| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.213 |
| Prevalence of Second Most Common Vertical Interval |
0.2019 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9477 |
| Vertical Unisons |
0.01409 |
| Vertical Minor Seconds |
0.003408 |
| Vertical Thirds |
0.3852 |
| Vertical Tritones |
0.01212 |
| Vertical Perfect Fourths |
0.02969 |
| Vertical Perfect Fifths |
0.1618 |
| Vertical Sixths |
0.154 |
| Vertical Sevenths |
0.02794 |
| Vertical Octaves |
0.1989 |
| Perfect Vertical Intervals |
0.4045 |
| Vertical Dissonance Ratio |
0.05971 |
| Vertical Minor Third Prevalence |
0.3715 |
| Vertical Major Third Prevalence |
0.4306 |
| Chord Duration |
2.761 |
| Partial Chords |
0.5602 |
| Standard Triads |
0.3078 |
| Diminished and Augmented Triads |
0.02868 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1319 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5631 |
| Average Number of Simultaneous Pitch Classes |
2.307 |
| Variability of Number of Simultaneous Pitch Classes |
0.63 |
| Average Number of Simultaneous Pitches |
2.793 |
| Variability of Number of Simultaneous Pitches |
0.4217 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.708 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
71.42 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2268 |
| Stepwise Motion |
0.6707 |
| Melodic Thirds |
0.1537 |
| Melodic Perfect Fourths |
0.06585 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03171 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007317 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.5 |
| Melodic Embellishments |
0.02906 |
| Direction of Melodic Motion |
0.4593 |
| Average Length of Melodic Arcs |
1.823 |
| Average Interval Spanned by Melodic Arcs |
4.306 |
| Melodic Pitch Variety |
4.911 |
| Mean Melodic Interval |
2.249 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4439 |
| Relative Prevalence of Most Common Melodic Intervals |
0.511 |
| Amount of Arpeggiation |
0.2634 |
| Repeated Notes |
0.07073 |
| Importance of Middle Register |
0.8087 |
| Importance of High Register |
0.01453 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.78 |
| Mean Pitch Class |
5.247 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1065 |
| Prevalence of Most Common Pitch Class |
0.184 |
| Relative Prevalence of Top Pitches |
0.8636 |
| Relative Prevalence of Top Pitch Classes |
0.9737 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.903 |
| Pitch Class Variability |
3.644 |
| Pitch Class Variability After Folding |
3.142 |
| Pitch Skewness |
-0.3694 |
| Pitch Class Skewness |
0.2033 |
| Pitch Class Skewness After Folding |
0.2173 |
| Pitch Kurtosis |
5.23 |
| Pitch Class Kurtosis |
4.857 |
| Pitch Class Kurtosis After Folding |
7.145 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1768 |
| Note Density per Quarter Note |
0.7158 |
| Note Density per Quarter Note per Voice |
0.2386 |
| Note Density per Quarter Note Variability |
0.3613 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3753 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8935 |
| Prevalence of Very Long Rhythmic Values |
0.184 |
| Prevalence of Dotted Notes |
0.1211 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.801 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3777 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7115 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.31 |
| Rhythmic Value Skewness |
-0.2579 |
| Rhythmic Value Kurtosis |
7.529 |
| Mean Rhythmic Value Run Length |
1.788 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.782 |
| Mean Rhythmic Value Offset |
0.1453 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.454 |
| Complete Rests Fraction |
0.001719 |
| Partial Rests Fraction |
0.1716 |
| Average Rest Fraction Across Voices |
0.05833 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
6.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.366 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.219 |
| Variability Across Voices of Combined Rests |
2.309 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6258 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2002 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.125 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.826 |
| Rhythmic Variability - Tempo Standardized |
0.05337 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
413.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7765 |
| Minimum Note Duration |
0.2381 |
| Maximum Note Duration |
7.619 |
| Average Note Duration |
0.9397 |
| Variability of Note Durations |
0.7468 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.353 |
| Strength of Second Strongest Rhythmic Pulse |
0.2606 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.355 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6136 |
| Rhythmic Variability |
0.03992 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003144 |
| Duration in Seconds |
137.4 |
| Note Density |
3.006 |
| Note Density Variability |
1.261 |
| Average Time Between Attacks |
0.6212 |
| Average Time Between Attacks for Each Voice |
0.9967 |
| Variability of Time Between Attacks |
0.4429 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6552 |
| Relative Range Isolation of Loudest Voice |
0.4679 |
| Relative Range of Highest Line |
0.6552 |
| Relative Note Density of Highest Line |
0.4867 |
| Relative Note Durations of Lowest Line |
1.208 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.6465 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.07035 |
| Average Number of Independent Voices |
2.83 |
| Similar Motion |
0.1281 |
| Contrary Motion |
0.2613 |
| Oblique Motion |
0.5402 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002513 |
| Variability of Number of Independent Voices |
0.3758 |
| Voice Equality - Number of Notes |
21.5 |
| Voice Equality - Note Duration |
0.5499 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.512 |
| Importance of Loudest Voice |
20.0 |