| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2256 |
| Prevalence of Second Most Common Vertical Interval |
0.214 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9485 |
| Vertical Unisons |
0.006717 |
| Vertical Minor Seconds |
0.003778 |
| Vertical Thirds |
0.36 |
| Vertical Tritones |
0.001763 |
| Vertical Perfect Fourths |
0.02813 |
| Vertical Perfect Fifths |
0.214 |
| Vertical Sixths |
0.1417 |
| Vertical Sevenths |
0.03174 |
| Vertical Octaves |
0.1852 |
| Perfect Vertical Intervals |
0.434 |
| Vertical Dissonance Ratio |
0.06874 |
| Vertical Minor Third Prevalence |
0.5106 |
| Vertical Major Third Prevalence |
0.3433 |
| Chord Duration |
2.855 |
| Partial Chords |
0.5232 |
| Standard Triads |
0.3565 |
| Diminished and Augmented Triads |
0.00211 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1203 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8043 |
| Average Number of Simultaneous Pitch Classes |
2.389 |
| Variability of Number of Simultaneous Pitch Classes |
0.5973 |
| Average Number of Simultaneous Pitches |
2.849 |
| Variability of Number of Simultaneous Pitches |
0.3579 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.681 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
66.47 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1918 |
| Stepwise Motion |
0.5836 |
| Melodic Thirds |
0.1808 |
| Melodic Perfect Fourths |
0.1014 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03836 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.00274 |
| Melodic Octaves |
0.01918 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.64 |
| Melodic Embellishments |
0.02174 |
| Direction of Melodic Motion |
0.4527 |
| Average Length of Melodic Arcs |
1.847 |
| Average Interval Spanned by Melodic Arcs |
5.137 |
| Melodic Pitch Variety |
5.65 |
| Mean Melodic Interval |
2.619 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3918 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4895 |
| Amount of Arpeggiation |
0.3151 |
| Repeated Notes |
0.07397 |
| Importance of Middle Register |
0.6984 |
| Importance of High Register |
0.05978 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.32 |
| Mean Pitch Class |
5.514 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1141 |
| Prevalence of Most Common Pitch Class |
0.231 |
| Relative Prevalence of Top Pitches |
0.7619 |
| Relative Prevalence of Top Pitch Classes |
0.7647 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.492 |
| Pitch Class Variability |
3.24 |
| Pitch Class Variability After Folding |
3.946 |
| Pitch Skewness |
-0.5097 |
| Pitch Class Skewness |
-0.4504 |
| Pitch Class Skewness After Folding |
1.667 |
| Pitch Kurtosis |
5.087 |
| Pitch Class Kurtosis |
4.847 |
| Pitch Class Kurtosis After Folding |
4.967 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2418 |
| Note Density per Quarter Note |
0.7287 |
| Note Density per Quarter Note per Voice |
0.2429 |
| Note Density per Quarter Note Variability |
0.3071 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.288 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9321 |
| Prevalence of Very Long Rhythmic Values |
0.1467 |
| Prevalence of Dotted Notes |
0.09239 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.88 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.5245 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4197 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.018 |
| Rhythmic Value Skewness |
-0.1777 |
| Rhythmic Value Kurtosis |
8.841 |
| Mean Rhythmic Value Run Length |
2.165 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.169 |
| Mean Rhythmic Value Offset |
0.05978 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.465 |
| Complete Rests Fraction |
0.001964 |
| Partial Rests Fraction |
0.1327 |
| Average Rest Fraction Across Voices |
0.04553 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.449 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.149 |
| Variability Across Voices of Combined Rests |
2.004 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6829 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1584 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.311 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8413 |
| Rhythmic Variability - Tempo Standardized |
0.05581 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
368.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4606 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7556 |
| Variability of Note Durations |
0.4379 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4583 |
| Strength of Second Strongest Rhythmic Pulse |
0.2111 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.171 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6695 |
| Rhythmic Variability |
0.0427 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000000463 |
| Duration in Seconds |
97.11 |
| Note Density |
3.789 |
| Note Density Variability |
0.9675 |
| Average Time Between Attacks |
0.514 |
| Average Time Between Attacks for Each Voice |
0.782 |
| Variability of Time Between Attacks |
0.2808 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4722 |
| Relative Range Isolation of Loudest Voice |
0.4234 |
| Relative Range of Highest Line |
0.4722 |
| Relative Note Density of Highest Line |
0.5625 |
| Relative Note Durations of Lowest Line |
0.9857 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.7228 |
| Voice Separation |
9.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.0566 |
| Average Number of Independent Voices |
2.869 |
| Similar Motion |
0.1132 |
| Contrary Motion |
0.2561 |
| Oblique Motion |
0.5741 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3374 |
| Voice Equality - Number of Notes |
15.04 |
| Voice Equality - Note Duration |
0.3854 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
20.0 |