| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2095 |
| Prevalence of Second Most Common Vertical Interval |
0.1755 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8375 |
| Vertical Unisons |
0.02718 |
| Vertical Minor Seconds |
0.002835 |
| Vertical Thirds |
0.3504 |
| Vertical Tritones |
0.01722 |
| Vertical Perfect Fourths |
0.05543 |
| Vertical Perfect Fifths |
0.1752 |
| Vertical Sixths |
0.1319 |
| Vertical Sevenths |
0.03093 |
| Vertical Octaves |
0.1823 |
| Perfect Vertical Intervals |
0.4401 |
| Vertical Dissonance Ratio |
0.08402 |
| Vertical Minor Third Prevalence |
0.358 |
| Vertical Major Third Prevalence |
0.3673 |
| Chord Duration |
3.288 |
| Partial Chords |
0.5236 |
| Standard Triads |
0.2963 |
| Diminished and Augmented Triads |
0.04134 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1801 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7102 |
| Average Number of Simultaneous Pitch Classes |
2.276 |
| Variability of Number of Simultaneous Pitch Classes |
0.6868 |
| Average Number of Simultaneous Pitches |
2.672 |
| Variability of Number of Simultaneous Pitches |
0.4977 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.445 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
21.08 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2026 |
| Stepwise Motion |
0.65 |
| Melodic Thirds |
0.1 |
| Melodic Perfect Fourths |
0.04737 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05263 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01053 |
| Melodic Large Intervals |
0.002632 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.714 |
| Melodic Embellishments |
0.03133 |
| Direction of Melodic Motion |
0.4878 |
| Average Length of Melodic Arcs |
2.278 |
| Average Interval Spanned by Melodic Arcs |
5.743 |
| Melodic Pitch Variety |
5.354 |
| Mean Melodic Interval |
2.208 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4474 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4529 |
| Amount of Arpeggiation |
0.3026 |
| Repeated Notes |
0.1368 |
| Importance of Middle Register |
0.6971 |
| Importance of High Register |
0.1723 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.25 |
| Mean Pitch Class |
5.269 |
| Most Common Pitch |
58.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1044 |
| Prevalence of Most Common Pitch Class |
0.1932 |
| Relative Prevalence of Top Pitches |
0.8 |
| Relative Prevalence of Top Pitch Classes |
0.973 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.068 |
| Pitch Class Variability |
3.478 |
| Pitch Class Variability After Folding |
4.419 |
| Pitch Skewness |
-0.09902 |
| Pitch Class Skewness |
0.232 |
| Pitch Class Skewness After Folding |
1.647 |
| Pitch Kurtosis |
5.048 |
| Pitch Class Kurtosis |
4.73 |
| Pitch Class Kurtosis After Folding |
4.27 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
46.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1305 |
| Note Density per Quarter Note |
0.6459 |
| Note Density per Quarter Note per Voice |
0.2153 |
| Note Density per Quarter Note Variability |
0.3254 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005222 |
| Prevalence of Medium Rhythmic Values |
0.2715 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8433 |
| Prevalence of Very Long Rhythmic Values |
0.2663 |
| Prevalence of Dotted Notes |
0.1305 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.178 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4491 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3372 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.315 |
| Rhythmic Value Skewness |
0.2301 |
| Rhythmic Value Kurtosis |
6.252 |
| Mean Rhythmic Value Run Length |
1.79 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.694 |
| Mean Rhythmic Value Offset |
0.03133 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6132 |
| Complete Rests Fraction |
0.008972 |
| Partial Rests Fraction |
0.2548 |
| Average Rest Fraction Across Voices |
0.09597 |
| Longest Complete Rest |
4.486 |
| Longest Partial Rest |
22.43 |
| Mean Complete Rest Duration |
2.66 |
| Mean Partial Rest Duration |
5.887 |
| Median Complete Rest Duration |
4.486 |
| Median Partial Rest Duration |
4.486 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.582 |
| Variability of Partial Rest Durations |
5.626 |
| Variability Across Voices of Combined Rests |
15.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5459 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2644 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.065 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8103 |
| Rhythmic Variability - Tempo Standardized |
0.04967 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
383.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6461 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.78 |
| Variability of Note Durations |
0.4832 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
329.6 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
81.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.315 |
| Strength of Second Strongest Rhythmic Pulse |
0.3103 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.015 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6253 |
| Rhythmic Variability |
0.03745 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
47.57 |
| Duration in Seconds |
110.2 |
| Note Density |
3.477 |
| Note Density Variability |
1.251 |
| Average Time Between Attacks |
0.5051 |
| Average Time Between Attacks for Each Voice |
0.8516 |
| Variability of Time Between Attacks |
0.3089 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.7434 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.564 |
| Relative Note Durations of Lowest Line |
1.123 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.6397 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.0367 |
| Average Number of Independent Voices |
2.741 |
| Similar Motion |
0.1223 |
| Contrary Motion |
0.1835 |
| Oblique Motion |
0.6575 |
| Parallel Fifths |
0.003058 |
| Parallel Octaves |
0.003058 |
| Variability of Number of Independent Voices |
0.4679 |
| Voice Equality - Number of Notes |
21.08 |
| Voice Equality - Note Duration |
2.917 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
12.5 |