| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2115 |
| Prevalence of Second Most Common Vertical Interval |
0.1763 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8334 |
| Vertical Unisons |
0.06748 |
| Vertical Minor Seconds |
0.01165 |
| Vertical Thirds |
0.3025 |
| Vertical Tritones |
0.00882 |
| Vertical Perfect Fourths |
0.05607 |
| Vertical Perfect Fifths |
0.1763 |
| Vertical Sixths |
0.1713 |
| Vertical Sevenths |
0.03269 |
| Vertical Octaves |
0.144 |
| Perfect Vertical Intervals |
0.4438 |
| Vertical Dissonance Ratio |
0.08974 |
| Vertical Minor Third Prevalence |
0.2521 |
| Vertical Major Third Prevalence |
0.2137 |
| Chord Duration |
3.857 |
| Partial Chords |
0.7402 |
| Standard Triads |
0.1816 |
| Diminished and Augmented Triads |
0.005587 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.07821 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.625 |
| Average Number of Simultaneous Pitch Classes |
1.964 |
| Variability of Number of Simultaneous Pitch Classes |
0.6576 |
| Average Number of Simultaneous Pitches |
2.179 |
| Variability of Number of Simultaneous Pitches |
0.6933 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.071 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.58 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2414 |
| Stepwise Motion |
0.6935 |
| Melodic Thirds |
0.1379 |
| Melodic Perfect Fourths |
0.03831 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02682 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01149 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.769 |
| Melodic Embellishments |
0.02642 |
| Direction of Melodic Motion |
0.4684 |
| Average Length of Melodic Arcs |
2.37 |
| Average Interval Spanned by Melodic Arcs |
5.45 |
| Melodic Pitch Variety |
5.107 |
| Mean Melodic Interval |
2.126 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4521 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5339 |
| Amount of Arpeggiation |
0.2682 |
| Repeated Notes |
0.09195 |
| Importance of Middle Register |
0.8189 |
| Importance of High Register |
0.02642 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.7 |
| Mean Pitch Class |
4.86 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1585 |
| Prevalence of Most Common Pitch Class |
0.2415 |
| Relative Prevalence of Top Pitches |
0.6667 |
| Relative Prevalence of Top Pitch Classes |
0.6406 |
| Interval Between Most Prevalent Pitches |
1.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.437 |
| Pitch Class Variability |
3.11 |
| Pitch Class Variability After Folding |
4.223 |
| Pitch Skewness |
-0.9498 |
| Pitch Class Skewness |
-0.1347 |
| Pitch Class Skewness After Folding |
1.161 |
| Pitch Kurtosis |
5.617 |
| Pitch Class Kurtosis |
5.12 |
| Pitch Class Kurtosis After Folding |
4.793 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
65.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1547 |
| Note Density per Quarter Note |
0.565 |
| Note Density per Quarter Note per Voice |
0.1883 |
| Note Density per Quarter Note Variability |
0.5144 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3547 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8755 |
| Prevalence of Very Long Rhythmic Values |
0.2226 |
| Prevalence of Dotted Notes |
0.117 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.038 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.366 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6289 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.558 |
| Rhythmic Value Skewness |
0.04425 |
| Rhythmic Value Kurtosis |
6.902 |
| Mean Rhythmic Value Run Length |
1.472 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.787 |
| Mean Rhythmic Value Offset |
0.01509 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2457 |
| Complete Rests Fraction |
0.001346 |
| Partial Rests Fraction |
0.5387 |
| Average Rest Fraction Across Voices |
0.2067 |
| Longest Complete Rest |
0.6311 |
| Longest Partial Rest |
209.4 |
| Mean Complete Rest Duration |
0.6311 |
| Mean Partial Rest Duration |
15.31 |
| Median Complete Rest Duration |
0.6311 |
| Median Partial Rest Duration |
3.818 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
47.11 |
| Variability Across Voices of Combined Rests |
109.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5714 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2299 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.486 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8013 |
| Rhythmic Variability - Tempo Standardized |
0.05078 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
265.0 |
| Initial Tempo |
240.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6392 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.8387 |
| Variability of Note Durations |
0.542 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
331.9 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.3211 |
| Strength of Second Strongest Rhythmic Pulse |
0.2299 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.397 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.551 |
| Rhythmic Variability |
0.03665 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
100.6 |
| Duration in Seconds |
92.12 |
| Note Density |
2.877 |
| Note Density Variability |
1.071 |
| Average Time Between Attacks |
0.56 |
| Average Time Between Attacks for Each Voice |
0.8718 |
| Variability of Time Between Attacks |
0.358 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.2376 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.7585 |
| Relative Note Durations of Lowest Line |
0.9725 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8566 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.02857 |
| Average Number of Independent Voices |
2.269 |
| Similar Motion |
0.1714 |
| Contrary Motion |
0.1667 |
| Oblique Motion |
0.6333 |
| Parallel Fifths |
0.004762 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6203 |
| Voice Equality - Number of Notes |
24.58 |
| Voice Equality - Note Duration |
21.52 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
12.5 |