| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2288 |
| Prevalence of Second Most Common Vertical Interval |
0.1826 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7982 |
| Vertical Unisons |
0.02133 |
| Vertical Minor Seconds |
0.002505 |
| Vertical Thirds |
0.3322 |
| Vertical Tritones |
0.02027 |
| Vertical Perfect Fourths |
0.05185 |
| Vertical Perfect Fifths |
0.1437 |
| Vertical Sixths |
0.168 |
| Vertical Sevenths |
0.03715 |
| Vertical Octaves |
0.2074 |
| Perfect Vertical Intervals |
0.4243 |
| Vertical Dissonance Ratio |
0.08159 |
| Vertical Minor Third Prevalence |
0.463 |
| Vertical Major Third Prevalence |
0.3646 |
| Chord Duration |
3.041 |
| Partial Chords |
0.5003 |
| Standard Triads |
0.311 |
| Diminished and Augmented Triads |
0.0486 |
| Dominant Seventh Chords |
0.005146 |
| Seventh Chords |
0.0303 |
| Non-Standard Chords |
0.1584 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.586 |
| Average Number of Simultaneous Pitch Classes |
2.418 |
| Variability of Number of Simultaneous Pitch Classes |
0.7242 |
| Average Number of Simultaneous Pitches |
3.068 |
| Variability of Number of Simultaneous Pitches |
0.6877 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.236 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
27.01 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1833 |
| Stepwise Motion |
0.5857 |
| Melodic Thirds |
0.1773 |
| Melodic Perfect Fourths |
0.04582 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03586 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.001992 |
| Melodic Octaves |
0.003984 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.045 |
| Melodic Embellishments |
0.05731 |
| Direction of Melodic Motion |
0.4426 |
| Average Length of Melodic Arcs |
1.865 |
| Average Interval Spanned by Melodic Arcs |
4.52 |
| Melodic Pitch Variety |
4.971 |
| Mean Melodic Interval |
2.112 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4024 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4554 |
| Amount of Arpeggiation |
0.3685 |
| Repeated Notes |
0.1494 |
| Importance of Middle Register |
0.6482 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
56.18 |
| Mean Pitch Class |
5.759 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1206 |
| Prevalence of Most Common Pitch Class |
0.249 |
| Relative Prevalence of Top Pitches |
0.6066 |
| Relative Prevalence of Top Pitch Classes |
0.5556 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.635 |
| Pitch Class Variability |
3.212 |
| Pitch Class Variability After Folding |
3.925 |
| Pitch Skewness |
-0.146 |
| Pitch Class Skewness |
-1.159 |
| Pitch Class Skewness After Folding |
0.8399 |
| Pitch Kurtosis |
5.165 |
| Pitch Class Kurtosis |
5.059 |
| Pitch Class Kurtosis After Folding |
5.109 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3518 |
| Note Density per Quarter Note |
0.7894 |
| Note Density per Quarter Note per Voice |
0.1974 |
| Note Density per Quarter Note Variability |
0.3799 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
1.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2925 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8538 |
| Prevalence of Very Long Rhythmic Values |
0.2569 |
| Prevalence of Dotted Notes |
0.2194 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.005 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3538 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4134 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.249 |
| Rhythmic Value Skewness |
0.00659 |
| Rhythmic Value Kurtosis |
6.023 |
| Mean Rhythmic Value Run Length |
1.515 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.175 |
| Mean Rhythmic Value Offset |
0.0247 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.09836 |
| Complete Rests Fraction |
0.001777 |
| Partial Rests Fraction |
0.6313 |
| Average Rest Fraction Across Voices |
0.1981 |
| Longest Complete Rest |
1.139 |
| Longest Partial Rest |
39.25 |
| Mean Complete Rest Duration |
1.139 |
| Mean Partial Rest Duration |
11.81 |
| Median Complete Rest Duration |
1.139 |
| Median Partial Rest Duration |
9.19 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.07 |
| Variability Across Voices of Combined Rests |
47.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4863 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2341 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.077 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7205 |
| Rhythmic Variability - Tempo Standardized |
0.04451 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
506.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9505 |
| Minimum Note Duration |
0.1258 |
| Maximum Note Duration |
1.538 |
| Average Note Duration |
0.6802 |
| Variability of Note Durations |
0.4133 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
10.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
373.8 |
| Strongest Rhythmic Pulse |
45.0 |
| Second Strongest Rhythmic Pulse |
90.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2706 |
| Strength of Second Strongest Rhythmic Pulse |
0.2448 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.105 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5154 |
| Rhythmic Variability |
0.03241 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
79.86 |
| Duration in Seconds |
107.3 |
| Note Density |
4.716 |
| Note Density Variability |
1.046 |
| Average Time Between Attacks |
0.3925 |
| Average Time Between Attacks for Each Voice |
0.8627 |
| Variability of Time Between Attacks |
0.2401 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.1772 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.5138 |
| Relative Note Durations of Lowest Line |
1.141 |
| Relative Size of Melodic Intervals in Lowest Line |
1.333 |
| Voice Overlap |
0.8439 |
| Voice Separation |
6.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.04717 |
| Average Number of Independent Voices |
3.147 |
| Similar Motion |
0.1113 |
| Contrary Motion |
0.1377 |
| Oblique Motion |
0.7038 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.001887 |
| Variability of Number of Independent Voices |
0.7073 |
| Voice Equality - Number of Notes |
27.01 |
| Voice Equality - Note Duration |
7.947 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
11.67 |