| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2067 |
| Prevalence of Second Most Common Vertical Interval |
0.1888 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.913 |
| Vertical Unisons |
0.02061 |
| Vertical Minor Seconds |
0.002186 |
| Vertical Thirds |
0.3182 |
| Vertical Tritones |
0.007121 |
| Vertical Perfect Fourths |
0.08782 |
| Vertical Perfect Fifths |
0.2067 |
| Vertical Sixths |
0.1418 |
| Vertical Sevenths |
0.02636 |
| Vertical Octaves |
0.1681 |
| Perfect Vertical Intervals |
0.4833 |
| Vertical Dissonance Ratio |
0.06009 |
| Vertical Minor Third Prevalence |
0.5992 |
| Vertical Major Third Prevalence |
0.553 |
| Chord Duration |
2.036 |
| Partial Chords |
0.231 |
| Standard Triads |
0.587 |
| Diminished and Augmented Triads |
0.0163 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02989 |
| Non-Standard Chords |
0.1522 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.88 |
| Average Number of Simultaneous Pitch Classes |
2.838 |
| Variability of Number of Simultaneous Pitch Classes |
0.5236 |
| Average Number of Simultaneous Pitches |
3.63 |
| Variability of Number of Simultaneous Pitches |
0.5154 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.643 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
154.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1822 |
| Stepwise Motion |
0.5724 |
| Melodic Thirds |
0.1939 |
| Melodic Perfect Fourths |
0.09346 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05374 |
| Melodic Sixths |
0.002336 |
| Melodic Sevenths |
0.007009 |
| Melodic Octaves |
0.01168 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.074 |
| Melodic Embellishments |
0.06019 |
| Direction of Melodic Motion |
0.4275 |
| Average Length of Melodic Arcs |
1.835 |
| Average Interval Spanned by Melodic Arcs |
5.211 |
| Melodic Pitch Variety |
5.61 |
| Mean Melodic Interval |
2.682 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3902 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4671 |
| Amount of Arpeggiation |
0.3318 |
| Repeated Notes |
0.06542 |
| Importance of Middle Register |
0.7245 |
| Importance of High Register |
0.02315 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.39 |
| Mean Pitch Class |
5.69 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1134 |
| Prevalence of Most Common Pitch Class |
0.2454 |
| Relative Prevalence of Top Pitches |
0.8776 |
| Relative Prevalence of Top Pitch Classes |
0.717 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.083 |
| Pitch Class Variability |
3.286 |
| Pitch Class Variability After Folding |
4.054 |
| Pitch Skewness |
0.2457 |
| Pitch Class Skewness |
-1.196 |
| Pitch Class Skewness After Folding |
1.662 |
| Pitch Kurtosis |
5.448 |
| Pitch Class Kurtosis |
4.84 |
| Pitch Class Kurtosis After Folding |
4.835 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2523 |
| Note Density per Quarter Note |
1.122 |
| Note Density per Quarter Note per Voice |
0.2805 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002315 |
| Prevalence of Medium Rhythmic Values |
0.4699 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8796 |
| Prevalence of Very Long Rhythmic Values |
0.07639 |
| Prevalence of Dotted Notes |
0.09722 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.171 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3796 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9207 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.807 |
| Rhythmic Value Skewness |
0.2843 |
| Rhythmic Value Kurtosis |
10.34 |
| Mean Rhythmic Value Run Length |
1.594 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.006 |
| Mean Rhythmic Value Offset |
0.01852 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3849 |
| Complete Rests Fraction |
0.04414 |
| Partial Rests Fraction |
0.2831 |
| Average Rest Fraction Across Voices |
0.1052 |
| Longest Complete Rest |
8.0 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
4.248 |
| Mean Partial Rest Duration |
3.239 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.875 |
| Variability of Partial Rest Durations |
1.955 |
| Variability Across Voices of Combined Rests |
3.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6406 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1793 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.572 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8199 |
| Rhythmic Variability - Tempo Standardized |
0.05401 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
432.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6013 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
4.762 |
| Average Note Duration |
0.7595 |
| Variability of Note Durations |
0.4606 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3288 |
| Strength of Second Strongest Rhythmic Pulse |
0.2766 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.189 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6055 |
| Rhythmic Variability |
0.03989 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001044 |
| Duration in Seconds |
91.66 |
| Note Density |
4.713 |
| Note Density Variability |
1.313 |
| Average Time Between Attacks |
0.4522 |
| Average Time Between Attacks for Each Voice |
0.8209 |
| Variability of Time Between Attacks |
0.3161 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3636 |
| Relative Range Isolation of Loudest Voice |
0.3551 |
| Relative Range of Highest Line |
0.3636 |
| Relative Note Density of Highest Line |
0.6296 |
| Relative Note Durations of Lowest Line |
1.042 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7917 |
| Voice Separation |
6.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04222 |
| Average Number of Independent Voices |
3.745 |
| Similar Motion |
0.1489 |
| Contrary Motion |
0.2244 |
| Oblique Motion |
0.5844 |
| Parallel Fifths |
0.004444 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4484 |
| Voice Equality - Number of Notes |
6.218 |
| Voice Equality - Note Duration |
0.7143 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.559 |
| Importance of Loudest Voice |
20.0 |