| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1861 |
| Prevalence of Second Most Common Vertical Interval |
0.1747 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9388 |
| Vertical Unisons |
0.02707 |
| Vertical Minor Seconds |
0.001778 |
| Vertical Thirds |
0.3412 |
| Vertical Tritones |
0.02195 |
| Vertical Perfect Fourths |
0.09295 |
| Vertical Perfect Fifths |
0.1602 |
| Vertical Sixths |
0.1901 |
| Vertical Sevenths |
0.008736 |
| Vertical Octaves |
0.1476 |
| Perfect Vertical Intervals |
0.4278 |
| Vertical Dissonance Ratio |
0.04264 |
| Vertical Minor Third Prevalence |
0.4167 |
| Vertical Major Third Prevalence |
0.4677 |
| Chord Duration |
2.063 |
| Partial Chords |
0.4102 |
| Standard Triads |
0.4744 |
| Diminished and Augmented Triads |
0.06052 |
| Dominant Seventh Chords |
0.002241 |
| Seventh Chords |
0.01345 |
| Non-Standard Chords |
0.102 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.545 |
| Average Number of Simultaneous Pitch Classes |
2.548 |
| Variability of Number of Simultaneous Pitch Classes |
0.6028 |
| Average Number of Simultaneous Pitches |
3.018 |
| Variability of Number of Simultaneous Pitches |
0.6733 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.027 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
23.49 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1967 |
| Stepwise Motion |
0.627 |
| Melodic Thirds |
0.1906 |
| Melodic Perfect Fourths |
0.05123 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05123 |
| Melodic Sixths |
0.004098 |
| Melodic Sevenths |
0.004098 |
| Melodic Octaves |
0.006148 |
| Melodic Large Intervals |
0.002049 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.114 |
| Melodic Embellishments |
0.04038 |
| Direction of Melodic Motion |
0.4705 |
| Average Length of Melodic Arcs |
2.126 |
| Average Interval Spanned by Melodic Arcs |
5.637 |
| Melodic Pitch Variety |
5.177 |
| Mean Melodic Interval |
2.514 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4303 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4571 |
| Amount of Arpeggiation |
0.3156 |
| Repeated Notes |
0.06352 |
| Importance of Middle Register |
0.7481 |
| Importance of High Register |
0.1115 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.1 |
| Mean Pitch Class |
4.683 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1192 |
| Prevalence of Most Common Pitch Class |
0.2077 |
| Relative Prevalence of Top Pitches |
0.7258 |
| Relative Prevalence of Top Pitch Classes |
0.7685 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.617 |
| Pitch Class Variability |
3.517 |
| Pitch Class Variability After Folding |
3.4 |
| Pitch Skewness |
0.2659 |
| Pitch Class Skewness |
0.5823 |
| Pitch Class Skewness After Folding |
1.176 |
| Pitch Kurtosis |
5.327 |
| Pitch Class Kurtosis |
5.002 |
| Pitch Class Kurtosis After Folding |
6.677 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1404 |
| Note Density per Quarter Note |
1.099 |
| Note Density per Quarter Note per Voice |
0.2748 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007692 |
| Prevalence of Medium Rhythmic Values |
0.5423 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7423 |
| Prevalence of Very Long Rhythmic Values |
0.075 |
| Prevalence of Dotted Notes |
0.1308 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.785 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2904 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9801 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.686 |
| Rhythmic Value Skewness |
1.396 |
| Rhythmic Value Kurtosis |
7.364 |
| Mean Rhythmic Value Run Length |
1.864 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.754 |
| Mean Rhythmic Value Offset |
0.003846 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.04611 |
| Complete Rests Fraction |
0.01901 |
| Partial Rests Fraction |
0.6998 |
| Average Rest Fraction Across Voices |
0.2759 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
44.0 |
| Mean Complete Rest Duration |
4.496 |
| Mean Partial Rest Duration |
12.43 |
| Median Complete Rest Duration |
8.0 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
4.956 |
| Variability of Partial Rest Durations |
12.86 |
| Variability Across Voices of Combined Rests |
18.36 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4953 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2716 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.824 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7669 |
| Rhythmic Variability - Tempo Standardized |
0.04769 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
520.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9451 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
1.538 |
| Average Note Duration |
0.5348 |
| Variability of Note Durations |
0.3233 |
| Amount of Staccato |
0.007692 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2732 |
| Strength of Second Strongest Rhythmic Pulse |
0.2255 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.212 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4987 |
| Rhythmic Variability |
0.03428 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004351 |
| Duration in Seconds |
90.96 |
| Note Density |
5.717 |
| Note Density Variability |
2.127 |
| Average Time Between Attacks |
0.3847 |
| Average Time Between Attacks for Each Voice |
0.6996 |
| Variability of Time Between Attacks |
0.274 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.8258 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.5538 |
| Relative Note Durations of Lowest Line |
1.047 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7885 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
4.0 |
| Parallel Motion |
0.1315 |
| Average Number of Independent Voices |
2.953 |
| Similar Motion |
0.2449 |
| Contrary Motion |
0.1837 |
| Oblique Motion |
0.4399 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8107 |
| Voice Equality - Number of Notes |
23.49 |
| Voice Equality - Note Duration |
3.53 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.096 |
| Importance of Loudest Voice |
11.67 |