| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1974 |
| Prevalence of Second Most Common Vertical Interval |
0.1787 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9057 |
| Vertical Unisons |
0.04598 |
| Vertical Minor Seconds |
0.005101 |
| Vertical Thirds |
0.3181 |
| Vertical Tritones |
0.01767 |
| Vertical Perfect Fourths |
0.1109 |
| Vertical Perfect Fifths |
0.166 |
| Vertical Sixths |
0.1409 |
| Vertical Sevenths |
0.02313 |
| Vertical Octaves |
0.1514 |
| Perfect Vertical Intervals |
0.4742 |
| Vertical Dissonance Ratio |
0.07152 |
| Vertical Minor Third Prevalence |
0.5093 |
| Vertical Major Third Prevalence |
0.4444 |
| Chord Duration |
2.548 |
| Partial Chords |
0.3617 |
| Standard Triads |
0.4417 |
| Diminished and Augmented Triads |
0.04854 |
| Dominant Seventh Chords |
0.004854 |
| Seventh Chords |
0.009709 |
| Non-Standard Chords |
0.1869 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.085 |
| Average Number of Simultaneous Pitch Classes |
2.583 |
| Variability of Number of Simultaneous Pitch Classes |
0.6143 |
| Average Number of Simultaneous Pitches |
3.109 |
| Variability of Number of Simultaneous Pitches |
0.6271 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.557 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
77.07 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2244 |
| Stepwise Motion |
0.6787 |
| Melodic Thirds |
0.1357 |
| Melodic Perfect Fourths |
0.06094 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03047 |
| Melodic Sixths |
0.00277 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00831 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.267 |
| Melodic Embellishments |
0.0137 |
| Direction of Melodic Motion |
0.4562 |
| Average Length of Melodic Arcs |
1.902 |
| Average Interval Spanned by Melodic Arcs |
4.483 |
| Melodic Pitch Variety |
4.993 |
| Mean Melodic Interval |
2.222 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4543 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4939 |
| Amount of Arpeggiation |
0.2576 |
| Repeated Notes |
0.0831 |
| Importance of Middle Register |
0.8164 |
| Importance of High Register |
0.1507 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.34 |
| Mean Pitch Class |
5.022 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1342 |
| Prevalence of Most Common Pitch Class |
0.1973 |
| Relative Prevalence of Top Pitches |
0.7551 |
| Relative Prevalence of Top Pitch Classes |
0.9306 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.264 |
| Pitch Class Variability |
3.536 |
| Pitch Class Variability After Folding |
3.524 |
| Pitch Skewness |
-0.5065 |
| Pitch Class Skewness |
0.01859 |
| Pitch Class Skewness After Folding |
0.7557 |
| Pitch Kurtosis |
5.286 |
| Pitch Class Kurtosis |
4.697 |
| Pitch Class Kurtosis After Folding |
5.85 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.03288 |
| Note Density per Quarter Note |
0.843 |
| Note Density per Quarter Note per Voice |
0.2107 |
| Note Density per Quarter Note Variability |
0.3559 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3616 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8548 |
| Prevalence of Very Long Rhythmic Values |
0.211 |
| Prevalence of Dotted Notes |
0.09589 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.852 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3918 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5524 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.276 |
| Rhythmic Value Skewness |
-0.195 |
| Rhythmic Value Kurtosis |
6.142 |
| Mean Rhythmic Value Run Length |
1.667 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.235 |
| Mean Rhythmic Value Offset |
0.03288 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6281 |
| Complete Rests Fraction |
0.00229 |
| Partial Rests Fraction |
0.6767 |
| Average Rest Fraction Across Voices |
0.1813 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
96.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.63 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.76 |
| Variability Across Voices of Combined Rests |
78.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6279 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2075 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.026 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8354 |
| Rhythmic Variability - Tempo Standardized |
0.05351 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
365.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.228 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.7471 |
| Variability of Note Durations |
0.4755 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3332 |
| Strength of Second Strongest Rhythmic Pulse |
0.2526 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.319 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5858 |
| Rhythmic Variability |
0.03802 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003946 |
| Duration in Seconds |
83.27 |
| Note Density |
4.383 |
| Note Density Variability |
1.234 |
| Average Time Between Attacks |
0.4565 |
| Average Time Between Attacks for Each Voice |
0.9759 |
| Variability of Time Between Attacks |
0.2634 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6296 |
| Relative Range Isolation of Loudest Voice |
0.4297 |
| Relative Range of Highest Line |
0.6296 |
| Relative Note Density of Highest Line |
0.7781 |
| Relative Note Durations of Lowest Line |
0.926 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.6849 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.0649 |
| Average Number of Independent Voices |
3.282 |
| Similar Motion |
0.1711 |
| Contrary Motion |
0.1947 |
| Oblique Motion |
0.5693 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5348 |
| Voice Equality - Number of Notes |
33.95 |
| Voice Equality - Note Duration |
15.06 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
4.425 |
| Importance of Loudest Voice |
20.0 |