| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2161 |
| Prevalence of Second Most Common Vertical Interval |
0.2147 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9933 |
| Vertical Unisons |
0.0351 |
| Vertical Minor Seconds |
0.002648 |
| Vertical Thirds |
0.3938 |
| Vertical Tritones |
0.005908 |
| Vertical Perfect Fourths |
0.06208 |
| Vertical Perfect Fifths |
0.1824 |
| Vertical Sixths |
0.1222 |
| Vertical Sevenths |
0.009462 |
| Vertical Octaves |
0.1796 |
| Perfect Vertical Intervals |
0.4591 |
| Vertical Dissonance Ratio |
0.02547 |
| Vertical Minor Third Prevalence |
0.5024 |
| Vertical Major Third Prevalence |
0.4532 |
| Chord Duration |
3.982 |
| Partial Chords |
0.4857 |
| Standard Triads |
0.4552 |
| Diminished and Augmented Triads |
0.01552 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.009259 |
| Non-Standard Chords |
0.04975 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.322 |
| Average Number of Simultaneous Pitch Classes |
2.369 |
| Variability of Number of Simultaneous Pitch Classes |
0.6936 |
| Average Number of Simultaneous Pitches |
2.971 |
| Variability of Number of Simultaneous Pitches |
0.9966 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.219 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
72.67 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1838 |
| Stepwise Motion |
0.5338 |
| Melodic Thirds |
0.1512 |
| Melodic Perfect Fourths |
0.05846 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03308 |
| Melodic Sixths |
0.005769 |
| Melodic Sevenths |
0.0003846 |
| Melodic Octaves |
0.004615 |
| Melodic Large Intervals |
0.0003846 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.052 |
| Melodic Embellishments |
0.01843 |
| Direction of Melodic Motion |
0.4614 |
| Average Length of Melodic Arcs |
1.762 |
| Average Interval Spanned by Melodic Arcs |
4.479 |
| Melodic Pitch Variety |
4.557 |
| Mean Melodic Interval |
2.011 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.35 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6066 |
| Amount of Arpeggiation |
0.4015 |
| Repeated Notes |
0.2123 |
| Importance of Middle Register |
0.7481 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.32 |
| Mean Pitch Class |
5.057 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1144 |
| Prevalence of Most Common Pitch Class |
0.1997 |
| Relative Prevalence of Top Pitches |
0.9966 |
| Relative Prevalence of Top Pitch Classes |
0.8596 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.765 |
| Pitch Class Variability |
3.546 |
| Pitch Class Variability After Folding |
3.22 |
| Pitch Skewness |
-0.4959 |
| Pitch Class Skewness |
0.04809 |
| Pitch Class Skewness After Folding |
0.4093 |
| Pitch Kurtosis |
5.416 |
| Pitch Class Kurtosis |
4.767 |
| Pitch Class Kurtosis After Folding |
6.922 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2519 |
| Note Density per Quarter Note |
0.6234 |
| Note Density per Quarter Note per Voice |
0.1559 |
| Note Density per Quarter Note Variability |
0.358 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.000768 |
| Prevalence of Medium Rhythmic Values |
0.1863 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9409 |
| Prevalence of Very Long Rhythmic Values |
0.2811 |
| Prevalence of Dotted Notes |
0.1118 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.735 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.5012 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4038 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.528 |
| Rhythmic Value Skewness |
0.8718 |
| Rhythmic Value Kurtosis |
6.665 |
| Mean Rhythmic Value Run Length |
1.617 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.204 |
| Mean Rhythmic Value Offset |
0.1755 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.804 |
| Complete Rests Fraction |
0.0144 |
| Partial Rests Fraction |
0.513 |
| Average Rest Fraction Across Voices |
0.237 |
| Longest Complete Rest |
4.165 |
| Longest Partial Rest |
66.64 |
| Mean Complete Rest Duration |
3.538 |
| Mean Partial Rest Duration |
18.33 |
| Median Complete Rest Duration |
4.165 |
| Median Partial Rest Duration |
16.66 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.9922 |
| Variability of Partial Rest Durations |
14.79 |
| Variability Across Voices of Combined Rests |
145.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6299 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1638 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.846 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7937 |
| Rhythmic Variability - Tempo Standardized |
0.05262 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2604.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.65 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
11.67 |
| Average Note Duration |
0.9795 |
| Variability of Note Durations |
0.7246 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
305.4 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5371 |
| Strength of Second Strongest Rhythmic Pulse |
0.1739 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.088 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.711 |
| Rhythmic Variability |
0.04609 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
48.2 |
| Duration in Seconds |
835.7 |
| Note Density |
3.116 |
| Note Density Variability |
1.193 |
| Average Time Between Attacks |
0.673 |
| Average Time Between Attacks for Each Voice |
1.283 |
| Variability of Time Between Attacks |
0.4188 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.3555 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.1014 |
| Relative Note Durations of Lowest Line |
1.052 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8579 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.06172 |
| Average Number of Independent Voices |
3.101 |
| Similar Motion |
0.1921 |
| Contrary Motion |
0.2205 |
| Oblique Motion |
0.5256 |
| Parallel Fifths |
0.001991 |
| Parallel Octaves |
0.002987 |
| Variability of Number of Independent Voices |
0.9731 |
| Voice Equality - Number of Notes |
72.67 |
| Voice Equality - Note Duration |
29.16 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
11.67 |