| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2446 |
| Prevalence of Second Most Common Vertical Interval |
0.2093 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8556 |
| Vertical Unisons |
0.02768 |
| Vertical Minor Seconds |
0.004797 |
| Vertical Thirds |
0.4063 |
| Vertical Tritones |
0.002674 |
| Vertical Perfect Fourths |
0.03649 |
| Vertical Perfect Fifths |
0.1876 |
| Vertical Sixths |
0.1052 |
| Vertical Sevenths |
0.02391 |
| Vertical Octaves |
0.1816 |
| Perfect Vertical Intervals |
0.4333 |
| Vertical Dissonance Ratio |
0.05834 |
| Vertical Minor Third Prevalence |
0.5336 |
| Vertical Major Third Prevalence |
0.3489 |
| Chord Duration |
3.26 |
| Partial Chords |
0.5621 |
| Standard Triads |
0.3215 |
| Diminished and Augmented Triads |
0.003945 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1164 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.075 |
| Average Number of Simultaneous Pitch Classes |
2.36 |
| Variability of Number of Simultaneous Pitch Classes |
0.5819 |
| Average Number of Simultaneous Pitches |
2.813 |
| Variability of Number of Simultaneous Pitches |
0.3896 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.785 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
51.62 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1882 |
| Stepwise Motion |
0.65 |
| Melodic Thirds |
0.1265 |
| Melodic Perfect Fourths |
0.09706 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07647 |
| Melodic Sixths |
0.002941 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01176 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.909 |
| Melodic Embellishments |
0.02041 |
| Direction of Melodic Motion |
0.4909 |
| Average Length of Melodic Arcs |
1.918 |
| Average Interval Spanned by Melodic Arcs |
5.275 |
| Melodic Pitch Variety |
5.814 |
| Mean Melodic Interval |
2.712 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4618 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4076 |
| Amount of Arpeggiation |
0.25 |
| Repeated Notes |
0.03529 |
| Importance of Middle Register |
0.7959 |
| Importance of High Register |
0.04082 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.47 |
| Mean Pitch Class |
4.385 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1399 |
| Prevalence of Most Common Pitch Class |
0.2566 |
| Relative Prevalence of Top Pitches |
0.7292 |
| Relative Prevalence of Top Pitch Classes |
0.7273 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.108 |
| Pitch Class Variability |
3.573 |
| Pitch Class Variability After Folding |
4.205 |
| Pitch Skewness |
0.5069 |
| Pitch Class Skewness |
1.163 |
| Pitch Class Skewness After Folding |
1.402 |
| Pitch Kurtosis |
5.23 |
| Pitch Class Kurtosis |
4.717 |
| Pitch Class Kurtosis After Folding |
4.724 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.1633 |
| Note Density per Quarter Note |
0.6387 |
| Note Density per Quarter Note per Voice |
0.2129 |
| Note Density per Quarter Note Variability |
0.2793 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2507 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9417 |
| Prevalence of Very Long Rhythmic Values |
0.2478 |
| Prevalence of Dotted Notes |
0.09621 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.397 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.484 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3976 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.365 |
| Rhythmic Value Skewness |
0.5031 |
| Rhythmic Value Kurtosis |
6.978 |
| Mean Rhythmic Value Run Length |
1.927 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.616 |
| Mean Rhythmic Value Offset |
0.1166 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.179 |
| Complete Rests Fraction |
0.001847 |
| Partial Rests Fraction |
0.1136 |
| Average Rest Fraction Across Voices |
0.03909 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.314 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.67 |
| Variability Across Voices of Combined Rests |
13.11 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7343 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1537 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.776 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8881 |
| Rhythmic Variability - Tempo Standardized |
0.05964 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
343.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6184 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
6.154 |
| Average Note Duration |
0.8679 |
| Variability of Note Durations |
0.5692 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5222 |
| Strength of Second Strongest Rhythmic Pulse |
0.2078 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.513 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.73 |
| Rhythmic Variability |
0.04635 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004875 |
| Duration in Seconds |
103.3 |
| Note Density |
3.321 |
| Note Density Variability |
1.017 |
| Average Time Between Attacks |
0.5887 |
| Average Time Between Attacks for Each Voice |
0.9122 |
| Variability of Time Between Attacks |
0.3096 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6296 |
| Relative Range Isolation of Loudest Voice |
0.5037 |
| Relative Range of Highest Line |
0.6296 |
| Relative Note Density of Highest Line |
0.586 |
| Relative Note Durations of Lowest Line |
1.017 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.6851 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.05865 |
| Average Number of Independent Voices |
2.888 |
| Similar Motion |
0.1378 |
| Contrary Motion |
0.3196 |
| Oblique Motion |
0.4839 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3153 |
| Voice Equality - Number of Notes |
19.6 |
| Voice Equality - Note Duration |
2.522 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
20.0 |