| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2072 |
| Prevalence of Second Most Common Vertical Interval |
0.182 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8781 |
| Vertical Unisons |
0.05161 |
| Vertical Minor Seconds |
0.004011 |
| Vertical Thirds |
0.3146 |
| Vertical Tritones |
0.01179 |
| Vertical Perfect Fourths |
0.09272 |
| Vertical Perfect Fifths |
0.1763 |
| Vertical Sixths |
0.1435 |
| Vertical Sevenths |
0.02855 |
| Vertical Octaves |
0.1556 |
| Perfect Vertical Intervals |
0.4763 |
| Vertical Dissonance Ratio |
0.07022 |
| Vertical Minor Third Prevalence |
0.4682 |
| Vertical Major Third Prevalence |
0.3434 |
| Chord Duration |
2.208 |
| Partial Chords |
0.4928 |
| Standard Triads |
0.3477 |
| Diminished and Augmented Triads |
0.02586 |
| Dominant Seventh Chords |
0.001423 |
| Seventh Chords |
0.01139 |
| Non-Standard Chords |
0.1482 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.204 |
| Average Number of Simultaneous Pitch Classes |
2.445 |
| Variability of Number of Simultaneous Pitch Classes |
0.6438 |
| Average Number of Simultaneous Pitches |
2.912 |
| Variability of Number of Simultaneous Pitches |
0.7438 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.348 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
385.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2286 |
| Stepwise Motion |
0.6503 |
| Melodic Thirds |
0.1519 |
| Melodic Perfect Fourths |
0.06549 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04322 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.006549 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.268 |
| Melodic Embellishments |
0.03135 |
| Direction of Melodic Motion |
0.464 |
| Average Length of Melodic Arcs |
2.013 |
| Average Interval Spanned by Melodic Arcs |
4.986 |
| Melodic Pitch Variety |
5.399 |
| Mean Melodic Interval |
2.283 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4217 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5419 |
| Amount of Arpeggiation |
0.2842 |
| Repeated Notes |
0.08251 |
| Importance of Middle Register |
0.8354 |
| Importance of High Register |
0.03331 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.92 |
| Mean Pitch Class |
5.607 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1221 |
| Prevalence of Most Common Pitch Class |
0.2273 |
| Relative Prevalence of Top Pitches |
0.861 |
| Relative Prevalence of Top Pitch Classes |
0.727 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.598 |
| Pitch Class Variability |
3.327 |
| Pitch Class Variability After Folding |
3.922 |
| Pitch Skewness |
-0.2593 |
| Pitch Class Skewness |
-1.256 |
| Pitch Class Skewness After Folding |
1.629 |
| Pitch Kurtosis |
5.069 |
| Pitch Class Kurtosis |
4.795 |
| Pitch Class Kurtosis After Folding |
4.977 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.1313 |
| Note Density per Quarter Note |
1.025 |
| Note Density per Quarter Note per Voice |
0.2564 |
| Note Density per Quarter Note Variability |
0.4189 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001306 |
| Prevalence of Medium Rhythmic Values |
0.5709 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8197 |
| Prevalence of Very Long Rhythmic Values |
0.08752 |
| Prevalence of Dotted Notes |
0.1522 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.934 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3906 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6355 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.993 |
| Rhythmic Value Skewness |
1.406 |
| Rhythmic Value Kurtosis |
12.62 |
| Mean Rhythmic Value Run Length |
1.495 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.082 |
| Mean Rhythmic Value Offset |
0.09177 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9204 |
| Complete Rests Fraction |
0.000602 |
| Partial Rests Fraction |
0.6769 |
| Average Rest Fraction Across Voices |
0.2328 |
| Longest Complete Rest |
0.8987 |
| Longest Partial Rest |
242.4 |
| Mean Complete Rest Duration |
0.8987 |
| Mean Partial Rest Duration |
14.19 |
| Median Complete Rest Duration |
0.8987 |
| Median Partial Rest Duration |
4.488 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
31.47 |
| Variability Across Voices of Combined Rests |
287.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5764 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2236 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.578 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8001 |
| Rhythmic Variability - Tempo Standardized |
0.05082 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1531.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.774 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.6352 |
| Variability of Note Durations |
0.5325 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
286.2 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
71.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.2626 |
| Strength of Second Strongest Rhythmic Pulse |
0.2574 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.02 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5201 |
| Rhythmic Variability |
0.03544 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
30.94 |
| Duration in Seconds |
316.8 |
| Note Density |
4.833 |
| Note Density Variability |
1.545 |
| Average Time Between Attacks |
0.3872 |
| Average Time Between Attacks for Each Voice |
1.064 |
| Variability of Time Between Attacks |
0.2138 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4667 |
| Relative Range Isolation of Loudest Voice |
0.3976 |
| Relative Range of Highest Line |
0.4667 |
| Relative Note Density of Highest Line |
0.1777 |
| Relative Note Durations of Lowest Line |
0.9171 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8138 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.04155 |
| Average Number of Independent Voices |
3.092 |
| Similar Motion |
0.1297 |
| Contrary Motion |
0.1771 |
| Oblique Motion |
0.6516 |
| Parallel Fifths |
0.002187 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.772 |
| Voice Equality - Number of Notes |
180.0 |
| Voice Equality - Note Duration |
60.96 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.317 |
| Importance of Loudest Voice |
20.0 |