| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2698 |
| Prevalence of Second Most Common Vertical Interval |
0.2006 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7437 |
| Vertical Unisons |
0.03736 |
| Vertical Minor Seconds |
0.004858 |
| Vertical Thirds |
0.3407 |
| Vertical Tritones |
0.0 |
| Vertical Perfect Fourths |
0.03896 |
| Vertical Perfect Fifths |
0.1613 |
| Vertical Sixths |
0.118 |
| Vertical Sevenths |
0.02849 |
| Vertical Octaves |
0.2324 |
| Perfect Vertical Intervals |
0.47 |
| Vertical Dissonance Ratio |
0.07681 |
| Vertical Minor Third Prevalence |
0.4154 |
| Vertical Major Third Prevalence |
0.3212 |
| Chord Duration |
2.803 |
| Partial Chords |
0.5724 |
| Standard Triads |
0.2829 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1448 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6933 |
| Average Number of Simultaneous Pitch Classes |
2.233 |
| Variability of Number of Simultaneous Pitch Classes |
0.672 |
| Average Number of Simultaneous Pitches |
2.783 |
| Variability of Number of Simultaneous Pitches |
0.4171 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.349 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
10.69 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1828 |
| Stepwise Motion |
0.577 |
| Melodic Thirds |
0.1593 |
| Melodic Perfect Fourths |
0.1044 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08355 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.002611 |
| Melodic Octaves |
0.02089 |
| Melodic Large Intervals |
0.002611 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.588 |
| Melodic Embellishments |
0.03368 |
| Direction of Melodic Motion |
0.4148 |
| Average Length of Melodic Arcs |
1.957 |
| Average Interval Spanned by Melodic Arcs |
5.909 |
| Melodic Pitch Variety |
5.117 |
| Mean Melodic Interval |
2.914 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3943 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4636 |
| Amount of Arpeggiation |
0.3159 |
| Repeated Notes |
0.04961 |
| Importance of Middle Register |
0.6736 |
| Importance of High Register |
0.1839 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.81 |
| Mean Pitch Class |
4.707 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1218 |
| Prevalence of Most Common Pitch Class |
0.2591 |
| Relative Prevalence of Top Pitches |
0.9362 |
| Relative Prevalence of Top Pitch Classes |
0.75 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.116 |
| Pitch Class Variability |
3.23 |
| Pitch Class Variability After Folding |
3.299 |
| Pitch Skewness |
0.5181 |
| Pitch Class Skewness |
0.657 |
| Pitch Class Skewness After Folding |
0.6055 |
| Pitch Kurtosis |
5.082 |
| Pitch Class Kurtosis |
4.903 |
| Pitch Class Kurtosis After Folding |
6.715 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1425 |
| Note Density per Quarter Note |
0.7409 |
| Note Density per Quarter Note per Voice |
0.247 |
| Note Density per Quarter Note Variability |
0.3529 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3834 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9093 |
| Prevalence of Very Long Rhythmic Values |
0.1995 |
| Prevalence of Dotted Notes |
0.06995 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.87 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3938 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7434 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.259 |
| Rhythmic Value Skewness |
-0.172 |
| Rhythmic Value Kurtosis |
6.499 |
| Mean Rhythmic Value Run Length |
1.636 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.012 |
| Mean Rhythmic Value Offset |
0.02073 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2876 |
| Complete Rests Fraction |
0.001903 |
| Partial Rests Fraction |
0.1132 |
| Average Rest Fraction Across Voices |
0.03901 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.772 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.194 |
| Variability Across Voices of Combined Rests |
3.055 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7189 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1503 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.784 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8691 |
| Rhythmic Variability - Tempo Standardized |
0.05865 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
386.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.507 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7483 |
| Variability of Note Durations |
0.4521 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3813 |
| Strength of Second Strongest Rhythmic Pulse |
0.2527 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.509 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.634 |
| Rhythmic Variability |
0.04055 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004756 |
| Duration in Seconds |
100.2 |
| Note Density |
3.853 |
| Note Density Variability |
1.641 |
| Average Time Between Attacks |
0.5086 |
| Average Time Between Attacks for Each Voice |
0.7734 |
| Variability of Time Between Attacks |
0.287 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5806 |
| Relative Range Isolation of Loudest Voice |
0.6667 |
| Relative Range of Highest Line |
0.5806 |
| Relative Note Density of Highest Line |
0.5518 |
| Relative Note Durations of Lowest Line |
0.9856 |
| Relative Size of Melodic Intervals in Lowest Line |
0.4286 |
| Voice Overlap |
0.6192 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.03003 |
| Average Number of Independent Voices |
2.888 |
| Similar Motion |
0.1502 |
| Contrary Motion |
0.3093 |
| Oblique Motion |
0.5105 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3148 |
| Voice Equality - Number of Notes |
10.69 |
| Voice Equality - Note Duration |
0.5875 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
1.528 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
12.5 |