File

Last modified on: April 19, 2024, 5:14 p.m.

F164_50_Ninot_Nostre_chamberiere_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Notre chambrier sy malad'estet
File Type
Symbolic Music
File Format
xml
File Size
281.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2105
Prevalence of Second Most Common Vertical Interval 0.1522
Prevalence Ratio of Two Most Common Vertical Intervals 0.7233
Vertical Unisons 0.03474
Vertical Minor Seconds 0.003917
Vertical Thirds 0.2754
Vertical Tritones 0.0218
Vertical Perfect Fourths 0.1127
Vertical Perfect Fifths 0.1482
Vertical Sixths 0.1924
Vertical Sevenths 0.02384
Vertical Octaves 0.1757
Perfect Vertical Intervals 0.4714
Vertical Dissonance Ratio 0.06473
Vertical Minor Third Prevalence 0.2815
Vertical Major Third Prevalence 0.3283
Chord Duration 2.169
Partial Chords 0.5985
Standard Triads 0.2701
Diminished and Augmented Triads 0.03893
Dominant Seventh Chords 0.002433
Seventh Chords 0.03285
Non-Standard Chords 0.09854
Complex Chords 0.0
Minor Major Triad Ratio 0.2982
Average Number of Simultaneous Pitch Classes 2.299
Variability of Number of Simultaneous Pitch Classes 0.7184
Average Number of Simultaneous Pitches 2.807
Variability of Number of Simultaneous Pitches 0.953
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1958
Stepwise Motion 0.6449
Melodic Thirds 0.142
Melodic Perfect Fourths 0.0595
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02111
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.007678
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.242
Melodic Embellishments 0.01714
Direction of Melodic Motion 0.443
Average Length of Melodic Arcs 1.795
Average Interval Spanned by Melodic Arcs 4.264
Melodic Pitch Variety 4.6
Mean Melodic Interval 2.121
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4491
Relative Prevalence of Most Common Melodic Intervals 0.4359
Amount of Arpeggiation 0.2956
Repeated Notes 0.1248
Importance of Middle Register 0.7733
Importance of High Register 0.009524
Dominant Spread 4.0
Strong Tonal Centres 2.0
Mean Pitch 59.0
Mean Pitch Class 5.181
Most Common Pitch 60.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.1276
Prevalence of Most Common Pitch Class 0.2362
Relative Prevalence of Top Pitches 0.9552
Relative Prevalence of Top Pitch Classes 0.8065
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.479
Pitch Class Variability 3.42
Pitch Class Variability After Folding 4.529
Pitch Skewness -0.01411
Pitch Class Skewness 0.1587
Pitch Class Skewness After Folding 1.399
Pitch Kurtosis 5.312
Pitch Class Kurtosis 4.882
Pitch Class Kurtosis After Folding 4.337
Major or Minor 0.0
First Pitch 46.0
First Pitch Class 10.0
Last Pitch 53.0
Last Pitch Class 5.0
Glissando Prevalence 0.007619
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.007619
Number of Pitch Classes 8.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.2171
Note Density per Quarter Note 1.129
Note Density per Quarter Note per Voice 1.129
Note Density per Quarter Note Variability 0.6802
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.007619
Prevalence of Medium Rhythmic Values 0.68
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7505
Prevalence of Very Long Rhythmic Values 0.0781
Prevalence of Dotted Notes 0.141
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.556
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4305
Relative Prevalence of Most Common Rhythmic Values 0.5619
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.773
Rhythmic Value Skewness 0.9413
Rhythmic Value Kurtosis 12.79
Mean Rhythmic Value Run Length 1.577
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.066
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.01075
Partial Rests Fraction 0.01075
Average Rest Fraction Across Voices 0.01075
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.667
Mean Partial Rest Duration 1.667
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.5774
Variability of Partial Rest Durations 0.5774
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5185
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2388
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.171
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7573
Rhythmic Variability - Tempo Standardized 0.0485
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 525.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2334
Minimum Note Duration 0.09375
Maximum Note Duration 2.25
Average Note Duration 0.4793
Variability of Note Durations 0.3324
Amount of Staccato 0.007619
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.1983
Strength of Second Strongest Rhythmic Pulse 0.191
Strength Ratio of Two Strongest Rhythmic Pulses 1.038
Combined Strength of Two Strongest Rhythmic Pulses 0.3893
Rhythmic Variability 0.03111
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 87.19
Note Density 6.022
Note Density Variability 2.765
Average Time Between Attacks 0.3765
Average Time Between Attacks for Each Voice 0.3765
Variability of Time Between Attacks 0.2334
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1124
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.101
Average Number of Independent Voices 1.0
Similar Motion 0.2268
Contrary Motion 0.2577
Oblique Motion 0.4144
Parallel Fifths 0.006186
Parallel Octaves 0.002062
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0