| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2293 |
| Prevalence of Second Most Common Vertical Interval |
0.1876 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8181 |
| Vertical Unisons |
0.03304 |
| Vertical Minor Seconds |
0.002074 |
| Vertical Thirds |
0.3543 |
| Vertical Tritones |
0.0063 |
| Vertical Perfect Fourths |
0.02935 |
| Vertical Perfect Fifths |
0.1785 |
| Vertical Sixths |
0.1729 |
| Vertical Sevenths |
0.01521 |
| Vertical Octaves |
0.1963 |
| Perfect Vertical Intervals |
0.4372 |
| Vertical Dissonance Ratio |
0.03697 |
| Vertical Minor Third Prevalence |
0.4257 |
| Vertical Major Third Prevalence |
0.3605 |
| Chord Duration |
3.694 |
| Partial Chords |
0.5155 |
| Standard Triads |
0.3835 |
| Diminished and Augmented Triads |
0.02062 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.101 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.696 |
| Average Number of Simultaneous Pitch Classes |
2.304 |
| Variability of Number of Simultaneous Pitch Classes |
0.6742 |
| Average Number of Simultaneous Pitches |
2.779 |
| Variability of Number of Simultaneous Pitches |
0.4872 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.404 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
96.87 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1995 |
| Stepwise Motion |
0.6591 |
| Melodic Thirds |
0.1717 |
| Melodic Perfect Fourths |
0.06061 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06313 |
| Melodic Sixths |
0.007576 |
| Melodic Sevenths |
0.002525 |
| Melodic Octaves |
0.005051 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.579 |
| Melodic Embellishments |
0.005013 |
| Direction of Melodic Motion |
0.4818 |
| Average Length of Melodic Arcs |
1.837 |
| Average Interval Spanned by Melodic Arcs |
4.809 |
| Melodic Pitch Variety |
5.09 |
| Mean Melodic Interval |
2.576 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4596 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4341 |
| Amount of Arpeggiation |
0.2727 |
| Repeated Notes |
0.0303 |
| Importance of Middle Register |
0.619 |
| Importance of High Register |
0.0 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.59 |
| Mean Pitch Class |
5.602 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1003 |
| Prevalence of Most Common Pitch Class |
0.2281 |
| Relative Prevalence of Top Pitches |
0.95 |
| Relative Prevalence of Top Pitch Classes |
0.7363 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.437 |
| Pitch Class Variability |
3.132 |
| Pitch Class Variability After Folding |
3.866 |
| Pitch Skewness |
-0.2062 |
| Pitch Class Skewness |
-0.3817 |
| Pitch Class Skewness After Folding |
0.9103 |
| Pitch Kurtosis |
5.031 |
| Pitch Class Kurtosis |
4.945 |
| Pitch Class Kurtosis After Folding |
5.147 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.381 |
| Note Density per Quarter Note |
0.7163 |
| Note Density per Quarter Note per Voice |
0.2388 |
| Note Density per Quarter Note Variability |
0.4261 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3208 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9599 |
| Prevalence of Very Long Rhythmic Values |
0.1754 |
| Prevalence of Dotted Notes |
0.06767 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.965 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4987 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5628 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.075 |
| Rhythmic Value Skewness |
-0.05073 |
| Rhythmic Value Kurtosis |
7.98 |
| Mean Rhythmic Value Run Length |
1.797 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.388 |
| Mean Rhythmic Value Offset |
0.01003 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2003 |
| Complete Rests Fraction |
0.01008 |
| Partial Rests Fraction |
0.1118 |
| Average Rest Fraction Across Voices |
0.04967 |
| Longest Complete Rest |
4.831 |
| Longest Partial Rest |
18.96 |
| Mean Complete Rest Duration |
2.807 |
| Mean Partial Rest Duration |
4.611 |
| Median Complete Rest Duration |
4.831 |
| Median Partial Rest Duration |
3.16 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.862 |
| Variability of Partial Rest Durations |
4.39 |
| Variability Across Voices of Combined Rests |
4.728 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.831 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.08952 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
9.283 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9205 |
| Rhythmic Variability - Tempo Standardized |
0.06608 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
399.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4413 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.6337 |
| Variability of Note Durations |
0.3297 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
394.1 |
| Strongest Rhythmic Pulse |
95.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.979 |
| Strength of Strongest Rhythmic Pulse |
0.3125 |
| Strength of Second Strongest Rhythmic Pulse |
0.2999 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.042 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6124 |
| Rhythmic Variability |
0.03865 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
82.5 |
| Duration in Seconds |
88.69 |
| Note Density |
4.499 |
| Note Density Variability |
0.8607 |
| Average Time Between Attacks |
0.4666 |
| Average Time Between Attacks for Each Voice |
0.6582 |
| Variability of Time Between Attacks |
0.2322 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.3969 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.4812 |
| Relative Note Durations of Lowest Line |
0.9969 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.7419 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.08895 |
| Average Number of Independent Voices |
2.873 |
| Similar Motion |
0.1294 |
| Contrary Motion |
0.3666 |
| Oblique Motion |
0.4151 |
| Parallel Fifths |
0.002695 |
| Parallel Octaves |
0.002695 |
| Variability of Number of Independent Voices |
0.3927 |
| Voice Equality - Number of Notes |
2.0 |
| Voice Equality - Note Duration |
0.7527 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
20.0 |