| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2167 |
| Prevalence of Second Most Common Vertical Interval |
0.1787 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8248 |
| Vertical Unisons |
0.006781 |
| Vertical Minor Seconds |
0.01085 |
| Vertical Thirds |
0.3318 |
| Vertical Tritones |
0.005425 |
| Vertical Perfect Fourths |
0.03044 |
| Vertical Perfect Fifths |
0.1685 |
| Vertical Sixths |
0.1786 |
| Vertical Sevenths |
0.03436 |
| Vertical Octaves |
0.2099 |
| Perfect Vertical Intervals |
0.4156 |
| Vertical Dissonance Ratio |
0.0799 |
| Vertical Minor Third Prevalence |
0.3851 |
| Vertical Major Third Prevalence |
0.348 |
| Chord Duration |
2.062 |
| Partial Chords |
0.5154 |
| Standard Triads |
0.3385 |
| Diminished and Augmented Triads |
0.003846 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1462 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.095 |
| Average Number of Simultaneous Pitch Classes |
2.304 |
| Variability of Number of Simultaneous Pitch Classes |
0.6744 |
| Average Number of Simultaneous Pitches |
2.78 |
| Variability of Number of Simultaneous Pitches |
0.414 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.593 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
57.28 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2374 |
| Stepwise Motion |
0.7266 |
| Melodic Thirds |
0.1043 |
| Melodic Perfect Fourths |
0.05036 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05755 |
| Melodic Sixths |
0.003597 |
| Melodic Sevenths |
0.003597 |
| Melodic Octaves |
0.003597 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.143 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.428 |
| Average Length of Melodic Arcs |
2.079 |
| Average Interval Spanned by Melodic Arcs |
4.984 |
| Melodic Pitch Variety |
4.969 |
| Mean Melodic Interval |
2.317 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4892 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4853 |
| Amount of Arpeggiation |
0.2194 |
| Repeated Notes |
0.05036 |
| Importance of Middle Register |
0.6584 |
| Importance of High Register |
0.003559 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
56.91 |
| Mean Pitch Class |
6.089 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.08185 |
| Prevalence of Most Common Pitch Class |
0.2313 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.7538 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
8.662 |
| Pitch Class Variability |
3.257 |
| Pitch Class Variability After Folding |
4.063 |
| Pitch Skewness |
-0.2601 |
| Pitch Class Skewness |
-0.8391 |
| Pitch Class Skewness After Folding |
1.067 |
| Pitch Kurtosis |
4.988 |
| Pitch Class Kurtosis |
5.123 |
| Pitch Class Kurtosis After Folding |
4.765 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3381 |
| Note Density per Quarter Note |
0.9213 |
| Note Density per Quarter Note per Voice |
0.3071 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.548 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7722 |
| Prevalence of Very Long Rhythmic Values |
0.08185 |
| Prevalence of Dotted Notes |
0.09253 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.918 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3203 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9778 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.881 |
| Rhythmic Value Skewness |
1.464 |
| Rhythmic Value Kurtosis |
10.04 |
| Mean Rhythmic Value Run Length |
1.588 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.063 |
| Mean Rhythmic Value Offset |
0.02847 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3369 |
| Complete Rests Fraction |
0.02948 |
| Partial Rests Fraction |
0.2262 |
| Average Rest Fraction Across Voices |
0.09506 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
4.496 |
| Mean Partial Rest Duration |
5.436 |
| Median Complete Rest Duration |
8.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
4.956 |
| Variability of Partial Rest Durations |
3.206 |
| Variability Across Voices of Combined Rests |
8.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5291 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2375 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.228 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7666 |
| Rhythmic Variability - Tempo Standardized |
0.04903 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
281.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6038 |
| Minimum Note Duration |
0.2381 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.7016 |
| Variability of Note Durations |
0.4863 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2861 |
| Strength of Second Strongest Rhythmic Pulse |
0.266 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.076 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5521 |
| Rhythmic Variability |
0.03751 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.00000000006122 |
| Duration in Seconds |
72.62 |
| Note Density |
3.87 |
| Note Density Variability |
1.546 |
| Average Time Between Attacks |
0.4742 |
| Average Time Between Attacks for Each Voice |
0.75 |
| Variability of Time Between Attacks |
0.3333 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.59 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.7046 |
| Relative Note Durations of Lowest Line |
1.081 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.5694 |
| Voice Separation |
10.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.03729 |
| Average Number of Independent Voices |
2.797 |
| Similar Motion |
0.1458 |
| Contrary Motion |
0.2814 |
| Oblique Motion |
0.5356 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.402 |
| Voice Equality - Number of Notes |
8.505 |
| Voice Equality - Note Duration |
1.905 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.309 |
| Importance of Loudest Voice |
20.0 |