Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.214 |
Prevalence of Second Most Common Vertical Interval |
0.1791 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8369 |
Vertical Unisons |
0.02588 |
Vertical Minor Seconds |
0.003259 |
Vertical Thirds |
0.3177 |
Vertical Tritones |
0.02128 |
Vertical Perfect Fourths |
0.03192 |
Vertical Perfect Fifths |
0.1569 |
Vertical Sixths |
0.1965 |
Vertical Sevenths |
0.03892 |
Vertical Octaves |
0.1881 |
Perfect Vertical Intervals |
0.4028 |
Vertical Dissonance Ratio |
0.09053 |
Vertical Minor Third Prevalence |
0.3272 |
Vertical Major Third Prevalence |
0.2757 |
Chord Duration |
1.747 |
Partial Chords |
0.6673 |
Standard Triads |
0.2122 |
Diminished and Augmented Triads |
0.03673 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.0 |
Non-Standard Chords |
0.1204 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.6 |
Average Number of Simultaneous Pitch Classes |
2.2 |
Variability of Number of Simultaneous Pitch Classes |
0.599 |
Average Number of Simultaneous Pitches |
2.562 |
Variability of Number of Simultaneous Pitches |
0.5034 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
9.529 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
59.4 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
2.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2193 |
Stepwise Motion |
0.6617 |
Melodic Thirds |
0.197 |
Melodic Perfect Fourths |
0.04833 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05204 |
Melodic Sixths |
0.003717 |
Melodic Sevenths |
0.003717 |
Melodic Octaves |
0.003717 |
Melodic Large Intervals |
0.003717 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
3.818 |
Melodic Embellishments |
0.02574 |
Direction of Melodic Motion |
0.4198 |
Average Length of Melodic Arcs |
1.97 |
Average Interval Spanned by Melodic Arcs |
4.985 |
Melodic Pitch Variety |
5.365 |
Mean Melodic Interval |
2.513 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4424 |
Relative Prevalence of Most Common Melodic Intervals |
0.4958 |
Amount of Arpeggiation |
0.2862 |
Repeated Notes |
0.02602 |
Importance of Middle Register |
0.6471 |
Importance of High Register |
0.0 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
3.0 |
Mean Pitch |
54.46 |
Mean Pitch Class |
5.982 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1287 |
Prevalence of Most Common Pitch Class |
0.2537 |
Relative Prevalence of Top Pitches |
0.8571 |
Relative Prevalence of Top Pitch Classes |
0.7101 |
Interval Between Most Prevalent Pitches |
3.0 |
Interval Between Most Prevalent Pitch Classes |
3.0 |
Pitch Variability |
7.481 |
Pitch Class Variability |
3.308 |
Pitch Class Variability After Folding |
4.049 |
Pitch Skewness |
-0.662 |
Pitch Class Skewness |
-0.9237 |
Pitch Class Skewness After Folding |
0.9506 |
Pitch Kurtosis |
5.28 |
Pitch Class Kurtosis |
5.064 |
Pitch Class Kurtosis After Folding |
4.825 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
29.0 |
Importance of Bass Register |
0.3529 |
Note Density per Quarter Note |
0.9964 |
Note Density per Quarter Note per Voice |
0.3321 |
Note Density per Quarter Note Variability |
0.3939 |
Range of Rhythmic Values |
8.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.007353 |
Prevalence of Medium Rhythmic Values |
0.6029 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8199 |
Prevalence of Very Long Rhythmic Values |
0.03309 |
Prevalence of Dotted Notes |
0.1029 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
8.0 |
Mean Rhythmic Value |
2.618 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4228 |
Relative Prevalence of Most Common Rhythmic Values |
0.6696 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.333 |
Rhythmic Value Skewness |
1.39 |
Rhythmic Value Kurtosis |
7.765 |
Mean Rhythmic Value Run Length |
1.7 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.345 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.003633 |
Partial Rests Fraction |
0.3846 |
Average Rest Fraction Across Voices |
0.1306 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
20.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
6.293 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
5.349 |
Variability Across Voices of Combined Rests |
16.17 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5764 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2246 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.567 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.801 |
Rhythmic Variability - Tempo Standardized |
0.05081 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
272.0 |
Initial Tempo |
312.0 |
Average Variability of Time Between Attacks for Each Voice |
0.4542 |
Minimum Note Duration |
0.09615 |
Maximum Note Duration |
1.538 |
Average Note Duration |
0.5034 |
Variability of Note Durations |
0.2564 |
Amount of Staccato |
0.007353 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
5.0 |
Mean Tempo |
312.0 |
Strongest Rhythmic Pulse |
78.0 |
Second Strongest Rhythmic Pulse |
52.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.2605 |
Strength of Second Strongest Rhythmic Pulse |
0.2557 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.019 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5162 |
Rhythmic Variability |
0.03539 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.4 |
Tempo Variability |
0.0000000001132 |
Duration in Seconds |
52.5 |
Note Density |
5.181 |
Note Density Variability |
0.9555 |
Average Time Between Attacks |
0.3259 |
Average Time Between Attacks for Each Voice |
0.5554 |
Variability of Time Between Attacks |
0.1314 |
Maximum Number of Independent Voices |
3.0 |
Relative Range of Loudest Voice |
0.6207 |
Relative Range Isolation of Loudest Voice |
0.08511 |
Relative Range of Highest Line |
0.6207 |
Relative Note Density of Highest Line |
0.6618 |
Relative Note Durations of Lowest Line |
1.037 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.7316 |
Voice Separation |
7.5 |
Variability of Voice Separation |
6.364 |
Parallel Motion |
0.05085 |
Average Number of Independent Voices |
2.618 |
Similar Motion |
0.1186 |
Contrary Motion |
0.2246 |
Oblique Motion |
0.6059 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.004237 |
Variability of Number of Independent Voices |
0.486 |
Voice Equality - Number of Notes |
8.505 |
Voice Equality - Note Duration |
3.109 |
Voice Equality - Dynamics |
11.55 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.082 |
Importance of Loudest Voice |
20.0 |