| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2613 |
| Prevalence of Second Most Common Vertical Interval |
0.2169 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8299 |
| Vertical Unisons |
0.04246 |
| Vertical Minor Seconds |
0.01028 |
| Vertical Thirds |
0.3642 |
| Vertical Tritones |
0.00577 |
| Vertical Perfect Fourths |
0.04157 |
| Vertical Perfect Fifths |
0.165 |
| Vertical Sixths |
0.09986 |
| Vertical Sevenths |
0.03255 |
| Vertical Octaves |
0.2189 |
| Perfect Vertical Intervals |
0.4679 |
| Vertical Dissonance Ratio |
0.07302 |
| Vertical Minor Third Prevalence |
0.467 |
| Vertical Major Third Prevalence |
0.3455 |
| Chord Duration |
2.634 |
| Partial Chords |
0.4927 |
| Standard Triads |
0.3659 |
| Diminished and Augmented Triads |
0.002079 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1414 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8333 |
| Average Number of Simultaneous Pitch Classes |
2.259 |
| Variability of Number of Simultaneous Pitch Classes |
0.7222 |
| Average Number of Simultaneous Pitches |
2.762 |
| Variability of Number of Simultaneous Pitches |
0.4648 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.58 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
91.92 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2067 |
| Stepwise Motion |
0.6157 |
| Melodic Thirds |
0.1213 |
| Melodic Perfect Fourths |
0.07416 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08315 |
| Melodic Sixths |
0.002247 |
| Melodic Sevenths |
0.002247 |
| Melodic Octaves |
0.02697 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.857 |
| Melodic Embellishments |
0.02232 |
| Direction of Melodic Motion |
0.3762 |
| Average Length of Melodic Arcs |
1.943 |
| Average Interval Spanned by Melodic Arcs |
5.642 |
| Melodic Pitch Variety |
5.375 |
| Mean Melodic Interval |
2.737 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.409 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5055 |
| Amount of Arpeggiation |
0.3079 |
| Repeated Notes |
0.07416 |
| Importance of Middle Register |
0.6696 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.94 |
| Mean Pitch Class |
5.741 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1027 |
| Prevalence of Most Common Pitch Class |
0.221 |
| Relative Prevalence of Top Pitches |
0.8913 |
| Relative Prevalence of Top Pitch Classes |
0.7677 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.601 |
| Pitch Class Variability |
3.213 |
| Pitch Class Variability After Folding |
4.117 |
| Pitch Skewness |
-0.3277 |
| Pitch Class Skewness |
-1.176 |
| Pitch Class Skewness After Folding |
1.177 |
| Pitch Kurtosis |
5.167 |
| Pitch Class Kurtosis |
4.917 |
| Pitch Class Kurtosis After Folding |
4.634 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3304 |
| Note Density per Quarter Note |
0.7764 |
| Note Density per Quarter Note per Voice |
0.2588 |
| Note Density per Quarter Note Variability |
0.3433 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4152 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8616 |
| Prevalence of Very Long Rhythmic Values |
0.1853 |
| Prevalence of Dotted Notes |
0.1094 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.665 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3549 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7799 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.27 |
| Rhythmic Value Skewness |
-0.4425 |
| Rhythmic Value Kurtosis |
7.117 |
| Mean Rhythmic Value Run Length |
1.508 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8468 |
| Mean Rhythmic Value Offset |
0.03571 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3767 |
| Complete Rests Fraction |
0.001719 |
| Partial Rests Fraction |
0.123 |
| Average Rest Fraction Across Voices |
0.04216 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.475 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.571 |
| Variability Across Voices of Combined Rests |
6.429 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6093 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2179 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.796 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8272 |
| Rhythmic Variability - Tempo Standardized |
0.05258 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
448.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5401 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7117 |
| Variability of Note Durations |
0.4668 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3399 |
| Strength of Second Strongest Rhythmic Pulse |
0.2486 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.367 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5884 |
| Rhythmic Variability |
0.03805 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000005143 |
| Duration in Seconds |
111.0 |
| Note Density |
4.037 |
| Note Density Variability |
1.377 |
| Average Time Between Attacks |
0.4775 |
| Average Time Between Attacks for Each Voice |
0.7415 |
| Variability of Time Between Attacks |
0.2941 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.1824 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.4286 |
| Relative Note Durations of Lowest Line |
0.9333 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.7768 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.05263 |
| Average Number of Independent Voices |
2.878 |
| Similar Motion |
0.1507 |
| Contrary Motion |
0.2703 |
| Oblique Motion |
0.5263 |
| Parallel Fifths |
0.002392 |
| Parallel Octaves |
0.002392 |
| Variability of Number of Independent Voices |
0.3267 |
| Voice Equality - Number of Notes |
16.74 |
| Voice Equality - Note Duration |
1.236 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
20.0 |