| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.1795 |
| Prevalence of Second Most Common Vertical Interval |
0.1712 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9538 |
| Vertical Unisons |
0.02378 |
| Vertical Minor Seconds |
0.005817 |
| Vertical Thirds |
0.3508 |
| Vertical Tritones |
0.01629 |
| Vertical Perfect Fourths |
0.08537 |
| Vertical Perfect Fifths |
0.1598 |
| Vertical Sixths |
0.1631 |
| Vertical Sevenths |
0.03061 |
| Vertical Octaves |
0.1382 |
| Perfect Vertical Intervals |
0.4072 |
| Vertical Dissonance Ratio |
0.08566 |
| Vertical Minor Third Prevalence |
0.5677 |
| Vertical Major Third Prevalence |
0.5 |
| Chord Duration |
2.251 |
| Partial Chords |
0.3 |
| Standard Triads |
0.4711 |
| Diminished and Augmented Triads |
0.03421 |
| Dominant Seventh Chords |
0.005263 |
| Seventh Chords |
0.02895 |
| Non-Standard Chords |
0.2 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9457 |
| Average Number of Simultaneous Pitch Classes |
2.75 |
| Variability of Number of Simultaneous Pitch Classes |
0.5863 |
| Average Number of Simultaneous Pitches |
3.299 |
| Variability of Number of Simultaneous Pitches |
0.6586 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.345 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
91.22 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1977 |
| Stepwise Motion |
0.7062 |
| Melodic Thirds |
0.0904 |
| Melodic Perfect Fourths |
0.07062 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03107 |
| Melodic Sixths |
0.002825 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.6842 |
| Melodic Embellishments |
0.03064 |
| Direction of Melodic Motion |
0.4389 |
| Average Length of Melodic Arcs |
1.969 |
| Average Interval Spanned by Melodic Arcs |
4.543 |
| Melodic Pitch Variety |
4.421 |
| Mean Melodic Interval |
2.133 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5085 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3889 |
| Amount of Arpeggiation |
0.2203 |
| Repeated Notes |
0.09887 |
| Importance of Middle Register |
0.7827 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.36 |
| Mean Pitch Class |
5.139 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09749 |
| Prevalence of Most Common Pitch Class |
0.1838 |
| Relative Prevalence of Top Pitches |
0.9143 |
| Relative Prevalence of Top Pitch Classes |
0.8485 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.75 |
| Pitch Class Variability |
3.435 |
| Pitch Class Variability After Folding |
3.706 |
| Pitch Skewness |
-0.1374 |
| Pitch Class Skewness |
0.1217 |
| Pitch Class Skewness After Folding |
0.6629 |
| Pitch Kurtosis |
5.279 |
| Pitch Class Kurtosis |
4.897 |
| Pitch Class Kurtosis After Folding |
5.611 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2173 |
| Note Density per Quarter Note |
0.9325 |
| Note Density per Quarter Note per Voice |
0.2331 |
| Note Density per Quarter Note Variability |
0.3228 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3343 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8468 |
| Prevalence of Very Long Rhythmic Values |
0.1476 |
| Prevalence of Dotted Notes |
0.1003 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.627 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4763 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3801 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.96 |
| Rhythmic Value Skewness |
-0.5712 |
| Rhythmic Value Kurtosis |
6.935 |
| Mean Rhythmic Value Run Length |
1.795 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.265 |
| Mean Rhythmic Value Offset |
0.01114 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2111 |
| Complete Rests Fraction |
0.002576 |
| Partial Rests Fraction |
0.5636 |
| Average Rest Fraction Across Voices |
0.1571 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.679 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.621 |
| Variability Across Voices of Combined Rests |
28.49 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5974 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2397 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.492 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8371 |
| Rhythmic Variability - Tempo Standardized |
0.05212 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
359.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8145 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.6996 |
| Variability of Note Durations |
0.3882 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3742 |
| Strength of Second Strongest Rhythmic Pulse |
0.2258 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.657 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6 |
| Rhythmic Variability |
0.03878 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003347 |
| Duration in Seconds |
74.04 |
| Note Density |
4.849 |
| Note Density Variability |
0.7587 |
| Average Time Between Attacks |
0.4069 |
| Average Time Between Attacks for Each Voice |
0.8312 |
| Variability of Time Between Attacks |
0.2223 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.1478 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.7354 |
| Relative Note Durations of Lowest Line |
1.256 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.9276 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.06218 |
| Average Number of Independent Voices |
3.38 |
| Similar Motion |
0.114 |
| Contrary Motion |
0.1762 |
| Oblique Motion |
0.6477 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002591 |
| Variability of Number of Independent Voices |
0.5918 |
| Voice Equality - Number of Notes |
22.02 |
| Voice Equality - Note Duration |
5.479 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
20.0 |