| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.217 |
| Prevalence of Second Most Common Vertical Interval |
0.1856 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8551 |
| Vertical Unisons |
0.07219 |
| Vertical Minor Seconds |
0.00693 |
| Vertical Thirds |
0.3333 |
| Vertical Tritones |
0.01503 |
| Vertical Perfect Fourths |
0.08709 |
| Vertical Perfect Fifths |
0.1856 |
| Vertical Sixths |
0.1154 |
| Vertical Sevenths |
0.02124 |
| Vertical Octaves |
0.1449 |
| Perfect Vertical Intervals |
0.4897 |
| Vertical Dissonance Ratio |
0.06564 |
| Vertical Minor Third Prevalence |
0.6004 |
| Vertical Major Third Prevalence |
0.5205 |
| Chord Duration |
2.208 |
| Partial Chords |
0.2899 |
| Standard Triads |
0.5093 |
| Diminished and Augmented Triads |
0.03106 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02899 |
| Non-Standard Chords |
0.1718 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.764 |
| Average Number of Simultaneous Pitch Classes |
2.773 |
| Variability of Number of Simultaneous Pitch Classes |
0.5967 |
| Average Number of Simultaneous Pitches |
3.424 |
| Variability of Number of Simultaneous Pitches |
0.5529 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.298 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
36.79 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1688 |
| Stepwise Motion |
0.5437 |
| Melodic Thirds |
0.2083 |
| Melodic Perfect Fourths |
0.1 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03958 |
| Melodic Sixths |
0.002083 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008333 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.439 |
| Melodic Embellishments |
0.05567 |
| Direction of Melodic Motion |
0.4804 |
| Average Length of Melodic Arcs |
1.858 |
| Average Interval Spanned by Melodic Arcs |
5.103 |
| Melodic Pitch Variety |
5.226 |
| Mean Melodic Interval |
2.523 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.375 |
| Relative Prevalence of Most Common Melodic Intervals |
0.45 |
| Amount of Arpeggiation |
0.3542 |
| Repeated Notes |
0.09792 |
| Importance of Middle Register |
0.5959 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.85 |
| Mean Pitch Class |
5.144 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1175 |
| Prevalence of Most Common Pitch Class |
0.2041 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.8788 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.473 |
| Pitch Class Variability |
3.437 |
| Pitch Class Variability After Folding |
3.338 |
| Pitch Skewness |
-0.2848 |
| Pitch Class Skewness |
0.126 |
| Pitch Class Skewness After Folding |
0.6931 |
| Pitch Kurtosis |
5.215 |
| Pitch Class Kurtosis |
4.868 |
| Pitch Class Kurtosis After Folding |
6.486 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.4041 |
| Note Density per Quarter Note |
0.9918 |
| Note Density per Quarter Note per Voice |
0.248 |
| Note Density per Quarter Note Variability |
0.4794 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4371 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8515 |
| Prevalence of Very Long Rhythmic Values |
0.2247 |
| Prevalence of Dotted Notes |
0.1608 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.736 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2887 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8429 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.49 |
| Rhythmic Value Skewness |
0.8869 |
| Rhythmic Value Kurtosis |
6.507 |
| Mean Rhythmic Value Run Length |
1.448 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.475 |
| Mean Rhythmic Value Offset |
0.08247 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9585 |
| Complete Rests Fraction |
0.002084 |
| Partial Rests Fraction |
0.2206 |
| Average Rest Fraction Across Voices |
0.05672 |
| Longest Complete Rest |
1.019 |
| Longest Partial Rest |
15.69 |
| Mean Complete Rest Duration |
1.019 |
| Mean Partial Rest Duration |
4.267 |
| Median Complete Rest Duration |
1.019 |
| Median Partial Rest Duration |
3.923 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.329 |
| Variability Across Voices of Combined Rests |
20.28 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5576 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.246 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.267 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8037 |
| Rhythmic Variability - Tempo Standardized |
0.05024 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
485.0 |
| Initial Tempo |
330.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5356 |
| Minimum Note Duration |
0.1818 |
| Maximum Note Duration |
4.364 |
| Average Note Duration |
0.7083 |
| Variability of Note Durations |
0.5443 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
323.8 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
81.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.2189 |
| Strength of Second Strongest Rhythmic Pulse |
0.2136 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.025 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4325 |
| Rhythmic Variability |
0.03254 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
7.38 |
| Duration in Seconds |
90.65 |
| Note Density |
5.35 |
| Note Density Variability |
2.205 |
| Average Time Between Attacks |
0.3868 |
| Average Time Between Attacks for Each Voice |
0.805 |
| Variability of Time Between Attacks |
0.2385 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.366 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.5196 |
| Relative Note Durations of Lowest Line |
0.9433 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8763 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.03681 |
| Average Number of Independent Voices |
3.779 |
| Similar Motion |
0.1063 |
| Contrary Motion |
0.1493 |
| Oblique Motion |
0.7076 |
| Parallel Fifths |
0.00409 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4151 |
| Voice Equality - Number of Notes |
36.79 |
| Voice Equality - Note Duration |
3.759 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.893 |
| Importance of Loudest Voice |
10.0 |