| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2008 |
| Prevalence of Second Most Common Vertical Interval |
0.195 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9711 |
| Vertical Unisons |
0.04744 |
| Vertical Minor Seconds |
0.007209 |
| Vertical Thirds |
0.324 |
| Vertical Tritones |
0.01681 |
| Vertical Perfect Fourths |
0.08751 |
| Vertical Perfect Fifths |
0.1678 |
| Vertical Sixths |
0.1478 |
| Vertical Sevenths |
0.0298 |
| Vertical Octaves |
0.1475 |
| Perfect Vertical Intervals |
0.4503 |
| Vertical Dissonance Ratio |
0.08449 |
| Vertical Minor Third Prevalence |
0.4586 |
| Vertical Major Third Prevalence |
0.3135 |
| Chord Duration |
2.534 |
| Partial Chords |
0.5192 |
| Standard Triads |
0.3317 |
| Diminished and Augmented Triads |
0.02123 |
| Dominant Seventh Chords |
0.003859 |
| Seventh Chords |
0.01051 |
| Non-Standard Chords |
0.1386 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.352 |
| Average Number of Simultaneous Pitch Classes |
2.364 |
| Variability of Number of Simultaneous Pitch Classes |
0.6972 |
| Average Number of Simultaneous Pitches |
2.773 |
| Variability of Number of Simultaneous Pitches |
0.7755 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.444 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
388.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2145 |
| Stepwise Motion |
0.6701 |
| Melodic Thirds |
0.149 |
| Melodic Perfect Fourths |
0.0619 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02885 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007812 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.351 |
| Melodic Embellishments |
0.03537 |
| Direction of Melodic Motion |
0.4578 |
| Average Length of Melodic Arcs |
2.13 |
| Average Interval Spanned by Melodic Arcs |
5.114 |
| Melodic Pitch Variety |
4.966 |
| Mean Melodic Interval |
2.212 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4555 |
| Relative Prevalence of Most Common Melodic Intervals |
0.471 |
| Amount of Arpeggiation |
0.268 |
| Repeated Notes |
0.08233 |
| Importance of Middle Register |
0.8237 |
| Importance of High Register |
0.01559 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
60.14 |
| Mean Pitch Class |
5.564 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1019 |
| Prevalence of Most Common Pitch Class |
0.1882 |
| Relative Prevalence of Top Pitches |
0.9765 |
| Relative Prevalence of Top Pitch Classes |
0.949 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.395 |
| Pitch Class Variability |
3.272 |
| Pitch Class Variability After Folding |
3.838 |
| Pitch Skewness |
-0.06975 |
| Pitch Class Skewness |
-0.4001 |
| Pitch Class Skewness After Folding |
0.9017 |
| Pitch Kurtosis |
5.044 |
| Pitch Class Kurtosis |
4.791 |
| Pitch Class Kurtosis After Folding |
5.168 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.1607 |
| Note Density per Quarter Note |
0.967 |
| Note Density per Quarter Note per Voice |
0.2417 |
| Note Density per Quarter Note Variability |
0.4214 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002398 |
| Prevalence of Medium Rhythmic Values |
0.53 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7944 |
| Prevalence of Very Long Rhythmic Values |
0.08993 |
| Prevalence of Dotted Notes |
0.2038 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.971 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3243 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8096 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.955 |
| Rhythmic Value Skewness |
1.49 |
| Rhythmic Value Kurtosis |
11.88 |
| Mean Rhythmic Value Run Length |
1.543 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.07 |
| Mean Rhythmic Value Offset |
0.1003 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8021 |
| Complete Rests Fraction |
0.000398 |
| Partial Rests Fraction |
0.7649 |
| Average Rest Fraction Across Voices |
0.2812 |
| Longest Complete Rest |
0.6865 |
| Longest Partial Rest |
398.8 |
| Mean Complete Rest Duration |
0.6865 |
| Mean Partial Rest Duration |
18.66 |
| Median Complete Rest Duration |
0.6865 |
| Median Partial Rest Duration |
3.692 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
48.83 |
| Variability Across Voices of Combined Rests |
442.9 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4964 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1924 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.58 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6889 |
| Rhythmic Variability - Tempo Standardized |
0.04464 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1668.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.343 |
| Minimum Note Duration |
0.08929 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.5752 |
| Variability of Note Durations |
0.4628 |
| Amount of Staccato |
0.001799 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
323.7 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2638 |
| Strength of Second Strongest Rhythmic Pulse |
0.2191 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.204 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4828 |
| Rhythmic Variability |
0.03266 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
69.03 |
| Duration in Seconds |
333.7 |
| Note Density |
4.998 |
| Note Density Variability |
1.95 |
| Average Time Between Attacks |
0.3666 |
| Average Time Between Attacks for Each Voice |
1.196 |
| Variability of Time Between Attacks |
0.2191 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5667 |
| Relative Range Isolation of Loudest Voice |
0.2612 |
| Relative Range of Highest Line |
0.5667 |
| Relative Note Density of Highest Line |
0.1607 |
| Relative Note Durations of Lowest Line |
0.9383 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9023 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.06487 |
| Average Number of Independent Voices |
2.921 |
| Similar Motion |
0.1311 |
| Contrary Motion |
0.167 |
| Oblique Motion |
0.637 |
| Parallel Fifths |
0.004141 |
| Parallel Octaves |
0.0006901 |
| Variability of Number of Independent Voices |
0.7727 |
| Voice Equality - Number of Notes |
224.6 |
| Voice Equality - Note Duration |
85.68 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.363 |
| Importance of Loudest Voice |
20.0 |