| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.2171 |
| Prevalence of Second Most Common Vertical Interval |
0.2026 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9333 |
| Vertical Unisons |
0.04243 |
| Vertical Minor Seconds |
0.01449 |
| Vertical Thirds |
0.4197 |
| Vertical Tritones |
0.03315 |
| Vertical Perfect Fourths |
0.04399 |
| Vertical Perfect Fifths |
0.1645 |
| Vertical Sixths |
0.1052 |
| Vertical Sevenths |
0.01718 |
| Vertical Octaves |
0.1316 |
| Perfect Vertical Intervals |
0.3826 |
| Vertical Dissonance Ratio |
0.1019 |
| Vertical Minor Third Prevalence |
0.4125 |
| Vertical Major Third Prevalence |
0.3857 |
| Chord Duration |
2.035 |
| Partial Chords |
0.5667 |
| Standard Triads |
0.2647 |
| Diminished and Augmented Triads |
0.05686 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1686 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.35 |
| Average Number of Simultaneous Pitch Classes |
2.305 |
| Variability of Number of Simultaneous Pitch Classes |
0.6251 |
| Average Number of Simultaneous Pitches |
2.607 |
| Variability of Number of Simultaneous Pitches |
0.5305 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.49 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
109.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1963 |
| Stepwise Motion |
0.6508 |
| Melodic Thirds |
0.1281 |
| Melodic Perfect Fourths |
0.05992 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04752 |
| Melodic Sixths |
0.01033 |
| Melodic Sevenths |
0.002066 |
| Melodic Octaves |
0.01446 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.818 |
| Melodic Embellishments |
0.0308 |
| Direction of Melodic Motion |
0.4434 |
| Average Length of Melodic Arcs |
1.93 |
| Average Interval Spanned by Melodic Arcs |
5.122 |
| Melodic Pitch Variety |
5.304 |
| Mean Melodic Interval |
2.455 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4545 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4318 |
| Amount of Arpeggiation |
0.2789 |
| Repeated Notes |
0.08678 |
| Importance of Middle Register |
0.7906 |
| Importance of High Register |
0.1663 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.78 |
| Mean Pitch Class |
5.953 |
| Most Common Pitch |
71.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1376 |
| Prevalence of Most Common Pitch Class |
0.2012 |
| Relative Prevalence of Top Pitches |
0.8806 |
| Relative Prevalence of Top Pitch Classes |
0.9286 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.852 |
| Pitch Class Variability |
3.632 |
| Pitch Class Variability After Folding |
2.581 |
| Pitch Skewness |
-0.3183 |
| Pitch Class Skewness |
-0.8649 |
| Pitch Class Skewness After Folding |
0.21 |
| Pitch Kurtosis |
5.303 |
| Pitch Class Kurtosis |
4.833 |
| Pitch Class Kurtosis After Folding |
8.083 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.04312 |
| Note Density per Quarter Note |
0.8681 |
| Note Density per Quarter Note per Voice |
0.2894 |
| Note Density per Quarter Note Variability |
0.3513 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5277 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7947 |
| Prevalence of Very Long Rhythmic Values |
0.1047 |
| Prevalence of Dotted Notes |
0.117 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.072 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3224 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9108 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.063 |
| Rhythmic Value Skewness |
1.559 |
| Rhythmic Value Kurtosis |
9.812 |
| Mean Rhythmic Value Run Length |
1.697 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.439 |
| Mean Rhythmic Value Offset |
0.04107 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4036 |
| Complete Rests Fraction |
0.001768 |
| Partial Rests Fraction |
0.287 |
| Average Rest Fraction Across Voices |
0.09921 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.758 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.723 |
| Variability Across Voices of Combined Rests |
12.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5842 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2137 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.734 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7979 |
| Rhythmic Variability - Tempo Standardized |
0.05133 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
487.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6433 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.5986 |
| Variability of Note Durations |
0.4366 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2759 |
| Strength of Second Strongest Rhythmic Pulse |
0.2544 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.085 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5303 |
| Rhythmic Variability |
0.03588 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.000000000504 |
| Duration in Seconds |
107.9 |
| Note Density |
4.514 |
| Note Density Variability |
1.153 |
| Average Time Between Attacks |
0.3632 |
| Average Time Between Attacks for Each Voice |
0.6473 |
| Variability of Time Between Attacks |
0.1886 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.09639 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.4374 |
| Relative Note Durations of Lowest Line |
1.052 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.809 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.04988 |
| Average Number of Independent Voices |
2.707 |
| Similar Motion |
0.1093 |
| Contrary Motion |
0.1354 |
| Oblique Motion |
0.7055 |
| Parallel Fifths |
0.007126 |
| Parallel Octaves |
0.004751 |
| Variability of Number of Independent Voices |
0.4705 |
| Voice Equality - Number of Notes |
4.041 |
| Voice Equality - Note Duration |
2.318 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
20.0 |