| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2114 |
| Prevalence of Second Most Common Vertical Interval |
0.1526 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7219 |
| Vertical Unisons |
0.03506 |
| Vertical Minor Seconds |
0.003894 |
| Vertical Thirds |
0.2756 |
| Vertical Tritones |
0.02185 |
| Vertical Perfect Fourths |
0.1125 |
| Vertical Perfect Fifths |
0.148 |
| Vertical Sixths |
0.1919 |
| Vertical Sevenths |
0.02372 |
| Vertical Octaves |
0.1763 |
| Perfect Vertical Intervals |
0.4719 |
| Vertical Dissonance Ratio |
0.06451 |
| Vertical Minor Third Prevalence |
0.2815 |
| Vertical Major Third Prevalence |
0.3283 |
| Chord Duration |
2.169 |
| Partial Chords |
0.5985 |
| Standard Triads |
0.2701 |
| Diminished and Augmented Triads |
0.03893 |
| Dominant Seventh Chords |
0.002433 |
| Seventh Chords |
0.03285 |
| Non-Standard Chords |
0.09854 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2982 |
| Average Number of Simultaneous Pitch Classes |
2.299 |
| Variability of Number of Simultaneous Pitch Classes |
0.7184 |
| Average Number of Simultaneous Pitches |
2.806 |
| Variability of Number of Simultaneous Pitches |
0.9528 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.724 |
| Variation of Dynamics In Each Voice |
1.726 |
| Average Note to Note Change in Dynamics |
1.89 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1958 |
| Stepwise Motion |
0.6449 |
| Melodic Thirds |
0.142 |
| Melodic Perfect Fourths |
0.0595 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02111 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007678 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.242 |
| Melodic Embellishments |
0.02095 |
| Direction of Melodic Motion |
0.443 |
| Average Length of Melodic Arcs |
1.795 |
| Average Interval Spanned by Melodic Arcs |
4.264 |
| Melodic Pitch Variety |
4.603 |
| Mean Melodic Interval |
2.121 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4491 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4359 |
| Amount of Arpeggiation |
0.2956 |
| Repeated Notes |
0.1248 |
| Importance of Middle Register |
0.7733 |
| Importance of High Register |
0.009524 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.46 |
| Mean Pitch Class |
5.181 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1276 |
| Prevalence of Most Common Pitch Class |
0.2362 |
| Relative Prevalence of Top Pitches |
0.9552 |
| Relative Prevalence of Top Pitch Classes |
0.8065 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.479 |
| Pitch Class Variability |
3.42 |
| Pitch Class Variability After Folding |
4.529 |
| Pitch Skewness |
-0.01411 |
| Pitch Class Skewness |
0.1587 |
| Pitch Class Skewness After Folding |
1.399 |
| Pitch Kurtosis |
5.312 |
| Pitch Class Kurtosis |
4.882 |
| Pitch Class Kurtosis After Folding |
4.337 |
| Major or Minor |
0.0 |
| First Pitch |
46.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2171 |
| Note Density per Quarter Note |
1.131 |
| Note Density per Quarter Note per Voice |
0.2829 |
| Note Density per Quarter Note Variability |
0.6802 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007619 |
| Prevalence of Medium Rhythmic Values |
0.68 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7505 |
| Prevalence of Very Long Rhythmic Values |
0.0781 |
| Prevalence of Dotted Notes |
0.141 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.556 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4305 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5619 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.773 |
| Rhythmic Value Skewness |
0.9413 |
| Rhythmic Value Kurtosis |
12.79 |
| Mean Rhythmic Value Run Length |
1.577 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.066 |
| Mean Rhythmic Value Offset |
0.0001925 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.00441 |
| Complete Rests Fraction |
0.008623 |
| Partial Rests Fraction |
0.5735 |
| Average Rest Fraction Across Voices |
0.277 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
56.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
10.94 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.54 |
| Variability Across Voices of Combined Rests |
30.95 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5218 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2373 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.199 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7591 |
| Rhythmic Variability - Tempo Standardized |
0.04863 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
525.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8592 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
2.25 |
| Average Note Duration |
0.4792 |
| Variability of Note Durations |
0.3324 |
| Amount of Staccato |
0.007619 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2 |
| Strength of Second Strongest Rhythmic Pulse |
0.1928 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.037 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.3928 |
| Rhythmic Variability |
0.03119 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
87.0 |
| Note Density |
6.034 |
| Note Density Variability |
2.748 |
| Average Time Between Attacks |
0.3765 |
| Average Time Between Attacks for Each Voice |
0.6168 |
| Variability of Time Between Attacks |
0.2334 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3793 |
| Relative Range Isolation of Loudest Voice |
0.3304 |
| Relative Range of Highest Line |
0.3793 |
| Relative Note Density of Highest Line |
0.5181 |
| Relative Note Durations of Lowest Line |
0.9633 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8267 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.101 |
| Average Number of Independent Voices |
2.917 |
| Similar Motion |
0.2268 |
| Contrary Motion |
0.2577 |
| Oblique Motion |
0.4144 |
| Parallel Fifths |
0.006186 |
| Parallel Octaves |
0.002062 |
| Variability of Number of Independent Voices |
0.9855 |
| Voice Equality - Number of Notes |
17.76 |
| Voice Equality - Note Duration |
5.803 |
| Voice Equality - Dynamics |
0.5774 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
0.6667 |