| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2568 |
| Prevalence of Second Most Common Vertical Interval |
0.1964 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7648 |
| Vertical Unisons |
0.02557 |
| Vertical Minor Seconds |
0.003697 |
| Vertical Thirds |
0.3255 |
| Vertical Tritones |
0.008165 |
| Vertical Perfect Fourths |
0.02865 |
| Vertical Perfect Fifths |
0.1507 |
| Vertical Sixths |
0.1599 |
| Vertical Sevenths |
0.03225 |
| Vertical Octaves |
0.2312 |
| Perfect Vertical Intervals |
0.4361 |
| Vertical Dissonance Ratio |
0.08533 |
| Vertical Minor Third Prevalence |
0.413 |
| Vertical Major Third Prevalence |
0.2783 |
| Chord Duration |
2.214 |
| Partial Chords |
0.5799 |
| Standard Triads |
0.2899 |
| Diminished and Augmented Triads |
0.01418 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1302 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.163 |
| Average Number of Simultaneous Pitch Classes |
2.198 |
| Variability of Number of Simultaneous Pitch Classes |
0.6868 |
| Average Number of Simultaneous Pitches |
2.678 |
| Variability of Number of Simultaneous Pitches |
0.4671 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.319 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
101.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2623 |
| Stepwise Motion |
0.7091 |
| Melodic Thirds |
0.1247 |
| Melodic Perfect Fourths |
0.03117 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04935 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.01039 |
| Melodic Octaves |
0.01299 |
| Melodic Large Intervals |
0.007792 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.0 |
| Melodic Embellishments |
0.03836 |
| Direction of Melodic Motion |
0.4505 |
| Average Length of Melodic Arcs |
2.116 |
| Average Interval Spanned by Melodic Arcs |
5.291 |
| Melodic Pitch Variety |
5.12 |
| Mean Melodic Interval |
2.426 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4468 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5872 |
| Amount of Arpeggiation |
0.2571 |
| Repeated Notes |
0.05455 |
| Importance of Middle Register |
0.6343 |
| Importance of High Register |
0.2251 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
63.55 |
| Mean Pitch Class |
4.601 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1049 |
| Prevalence of Most Common Pitch Class |
0.2481 |
| Relative Prevalence of Top Pitches |
0.7805 |
| Relative Prevalence of Top Pitch Classes |
0.6392 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
8.485 |
| Pitch Class Variability |
3.233 |
| Pitch Class Variability After Folding |
3.514 |
| Pitch Skewness |
0.1148 |
| Pitch Class Skewness |
0.5578 |
| Pitch Class Skewness After Folding |
0.8296 |
| Pitch Kurtosis |
5.038 |
| Pitch Class Kurtosis |
5.179 |
| Pitch Class Kurtosis After Folding |
5.978 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1407 |
| Note Density per Quarter Note |
0.8409 |
| Note Density per Quarter Note per Voice |
0.2803 |
| Note Density per Quarter Note Variability |
0.436 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005115 |
| Prevalence of Medium Rhythmic Values |
0.4655 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7698 |
| Prevalence of Very Long Rhythmic Values |
0.1304 |
| Prevalence of Dotted Notes |
0.1535 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.197 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3043 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7731 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.097 |
| Rhythmic Value Skewness |
0.2817 |
| Rhythmic Value Kurtosis |
8.069 |
| Mean Rhythmic Value Run Length |
1.422 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.006 |
| Mean Rhythmic Value Offset |
0.03069 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3495 |
| Complete Rests Fraction |
0.01073 |
| Partial Rests Fraction |
0.2817 |
| Average Rest Fraction Across Voices |
0.1183 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
7.856 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
10.71 |
| Variability Across Voices of Combined Rests |
22.54 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4663 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2685 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.737 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7347 |
| Rhythmic Variability - Tempo Standardized |
0.0469 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
391.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5659 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.6207 |
| Variability of Note Durations |
0.4327 |
| Amount of Staccato |
0.005115 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2632 |
| Strength of Second Strongest Rhythmic Pulse |
0.2377 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.107 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5009 |
| Rhythmic Variability |
0.03409 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004276 |
| Duration in Seconds |
89.42 |
| Note Density |
4.373 |
| Note Density Variability |
1.516 |
| Average Time Between Attacks |
0.397 |
| Average Time Between Attacks for Each Voice |
0.647 |
| Variability of Time Between Attacks |
0.248 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5588 |
| Relative Range Isolation of Loudest Voice |
0.7097 |
| Relative Range of Highest Line |
0.5588 |
| Relative Note Density of Highest Line |
0.5601 |
| Relative Note Durations of Lowest Line |
1.045 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.5934 |
| Voice Separation |
9.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.05805 |
| Average Number of Independent Voices |
2.674 |
| Similar Motion |
0.1451 |
| Contrary Motion |
0.2427 |
| Oblique Motion |
0.5541 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5693 |
| Voice Equality - Number of Notes |
7.095 |
| Voice Equality - Note Duration |
4.334 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
1.155 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
20.0 |