| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2261 |
| Prevalence of Second Most Common Vertical Interval |
0.1736 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7677 |
| Vertical Unisons |
0.05648 |
| Vertical Minor Seconds |
0.006162 |
| Vertical Thirds |
0.2944 |
| Vertical Tritones |
0.01035 |
| Vertical Perfect Fourths |
0.08564 |
| Vertical Perfect Fifths |
0.1736 |
| Vertical Sixths |
0.1394 |
| Vertical Sevenths |
0.03209 |
| Vertical Octaves |
0.1696 |
| Perfect Vertical Intervals |
0.4853 |
| Vertical Dissonance Ratio |
0.08798 |
| Vertical Minor Third Prevalence |
0.3713 |
| Vertical Major Third Prevalence |
0.3027 |
| Chord Duration |
1.938 |
| Partial Chords |
0.614 |
| Standard Triads |
0.2335 |
| Diminished and Augmented Triads |
0.01959 |
| Dominant Seventh Chords |
0.002799 |
| Seventh Chords |
0.01555 |
| Non-Standard Chords |
0.137 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.013 |
| Average Number of Simultaneous Pitch Classes |
2.238 |
| Variability of Number of Simultaneous Pitch Classes |
0.7019 |
| Average Number of Simultaneous Pitches |
2.669 |
| Variability of Number of Simultaneous Pitches |
0.8408 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.333 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
292.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2126 |
| Stepwise Motion |
0.6789 |
| Melodic Thirds |
0.1636 |
| Melodic Perfect Fourths |
0.05162 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03587 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.00175 |
| Melodic Octaves |
0.01225 |
| Melodic Large Intervals |
0.0008749 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.922 |
| Melodic Embellishments |
0.03051 |
| Direction of Melodic Motion |
0.4509 |
| Average Length of Melodic Arcs |
2.156 |
| Average Interval Spanned by Melodic Arcs |
5.367 |
| Melodic Pitch Variety |
5.324 |
| Mean Melodic Interval |
2.378 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4663 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4559 |
| Amount of Arpeggiation |
0.2686 |
| Repeated Notes |
0.05512 |
| Importance of Middle Register |
0.8448 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.23 |
| Mean Pitch Class |
5.18 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1229 |
| Prevalence of Most Common Pitch Class |
0.2136 |
| Relative Prevalence of Top Pitches |
0.9291 |
| Relative Prevalence of Top Pitch Classes |
0.7714 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.927 |
| Pitch Class Variability |
3.407 |
| Pitch Class Variability After Folding |
3.846 |
| Pitch Skewness |
-0.1478 |
| Pitch Class Skewness |
0.1582 |
| Pitch Class Skewness After Folding |
1.424 |
| Pitch Kurtosis |
5.774 |
| Pitch Class Kurtosis |
4.771 |
| Pitch Class Kurtosis After Folding |
5.286 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1552 |
| Note Density per Quarter Note |
0.9333 |
| Note Density per Quarter Note per Voice |
0.2333 |
| Note Density per Quarter Note Variability |
0.4124 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001744 |
| Prevalence of Medium Rhythmic Values |
0.5867 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8091 |
| Prevalence of Very Long Rhythmic Values |
0.0898 |
| Prevalence of Dotted Notes |
0.1552 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.956 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3958 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5705 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.176 |
| Rhythmic Value Skewness |
1.318 |
| Rhythmic Value Kurtosis |
12.45 |
| Mean Rhythmic Value Run Length |
1.525 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.019 |
| Mean Rhythmic Value Offset |
0.08282 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7529 |
| Complete Rests Fraction |
0.0005774 |
| Partial Rests Fraction |
0.5965 |
| Average Rest Fraction Across Voices |
0.4211 |
| Longest Complete Rest |
0.7097 |
| Longest Partial Rest |
276.4 |
| Mean Complete Rest Duration |
0.7097 |
| Mean Partial Rest Duration |
15.91 |
| Median Complete Rest Duration |
0.7097 |
| Median Partial Rest Duration |
2.862 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
41.23 |
| Variability Across Voices of Combined Rests |
201.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5601 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2244 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.496 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7844 |
| Rhythmic Variability - Tempo Standardized |
0.04992 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1147.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.305 |
| Minimum Note Duration |
0.1664 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.8255 |
| Variability of Note Durations |
0.6908 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
226.1 |
| Strongest Rhythmic Pulse |
45.0 |
| Second Strongest Rhythmic Pulse |
90.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3779 |
| Strength of Second Strongest Rhythmic Pulse |
0.3477 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.087 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7257 |
| Rhythmic Variability |
0.04277 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
34.43 |
| Duration in Seconds |
408.9 |
| Note Density |
2.805 |
| Note Density Variability |
1.569 |
| Average Time Between Attacks |
0.5 |
| Average Time Between Attacks for Each Voice |
1.877 |
| Variability of Time Between Attacks |
0.3628 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.1117 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.2232 |
| Relative Note Durations of Lowest Line |
3.038 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9503 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.04772 |
| Average Number of Independent Voices |
2.834 |
| Similar Motion |
0.1068 |
| Contrary Motion |
0.1556 |
| Oblique Motion |
0.6898 |
| Parallel Fifths |
0.006224 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8647 |
| Voice Equality - Number of Notes |
158.1 |
| Voice Equality - Note Duration |
67.11 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.304 |
| Importance of Loudest Voice |
20.0 |