| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2307 |
| Prevalence of Second Most Common Vertical Interval |
0.228 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9886 |
| Vertical Unisons |
0.01573 |
| Vertical Minor Seconds |
0.004315 |
| Vertical Thirds |
0.375 |
| Vertical Tritones |
0.005946 |
| Vertical Perfect Fourths |
0.02661 |
| Vertical Perfect Fifths |
0.1578 |
| Vertical Sixths |
0.1633 |
| Vertical Sevenths |
0.03093 |
| Vertical Octaves |
0.2123 |
| Perfect Vertical Intervals |
0.4124 |
| Vertical Dissonance Ratio |
0.05185 |
| Vertical Minor Third Prevalence |
0.4621 |
| Vertical Major Third Prevalence |
0.3033 |
| Chord Duration |
2.931 |
| Partial Chords |
0.543 |
| Standard Triads |
0.3587 |
| Diminished and Augmented Triads |
0.004914 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.09828 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.056 |
| Average Number of Simultaneous Pitch Classes |
2.215 |
| Variability of Number of Simultaneous Pitch Classes |
0.7077 |
| Average Number of Simultaneous Pitches |
2.676 |
| Variability of Number of Simultaneous Pitches |
0.5705 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.6 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
69.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2199 |
| Stepwise Motion |
0.6305 |
| Melodic Thirds |
0.1232 |
| Melodic Perfect Fourths |
0.09971 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.09091 |
| Melodic Sixths |
0.002933 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005865 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.2 |
| Melodic Embellishments |
0.01453 |
| Direction of Melodic Motion |
0.4092 |
| Average Length of Melodic Arcs |
1.816 |
| Average Interval Spanned by Melodic Arcs |
5.022 |
| Melodic Pitch Variety |
5.352 |
| Mean Melodic Interval |
2.669 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4106 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5357 |
| Amount of Arpeggiation |
0.2669 |
| Repeated Notes |
0.04692 |
| Importance of Middle Register |
0.6453 |
| Importance of High Register |
0.002907 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.22 |
| Mean Pitch Class |
5.799 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1047 |
| Prevalence of Most Common Pitch Class |
0.218 |
| Relative Prevalence of Top Pitches |
0.8889 |
| Relative Prevalence of Top Pitch Classes |
0.7333 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.848 |
| Pitch Class Variability |
3.183 |
| Pitch Class Variability After Folding |
4.102 |
| Pitch Skewness |
0.2567 |
| Pitch Class Skewness |
-1.132 |
| Pitch Class Skewness After Folding |
1.193 |
| Pitch Kurtosis |
5.132 |
| Pitch Class Kurtosis |
4.95 |
| Pitch Class Kurtosis After Folding |
4.677 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3517 |
| Note Density per Quarter Note |
0.7035 |
| Note Density per Quarter Note per Voice |
0.2345 |
| Note Density per Quarter Note Variability |
0.3903 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02907 |
| Prevalence of Medium Rhythmic Values |
0.3372 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9157 |
| Prevalence of Very Long Rhythmic Values |
0.1483 |
| Prevalence of Dotted Notes |
0.07267 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.797 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4797 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5273 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.159 |
| Rhythmic Value Skewness |
-0.2827 |
| Rhythmic Value Kurtosis |
8.206 |
| Mean Rhythmic Value Run Length |
1.755 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.265 |
| Mean Rhythmic Value Offset |
0.05814 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4794 |
| Complete Rests Fraction |
0.002028 |
| Partial Rests Fraction |
0.2352 |
| Average Rest Fraction Across Voices |
0.0961 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.405 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.797 |
| Variability Across Voices of Combined Rests |
7.211 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6935 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1458 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.757 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8393 |
| Rhythmic Variability - Tempo Standardized |
0.0568 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
344.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5839 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7413 |
| Variability of Note Durations |
0.4651 |
| Amount of Staccato |
0.02907 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3925 |
| Strength of Second Strongest Rhythmic Pulse |
0.2342 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.676 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6267 |
| Rhythmic Variability |
0.03963 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004495 |
| Duration in Seconds |
94.04 |
| Note Density |
3.658 |
| Note Density Variability |
1.538 |
| Average Time Between Attacks |
0.5084 |
| Average Time Between Attacks for Each Voice |
0.7859 |
| Variability of Time Between Attacks |
0.3394 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.7967 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.5756 |
| Relative Note Durations of Lowest Line |
1.004 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.6192 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.04626 |
| Average Number of Independent Voices |
2.717 |
| Similar Motion |
0.153 |
| Contrary Motion |
0.331 |
| Oblique Motion |
0.4698 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5488 |
| Voice Equality - Number of Notes |
9.074 |
| Voice Equality - Note Duration |
1.387 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
20.0 |