| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2038 |
| Prevalence of Second Most Common Vertical Interval |
0.1797 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8816 |
| Vertical Unisons |
0.03783 |
| Vertical Minor Seconds |
0.01016 |
| Vertical Thirds |
0.3561 |
| Vertical Tritones |
0.01521 |
| Vertical Perfect Fourths |
0.06784 |
| Vertical Perfect Fifths |
0.1756 |
| Vertical Sixths |
0.1556 |
| Vertical Sevenths |
0.02234 |
| Vertical Octaves |
0.1419 |
| Perfect Vertical Intervals |
0.4231 |
| Vertical Dissonance Ratio |
0.06983 |
| Vertical Minor Third Prevalence |
0.4419 |
| Vertical Major Third Prevalence |
0.3119 |
| Chord Duration |
2.476 |
| Partial Chords |
0.5628 |
| Standard Triads |
0.3108 |
| Diminished and Augmented Triads |
0.02568 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1264 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.396 |
| Average Number of Simultaneous Pitch Classes |
2.343 |
| Variability of Number of Simultaneous Pitch Classes |
0.5972 |
| Average Number of Simultaneous Pitches |
2.692 |
| Variability of Number of Simultaneous Pitches |
0.4831 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.605 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
18.08 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2544 |
| Stepwise Motion |
0.7368 |
| Melodic Thirds |
0.07602 |
| Melodic Perfect Fourths |
0.05117 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04094 |
| Melodic Sixths |
0.001462 |
| Melodic Sevenths |
0.004386 |
| Melodic Octaves |
0.004386 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.727 |
| Melodic Embellishments |
0.04076 |
| Direction of Melodic Motion |
0.4984 |
| Average Length of Melodic Arcs |
2.327 |
| Average Interval Spanned by Melodic Arcs |
5.338 |
| Melodic Pitch Variety |
5.198 |
| Mean Melodic Interval |
2.115 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4825 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5273 |
| Amount of Arpeggiation |
0.2105 |
| Repeated Notes |
0.0848 |
| Importance of Middle Register |
0.7438 |
| Importance of High Register |
0.01019 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.46 |
| Mean Pitch Class |
5.298 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1048 |
| Prevalence of Most Common Pitch Class |
0.1805 |
| Relative Prevalence of Top Pitches |
0.9306 |
| Relative Prevalence of Top Pitch Classes |
0.9194 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.879 |
| Pitch Class Variability |
3.37 |
| Pitch Class Variability After Folding |
3.876 |
| Pitch Skewness |
0.05777 |
| Pitch Class Skewness |
0.2657 |
| Pitch Class Skewness After Folding |
0.9947 |
| Pitch Kurtosis |
5.391 |
| Pitch Class Kurtosis |
4.74 |
| Pitch Class Kurtosis After Folding |
5.089 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.246 |
| Note Density per Quarter Note |
0.862 |
| Note Density per Quarter Note per Voice |
0.2873 |
| Note Density per Quarter Note Variability |
0.3707 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002911 |
| Prevalence of Medium Rhythmic Values |
0.4454 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8079 |
| Prevalence of Very Long Rhythmic Values |
0.1237 |
| Prevalence of Dotted Notes |
0.1485 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.217 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3537 |
| Relative Prevalence of Most Common Rhythmic Values |
0.716 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.899 |
| Rhythmic Value Skewness |
0.3426 |
| Rhythmic Value Kurtosis |
7.894 |
| Mean Rhythmic Value Run Length |
1.547 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.065 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.006691 |
| Partial Rests Fraction |
0.2134 |
| Average Rest Fraction Across Voices |
0.07558 |
| Longest Complete Rest |
4.443 |
| Longest Partial Rest |
14.35 |
| Mean Complete Rest Duration |
2.666 |
| Mean Partial Rest Duration |
4.634 |
| Median Complete Rest Duration |
4.443 |
| Median Partial Rest Duration |
3.588 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.512 |
| Variability of Partial Rest Durations |
3.44 |
| Variability Across Voices of Combined Rests |
30.81 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5324 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2339 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.276 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7663 |
| Rhythmic Variability - Tempo Standardized |
0.04915 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
687.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5536 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.6897 |
| Variability of Note Durations |
0.4172 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
283.1 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3097 |
| Strength of Second Strongest Rhythmic Pulse |
0.2264 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.368 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5361 |
| Rhythmic Variability |
0.03563 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
29.98 |
| Duration in Seconds |
170.9 |
| Note Density |
4.021 |
| Note Density Variability |
1.187 |
| Average Time Between Attacks |
0.459 |
| Average Time Between Attacks for Each Voice |
0.7385 |
| Variability of Time Between Attacks |
0.3051 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.5425 |
| Relative Range of Highest Line |
0.5161 |
| Relative Note Density of Highest Line |
0.2882 |
| Relative Note Durations of Lowest Line |
1.026 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8268 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
3.536 |
| Parallel Motion |
0.04444 |
| Average Number of Independent Voices |
2.79 |
| Similar Motion |
0.135 |
| Contrary Motion |
0.2359 |
| Oblique Motion |
0.5846 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.407 |
| Voice Equality - Number of Notes |
18.08 |
| Voice Equality - Note Duration |
6.605 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.055 |
| Importance of Loudest Voice |
12.5 |