| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2017 |
| Prevalence of Second Most Common Vertical Interval |
0.1863 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9238 |
| Vertical Unisons |
0.04393 |
| Vertical Minor Seconds |
0.001647 |
| Vertical Thirds |
0.3446 |
| Vertical Tritones |
0.008878 |
| Vertical Perfect Fourths |
0.06022 |
| Vertical Perfect Fifths |
0.1863 |
| Vertical Sixths |
0.1352 |
| Vertical Sevenths |
0.02892 |
| Vertical Octaves |
0.1578 |
| Perfect Vertical Intervals |
0.4483 |
| Vertical Dissonance Ratio |
0.07751 |
| Vertical Minor Third Prevalence |
0.3729 |
| Vertical Major Third Prevalence |
0.3835 |
| Chord Duration |
2.905 |
| Partial Chords |
0.5023 |
| Standard Triads |
0.3302 |
| Diminished and Augmented Triads |
0.01628 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1674 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5435 |
| Average Number of Simultaneous Pitch Classes |
2.364 |
| Variability of Number of Simultaneous Pitch Classes |
0.64 |
| Average Number of Simultaneous Pitches |
2.746 |
| Variability of Number of Simultaneous Pitches |
0.4451 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.733 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
49.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2253 |
| Stepwise Motion |
0.6621 |
| Melodic Thirds |
0.1604 |
| Melodic Perfect Fourths |
0.06485 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04437 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003413 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.917 |
| Melodic Embellishments |
0.03041 |
| Direction of Melodic Motion |
0.4562 |
| Average Length of Melodic Arcs |
2.157 |
| Average Interval Spanned by Melodic Arcs |
5.165 |
| Melodic Pitch Variety |
5.45 |
| Mean Melodic Interval |
2.297 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4369 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5156 |
| Amount of Arpeggiation |
0.273 |
| Repeated Notes |
0.06485 |
| Importance of Middle Register |
0.7838 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.58 |
| Mean Pitch Class |
5.693 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.125 |
| Prevalence of Most Common Pitch Class |
0.2264 |
| Relative Prevalence of Top Pitches |
0.7568 |
| Relative Prevalence of Top Pitch Classes |
0.6866 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.585 |
| Pitch Class Variability |
3.532 |
| Pitch Class Variability After Folding |
3.272 |
| Pitch Skewness |
0.007695 |
| Pitch Class Skewness |
0.5882 |
| Pitch Class Skewness After Folding |
0.8148 |
| Pitch Kurtosis |
5.224 |
| Pitch Class Kurtosis |
4.803 |
| Pitch Class Kurtosis After Folding |
6.41 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.2162 |
| Note Density per Quarter Note |
0.6258 |
| Note Density per Quarter Note per Voice |
0.2086 |
| Note Density per Quarter Note Variability |
0.2553 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3041 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9324 |
| Prevalence of Very Long Rhythmic Values |
0.3209 |
| Prevalence of Dotted Notes |
0.1419 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.527 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.375 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6306 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.6 |
| Rhythmic Value Skewness |
0.6082 |
| Rhythmic Value Kurtosis |
6.439 |
| Mean Rhythmic Value Run Length |
1.55 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9439 |
| Mean Rhythmic Value Offset |
0.04054 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4013 |
| Complete Rests Fraction |
0.002097 |
| Partial Rests Fraction |
0.1374 |
| Average Rest Fraction Across Voices |
0.0472 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.525 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.614 |
| Variability Across Voices of Combined Rests |
4.163 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.801 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1332 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.013 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9342 |
| Rhythmic Variability - Tempo Standardized |
0.0641 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
296.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6106 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.8784 |
| Variability of Note Durations |
0.5276 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4226 |
| Strength of Second Strongest Rhythmic Pulse |
0.2635 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.604 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6862 |
| Rhythmic Variability |
0.04346 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004351 |
| Duration in Seconds |
90.96 |
| Note Density |
3.254 |
| Note Density Variability |
1.21 |
| Average Time Between Attacks |
0.5295 |
| Average Time Between Attacks for Each Voice |
0.9229 |
| Variability of Time Between Attacks |
0.277 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5556 |
| Relative Range Isolation of Loudest Voice |
0.5841 |
| Relative Range of Highest Line |
0.5556 |
| Relative Note Density of Highest Line |
0.6689 |
| Relative Note Durations of Lowest Line |
1.134 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.7432 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.03249 |
| Average Number of Independent Voices |
2.864 |
| Similar Motion |
0.1119 |
| Contrary Motion |
0.2022 |
| Oblique Motion |
0.6534 |
| Parallel Fifths |
0.00361 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3424 |
| Voice Equality - Number of Notes |
13.2 |
| Voice Equality - Note Duration |
0.8006 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
20.0 |