| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2162 |
| Prevalence of Second Most Common Vertical Interval |
0.2076 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9603 |
| Vertical Unisons |
0.03153 |
| Vertical Minor Seconds |
0.004428 |
| Vertical Thirds |
0.2791 |
| Vertical Tritones |
0.01035 |
| Vertical Perfect Fourths |
0.1225 |
| Vertical Perfect Fifths |
0.2162 |
| Vertical Sixths |
0.1246 |
| Vertical Sevenths |
0.0176 |
| Vertical Octaves |
0.1761 |
| Perfect Vertical Intervals |
0.5463 |
| Vertical Dissonance Ratio |
0.05261 |
| Vertical Minor Third Prevalence |
0.4623 |
| Vertical Major Third Prevalence |
0.5006 |
| Chord Duration |
2.945 |
| Partial Chords |
0.3457 |
| Standard Triads |
0.4876 |
| Diminished and Augmented Triads |
0.02788 |
| Dominant Seventh Chords |
0.003717 |
| Seventh Chords |
0.01859 |
| Non-Standard Chords |
0.1481 |
| Complex Chords |
0.00001549 |
| Minor Major Triad Ratio |
1.589 |
| Average Number of Simultaneous Pitch Classes |
2.665 |
| Variability of Number of Simultaneous Pitch Classes |
0.5847 |
| Average Number of Simultaneous Pitches |
3.4 |
| Variability of Number of Simultaneous Pitches |
0.5693 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.71 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
41.79 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1786 |
| Stepwise Motion |
0.596 |
| Melodic Thirds |
0.2031 |
| Melodic Perfect Fourths |
0.08705 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04018 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004464 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.25 |
| Melodic Embellishments |
0.02876 |
| Direction of Melodic Motion |
0.482 |
| Average Length of Melodic Arcs |
1.688 |
| Average Interval Spanned by Melodic Arcs |
4.409 |
| Melodic Pitch Variety |
4.907 |
| Mean Melodic Interval |
2.455 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4174 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4278 |
| Amount of Arpeggiation |
0.317 |
| Repeated Notes |
0.0692 |
| Importance of Middle Register |
0.854 |
| Importance of High Register |
0.04425 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.37 |
| Mean Pitch Class |
5.531 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1106 |
| Prevalence of Most Common Pitch Class |
0.2013 |
| Relative Prevalence of Top Pitches |
0.94 |
| Relative Prevalence of Top Pitch Classes |
0.8462 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.496 |
| Pitch Class Variability |
3.415 |
| Pitch Class Variability After Folding |
3.506 |
| Pitch Skewness |
-0.01226 |
| Pitch Class Skewness |
-0.412 |
| Pitch Class Skewness After Folding |
0.5528 |
| Pitch Kurtosis |
5.152 |
| Pitch Class Kurtosis |
4.849 |
| Pitch Class Kurtosis After Folding |
6.082 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1018 |
| Note Density per Quarter Note |
0.8233 |
| Note Density per Quarter Note per Voice |
0.2058 |
| Note Density per Quarter Note Variability |
0.3831 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3673 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9314 |
| Prevalence of Very Long Rhythmic Values |
0.2412 |
| Prevalence of Dotted Notes |
0.2013 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.087 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3031 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9854 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.576 |
| Rhythmic Value Skewness |
0.1018 |
| Rhythmic Value Kurtosis |
7.257 |
| Mean Rhythmic Value Run Length |
1.632 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.152 |
| Mean Rhythmic Value Offset |
0.2836 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
3.107 |
| Complete Rests Fraction |
0.00166 |
| Partial Rests Fraction |
0.4217 |
| Average Rest Fraction Across Voices |
0.1117 |
| Longest Complete Rest |
0.9111 |
| Longest Partial Rest |
102.9 |
| Mean Complete Rest Duration |
0.9111 |
| Mean Partial Rest Duration |
9.809 |
| Median Complete Rest Duration |
0.9111 |
| Median Partial Rest Duration |
4.55 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
20.58 |
| Variability Across Voices of Combined Rests |
44.56 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6442 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1101 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.849 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7543 |
| Rhythmic Variability - Tempo Standardized |
0.05257 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
452.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.529 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
13.85 |
| Average Note Duration |
0.9034 |
| Variability of Note Durations |
0.9149 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
289.7 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3406 |
| Strength of Second Strongest Rhythmic Pulse |
0.2378 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.432 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5784 |
| Rhythmic Variability |
0.03732 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.99 |
| Duration in Seconds |
114.9 |
| Note Density |
3.933 |
| Note Density Variability |
0.8888 |
| Average Time Between Attacks |
0.5198 |
| Average Time Between Attacks for Each Voice |
1.059 |
| Variability of Time Between Attacks |
0.3449 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6207 |
| Relative Range Isolation of Loudest Voice |
0.4414 |
| Relative Range of Highest Line |
0.6207 |
| Relative Note Density of Highest Line |
0.6018 |
| Relative Note Durations of Lowest Line |
1.106 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8518 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.04938 |
| Average Number of Independent Voices |
3.546 |
| Similar Motion |
0.1502 |
| Contrary Motion |
0.1543 |
| Oblique Motion |
0.6461 |
| Parallel Fifths |
0.006173 |
| Parallel Octaves |
0.002058 |
| Variability of Number of Independent Voices |
0.5401 |
| Voice Equality - Number of Notes |
34.11 |
| Voice Equality - Note Duration |
9.328 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
4.113 |
| Importance of Loudest Voice |
10.0 |