| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2426 |
| Prevalence of Second Most Common Vertical Interval |
0.1877 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7738 |
| Vertical Unisons |
0.03218 |
| Vertical Minor Seconds |
0.006453 |
| Vertical Thirds |
0.3866 |
| Vertical Tritones |
0.002388 |
| Vertical Perfect Fourths |
0.05676 |
| Vertical Perfect Fifths |
0.1861 |
| Vertical Sixths |
0.1363 |
| Vertical Sevenths |
0.02181 |
| Vertical Octaves |
0.1556 |
| Perfect Vertical Intervals |
0.4306 |
| Vertical Dissonance Ratio |
0.04875 |
| Vertical Minor Third Prevalence |
0.4877 |
| Vertical Major Third Prevalence |
0.3443 |
| Chord Duration |
2.17 |
| Partial Chords |
0.5446 |
| Standard Triads |
0.3393 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1161 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8537 |
| Average Number of Simultaneous Pitch Classes |
2.336 |
| Variability of Number of Simultaneous Pitch Classes |
0.6222 |
| Average Number of Simultaneous Pitches |
2.725 |
| Variability of Number of Simultaneous Pitches |
0.4984 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.568 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
7.211 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2117 |
| Stepwise Motion |
0.6712 |
| Melodic Thirds |
0.1486 |
| Melodic Perfect Fourths |
0.08108 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03604 |
| Melodic Sixths |
0.004505 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004505 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.6 |
| Melodic Embellishments |
0.05778 |
| Direction of Melodic Motion |
0.4619 |
| Average Length of Melodic Arcs |
1.927 |
| Average Interval Spanned by Melodic Arcs |
4.624 |
| Melodic Pitch Variety |
4.856 |
| Mean Melodic Interval |
2.347 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4595 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4608 |
| Amount of Arpeggiation |
0.2432 |
| Repeated Notes |
0.05405 |
| Importance of Middle Register |
0.6 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.5 |
| Mean Pitch Class |
4.938 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1022 |
| Prevalence of Most Common Pitch Class |
0.2 |
| Relative Prevalence of Top Pitches |
0.9565 |
| Relative Prevalence of Top Pitch Classes |
0.8 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.381 |
| Pitch Class Variability |
3.335 |
| Pitch Class Variability After Folding |
3.76 |
| Pitch Skewness |
0.01806 |
| Pitch Class Skewness |
-0.05597 |
| Pitch Class Skewness After Folding |
0.8866 |
| Pitch Kurtosis |
4.957 |
| Pitch Class Kurtosis |
4.939 |
| Pitch Class Kurtosis After Folding |
5.513 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.4 |
| Note Density per Quarter Note |
0.8491 |
| Note Density per Quarter Note per Voice |
0.283 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01778 |
| Prevalence of Medium Rhythmic Values |
0.52 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8578 |
| Prevalence of Very Long Rhythmic Values |
0.07111 |
| Prevalence of Dotted Notes |
0.1289 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.049 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3778 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8706 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.981 |
| Rhythmic Value Skewness |
1.588 |
| Rhythmic Value Kurtosis |
13.86 |
| Mean Rhythmic Value Run Length |
1.51 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9488 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.07922 |
| Partial Rests Fraction |
0.2377 |
| Average Rest Fraction Across Voices |
0.1371 |
| Longest Complete Rest |
20.0 |
| Longest Partial Rest |
20.0 |
| Mean Complete Rest Duration |
10.5 |
| Mean Partial Rest Duration |
5.189 |
| Median Complete Rest Duration |
20.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
13.44 |
| Variability of Partial Rest Durations |
6.424 |
| Variability Across Voices of Combined Rests |
3.055 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6128 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1904 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.219 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8032 |
| Rhythmic Variability - Tempo Standardized |
0.05225 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
225.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5334 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.7259 |
| Variability of Note Durations |
0.4718 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3237 |
| Strength of Second Strongest Rhythmic Pulse |
0.2589 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.251 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5826 |
| Rhythmic Variability |
0.03861 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001379 |
| Duration in Seconds |
63.09 |
| Note Density |
3.566 |
| Note Density Variability |
1.742 |
| Average Time Between Attacks |
0.4742 |
| Average Time Between Attacks for Each Voice |
0.7491 |
| Variability of Time Between Attacks |
0.3271 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.3012 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.8533 |
| Relative Note Durations of Lowest Line |
1.067 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.7289 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.05435 |
| Average Number of Independent Voices |
2.811 |
| Similar Motion |
0.1848 |
| Contrary Motion |
0.2011 |
| Oblique Motion |
0.5598 |
| Parallel Fifths |
0.005435 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.431 |
| Voice Equality - Number of Notes |
7.211 |
| Voice Equality - Note Duration |
0.7274 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
12.5 |