| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2256 |
| Prevalence of Second Most Common Vertical Interval |
0.1997 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8851 |
| Vertical Unisons |
0.06003 |
| Vertical Minor Seconds |
0.005649 |
| Vertical Thirds |
0.3227 |
| Vertical Tritones |
0.02258 |
| Vertical Perfect Fourths |
0.07567 |
| Vertical Perfect Fifths |
0.1559 |
| Vertical Sixths |
0.142 |
| Vertical Sevenths |
0.02947 |
| Vertical Octaves |
0.1656 |
| Perfect Vertical Intervals |
0.4572 |
| Vertical Dissonance Ratio |
0.08475 |
| Vertical Minor Third Prevalence |
0.5978 |
| Vertical Major Third Prevalence |
0.4049 |
| Chord Duration |
2.413 |
| Partial Chords |
0.3362 |
| Standard Triads |
0.4209 |
| Diminished and Augmented Triads |
0.08475 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.008475 |
| Non-Standard Chords |
0.2345 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.443 |
| Average Number of Simultaneous Pitch Classes |
2.636 |
| Variability of Number of Simultaneous Pitch Classes |
0.6151 |
| Average Number of Simultaneous Pitches |
3.204 |
| Variability of Number of Simultaneous Pitches |
0.6293 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.431 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
14.48 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2077 |
| Stepwise Motion |
0.632 |
| Melodic Thirds |
0.1691 |
| Melodic Perfect Fourths |
0.03858 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03858 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01187 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.8 |
| Melodic Embellishments |
0.04678 |
| Direction of Melodic Motion |
0.4333 |
| Average Length of Melodic Arcs |
2.0 |
| Average Interval Spanned by Melodic Arcs |
4.82 |
| Melodic Pitch Variety |
4.587 |
| Mean Melodic Interval |
2.214 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4243 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4895 |
| Amount of Arpeggiation |
0.3294 |
| Repeated Notes |
0.1098 |
| Importance of Middle Register |
0.7982 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
58.68 |
| Mean Pitch Class |
5.383 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1287 |
| Prevalence of Most Common Pitch Class |
0.231 |
| Relative Prevalence of Top Pitches |
0.8409 |
| Relative Prevalence of Top Pitch Classes |
0.5823 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.105 |
| Pitch Class Variability |
3.284 |
| Pitch Class Variability After Folding |
3.956 |
| Pitch Skewness |
0.4382 |
| Pitch Class Skewness |
0.35 |
| Pitch Class Skewness After Folding |
0.8093 |
| Pitch Kurtosis |
5.795 |
| Pitch Class Kurtosis |
4.933 |
| Pitch Class Kurtosis After Folding |
5.11 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2018 |
| Note Density per Quarter Note |
0.9269 |
| Note Density per Quarter Note per Voice |
0.2317 |
| Note Density per Quarter Note Variability |
0.3858 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3655 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8655 |
| Prevalence of Very Long Rhythmic Values |
0.1754 |
| Prevalence of Dotted Notes |
0.155 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.681 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3918 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5896 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.178 |
| Rhythmic Value Skewness |
-0.4389 |
| Rhythmic Value Kurtosis |
8.078 |
| Mean Rhythmic Value Run Length |
1.468 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.004 |
| Mean Rhythmic Value Offset |
0.04971 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4337 |
| Complete Rests Fraction |
0.002688 |
| Partial Rests Fraction |
0.5501 |
| Average Rest Fraction Across Voices |
0.1423 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.544 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.248 |
| Variability Across Voices of Combined Rests |
18.21 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5913 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2122 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.786 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8035 |
| Rhythmic Variability - Tempo Standardized |
0.05166 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
342.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8039 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7164 |
| Variability of Note Durations |
0.4592 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.316 |
| Strength of Second Strongest Rhythmic Pulse |
0.2615 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.208 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5775 |
| Rhythmic Variability |
0.03721 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003113 |
| Duration in Seconds |
70.96 |
| Note Density |
4.82 |
| Note Density Variability |
1.687 |
| Average Time Between Attacks |
0.413 |
| Average Time Between Attacks for Each Voice |
0.8024 |
| Variability of Time Between Attacks |
0.21 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.1682 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.7485 |
| Relative Note Durations of Lowest Line |
1.064 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8099 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.09524 |
| Average Number of Independent Voices |
3.44 |
| Similar Motion |
0.1327 |
| Contrary Motion |
0.1088 |
| Oblique Motion |
0.6633 |
| Parallel Fifths |
0.006803 |
| Parallel Octaves |
0.01361 |
| Variability of Number of Independent Voices |
0.5179 |
| Voice Equality - Number of Notes |
14.48 |
| Voice Equality - Note Duration |
3.502 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
3.775 |
| Importance of Loudest Voice |
11.67 |