stepwise Motion |
0.781 |
| Melodic Thirds |
0.04348 |
| Melodic Perfect Fourths |
0.01771 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02576 |
| Melodic Sixths |
0.006441 |
| Melodic Sevenths |
0.00161 |
| Melodic Octaves |
0.01449 |
| Melodic Large Intervals |
0.00161 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.375 |
| Melodic Embellishments |
0.01282 |
| Direction of Melodic Motion |
0.4079 |
| Average Length of Melodic Arcs |
2.308 |
| Average Interval Spanned by Melodic Arcs |
5.05 |
| Melodic Pitch Variety |
5.373 |
| Mean Melodic Interval |
1.968 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5089 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5348 |
| Amount of Arpeggiation |
0.1948 |
| Repeated Notes |
0.1079 |
| Importance of Middle Register |
0.6186 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.07 |
| Mean Pitch Class |
5.255 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1314 |
| Prevalence of Most Common Pitch Class |
0.1923 |
| Relative Prevalence of Top Pitches |
0.8902 |
| Relative Prevalence of Top Pitch Classes |
0.8 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.741 |
| Pitch Class Variability |
3.34 |
| Pitch Class Variability After Folding |
3.906 |
| Pitch Skewness |
0.3241 |
| Pitch Class Skewness |
0.2289 |
| Pitch Class Skewness After Folding |
1.001 |
| Pitch Kurtosis |
5.249 |
| Pitch Class Kurtosis |
4.723 |
| Pitch Class Kurtosis After Folding |
4.99 |
| Major or Minor |
0.0 |
| First Pitch |
46.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.3814 |
| Note Density per Quarter Note |
1.097 |
| Note Density per Quarter Note per Voice |
0.3656 |
| Note Density per Quarter Note Variability |
0.5095 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00641 |
| Prevalence of Medium Rhythmic Values |
0.7324 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.5737 |
| Prevalence of Very Long Rhythmic Values |
0.08013 |
| Prevalence of Dotted Notes |
0.1106 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.321 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.4199 |
| Relative Prevalence of Most Common Rhythmic Values |
0.729 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.884 |
| Rhythmic Value Skewness |
0.5104 |
| Rhythmic Value Kurtosis |
12.9 |
| Mean Rhythmic Value Run Length |
1.902 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.712 |
| Mean Rhythmic Value Offset |
0.03846 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3907 |
| Complete Rests Fraction |
0.001743 |
| Partial Rests Fraction |
0.4077 |
| Average Rest Fraction Across Voices |
0.1377 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.184 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.877 |
| Variability Across Voices of Combined Rests |
52.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4373 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2837 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.541 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.721 |
| Rhythmic Variability - Tempo Standardized |
0.04622 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
624.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7284 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.4915 |
| Variability of Note Durations |
0.4393 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
144.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
3.0 |
| Strength of Strongest Rhythmic Pulse |
0.2058 |
| Strength of Second Strongest Rhythmic Pulse |
0.2056 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.001 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4114 |
| Rhythmic Variability |
0.03241 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000002384 |
| Duration in Seconds |
118.5 |
| Note Density |
5.264 |
| Note Density Variability |
1.837 |
| Average Time Between Attacks |
0.3297 |
| Average Time Between Attacks for Each Voice |
0.5652 |
| Variability of Time Between Attacks |
0.202 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.7917 |
| Relative Range Isolation of Loudest Voice |
0.4639 |
| Relative Range of Highest Line |
0.7917 |
| Relative Note Density of Highest Line |
0.2933 |
| Relative Note Durations of Lowest Line |
0.9751 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.7949 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.07453 |
| Average Number of Independent Voices |
2.592 |
| Similar Motion |
0.1594 |
| Contrary Motion |
0.1594 |
| Oblique Motion |
0.6066 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4951 |
| Voice Equality - Number of Notes |
36.86 |
| Voice Equality - Note Duration |
10.88 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.309 |
| Importance of Loudest Voice |
12.5 |