| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2509 |
| Prevalence of Second Most Common Vertical Interval |
0.2225 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8869 |
| Vertical Unisons |
0.02665 |
| Vertical Minor Seconds |
0.00252 |
| Vertical Thirds |
0.3958 |
| Vertical Tritones |
0.009813 |
| Vertical Perfect Fourths |
0.03551 |
| Vertical Perfect Fifths |
0.1764 |
| Vertical Sixths |
0.1158 |
| Vertical Sevenths |
0.01934 |
| Vertical Octaves |
0.1958 |
| Perfect Vertical Intervals |
0.4344 |
| Vertical Dissonance Ratio |
0.057 |
| Vertical Minor Third Prevalence |
0.5133 |
| Vertical Major Third Prevalence |
0.32 |
| Chord Duration |
2.335 |
| Partial Chords |
0.5506 |
| Standard Triads |
0.3371 |
| Diminished and Augmented Triads |
0.01498 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1124 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.045 |
| Average Number of Simultaneous Pitch Classes |
2.29 |
| Variability of Number of Simultaneous Pitch Classes |
0.6526 |
| Average Number of Simultaneous Pitches |
2.73 |
| Variability of Number of Simultaneous Pitches |
0.444 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.631 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
17.35 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2442 |
| Stepwise Motion |
0.6512 |
| Melodic Thirds |
0.124 |
| Melodic Perfect Fourths |
0.124 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04264 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01163 |
| Melodic Large Intervals |
0.003876 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.571 |
| Melodic Embellishments |
0.04598 |
| Direction of Melodic Motion |
0.4575 |
| Average Length of Melodic Arcs |
1.83 |
| Average Interval Spanned by Melodic Arcs |
4.8 |
| Melodic Pitch Variety |
5.265 |
| Mean Melodic Interval |
2.574 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.407 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6 |
| Amount of Arpeggiation |
0.2248 |
| Repeated Notes |
0.04264 |
| Importance of Middle Register |
0.6935 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.68 |
| Mean Pitch Class |
5.429 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1034 |
| Prevalence of Most Common Pitch Class |
0.2107 |
| Relative Prevalence of Top Pitches |
0.963 |
| Relative Prevalence of Top Pitch Classes |
0.8364 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.527 |
| Pitch Class Variability |
3.499 |
| Pitch Class Variability After Folding |
3.787 |
| Pitch Skewness |
-0.04429 |
| Pitch Class Skewness |
0.3679 |
| Pitch Class Skewness After Folding |
0.959 |
| Pitch Kurtosis |
5.207 |
| Pitch Class Kurtosis |
4.683 |
| Pitch Class Kurtosis After Folding |
5.272 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3065 |
| Note Density per Quarter Note |
0.8671 |
| Note Density per Quarter Note per Voice |
0.289 |
| Note Density per Quarter Note Variability |
0.3378 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01533 |
| Prevalence of Medium Rhythmic Values |
0.4904 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8621 |
| Prevalence of Very Long Rhythmic Values |
0.08429 |
| Prevalence of Dotted Notes |
0.1034 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.188 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3563 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9892 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.052 |
| Rhythmic Value Skewness |
0.2745 |
| Rhythmic Value Kurtosis |
11.59 |
| Mean Rhythmic Value Run Length |
1.5 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7809 |
| Mean Rhythmic Value Offset |
0.03065 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4952 |
| Complete Rests Fraction |
0.003295 |
| Partial Rests Fraction |
0.2026 |
| Average Rest Fraction Across Voices |
0.06974 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.863 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.209 |
| Variability Across Voices of Combined Rests |
6.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6166 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1893 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.257 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8059 |
| Rhythmic Variability - Tempo Standardized |
0.05249 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
261.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5809 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
4.762 |
| Average Note Duration |
0.7663 |
| Variability of Note Durations |
0.5323 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3134 |
| Strength of Second Strongest Rhythmic Pulse |
0.2682 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.169 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5816 |
| Rhythmic Variability |
0.03865 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000007179 |
| Duration in Seconds |
71.66 |
| Note Density |
3.642 |
| Note Density Variability |
1.207 |
| Average Time Between Attacks |
0.4949 |
| Average Time Between Attacks for Each Voice |
0.8164 |
| Variability of Time Between Attacks |
0.3017 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.3491 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.7356 |
| Relative Note Durations of Lowest Line |
1.184 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.705 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.03721 |
| Average Number of Independent Voices |
2.8 |
| Similar Motion |
0.1628 |
| Contrary Motion |
0.2512 |
| Oblique Motion |
0.5488 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4 |
| Voice Equality - Number of Notes |
17.35 |
| Voice Equality - Note Duration |
1.429 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
12.5 |