Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2484 |
Prevalence of Second Most Common Vertical Interval |
0.2058 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8283 |
Vertical Unisons |
0.04569 |
Vertical Minor Seconds |
0.003375 |
Vertical Thirds |
0.3502 |
Vertical Tritones |
0.02038 |
Vertical Perfect Fourths |
0.06122 |
Vertical Perfect Fifths |
0.1695 |
Vertical Sixths |
0.1555 |
Vertical Sevenths |
0.01325 |
Vertical Octaves |
0.1601 |
Perfect Vertical Intervals |
0.4365 |
Vertical Dissonance Ratio |
0.06127 |
Vertical Minor Third Prevalence |
0.5878 |
Vertical Major Third Prevalence |
0.2932 |
Chord Duration |
2.287 |
Partial Chords |
0.416 |
Standard Triads |
0.41 |
Diminished and Augmented Triads |
0.06298 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.003817 |
Non-Standard Chords |
0.1702 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.306 |
Average Number of Simultaneous Pitch Classes |
2.486 |
Variability of Number of Simultaneous Pitch Classes |
0.6209 |
Average Number of Simultaneous Pitches |
2.973 |
Variability of Number of Simultaneous Pitches |
0.4755 |
Most Common Vertical Interval |
3.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
20.0 |
Variation of Dynamics |
9.522 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
0.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
1.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
110.3 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
2.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1992 |
Stepwise Motion |
0.6753 |
Melodic Thirds |
0.1375 |
Melodic Perfect Fourths |
0.04781 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.02191 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.001992 |
Melodic Octaves |
0.01195 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
3.929 |
Melodic Embellishments |
0.02174 |
Direction of Melodic Motion |
0.4556 |
Average Length of Melodic Arcs |
1.822 |
Average Interval Spanned by Melodic Arcs |
4.304 |
Melodic Pitch Variety |
5.092 |
Mean Melodic Interval |
2.147 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4761 |
Relative Prevalence of Most Common Melodic Intervals |
0.4184 |
Amount of Arpeggiation |
0.2769 |
Repeated Notes |
0.1036 |
Importance of Middle Register |
0.8024 |
Importance of High Register |
0.01779 |
Dominant Spread |
5.0 |
Strong Tonal Centres |
3.0 |
Mean Pitch |
59.96 |
Mean Pitch Class |
5.561 |
Most Common Pitch |
55.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1403 |
Prevalence of Most Common Pitch Class |
0.2253 |
Relative Prevalence of Top Pitches |
0.6338 |
Relative Prevalence of Top Pitch Classes |
0.6754 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
2.0 |
Pitch Variability |
6.589 |
Pitch Class Variability |
3.294 |
Pitch Class Variability After Folding |
3.669 |
Pitch Skewness |
0.1674 |
Pitch Class Skewness |
-1.31 |
Pitch Class Skewness After Folding |
0.6981 |
Pitch Kurtosis |
5.085 |
Pitch Class Kurtosis |
4.87 |
Pitch Class Kurtosis After Folding |
5.464 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
26.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
1.0 |
Number of Common Pitch Classes |
1.0 |
Range |
29.0 |
Importance of Bass Register |
0.1798 |
Note Density per Quarter Note |
0.902 |
Note Density per Quarter Note per Voice |
0.2255 |
Note Density per Quarter Note Variability |
0.3836 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
9.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.003953 |
Prevalence of Medium Rhythmic Values |
0.3636 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.836 |
Prevalence of Very Long Rhythmic Values |
0.1047 |
Prevalence of Dotted Notes |
0.09091 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.453 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.4684 |
Relative Prevalence of Most Common Rhythmic Values |
0.4262 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.948 |
Rhythmic Value Skewness |
-0.8431 |
Rhythmic Value Kurtosis |
8.227 |
Mean Rhythmic Value Run Length |
1.909 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.749 |
Mean Rhythmic Value Offset |
0.02569 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3081 |
Complete Rests Fraction |
0.001768 |
Partial Rests Fraction |
0.8039 |
Average Rest Fraction Across Voices |
0.2166 |
Longest Complete Rest |
0.9917 |
Longest Partial Rest |
28.0 |
Mean Complete Rest Duration |
0.9917 |
Mean Partial Rest Duration |
8.379 |
Median Complete Rest Duration |
0.9917 |
Median Partial Rest Duration |
8.0 |
Duple Initial Meter |
1.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
5.768 |
Variability Across Voices of Combined Rests |
73.29 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5691 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2129 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.674 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.782 |
Rhythmic Variability - Tempo Standardized |
0.05039 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
0.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
506.0 |
Initial Tempo |
312.0 |
Average Variability of Time Between Attacks for Each Voice |
0.805 |
Minimum Note Duration |
0.09615 |
Maximum Note Duration |
3.077 |
Average Note Duration |
0.6681 |
Variability of Note Durations |
0.3988 |
Amount of Staccato |
0.003953 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
6.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
312.0 |
Strongest Rhythmic Pulse |
78.0 |
Second Strongest Rhythmic Pulse |
52.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.3527 |
Strength of Second Strongest Rhythmic Pulse |
0.2132 |
Strength Ratio of Two Strongest Rhythmic Pulses |
1.655 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.5658 |
Rhythmic Variability |
0.03711 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.000000000504 |
Duration in Seconds |
107.9 |
Note Density |
4.69 |
Note Density Variability |
1.625 |
Average Time Between Attacks |
0.4051 |
Average Time Between Attacks for Each Voice |
0.9486 |
Variability of Time Between Attacks |
0.2355 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5862 |
Relative Range Isolation of Loudest Voice |
0.7943 |
Relative Range of Highest Line |
0.5862 |
Relative Note Density of Highest Line |
0.5296 |
Relative Note Durations of Lowest Line |
1.339 |
Relative Size of Melodic Intervals in Lowest Line |
1.333 |
Voice Overlap |
0.7115 |
Voice Separation |
4.333 |
Variability of Voice Separation |
3.215 |
Parallel Motion |
0.07353 |
Average Number of Independent Voices |
3.139 |
Similar Motion |
0.1408 |
Contrary Motion |
0.1576 |
Oblique Motion |
0.6282 |
Parallel Fifths |
0.008403 |
Parallel Octaves |
0.006303 |
Variability of Number of Independent Voices |
0.4839 |
Voice Equality - Number of Notes |
52.6 |
Voice Equality - Note Duration |
14.09 |
Voice Equality - Dynamics |
10.0 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
6.752 |
Importance of Loudest Voice |
20.0 |