| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1966 |
| Prevalence of Second Most Common Vertical Interval |
0.1883 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.958 |
| Vertical Unisons |
0.04272 |
| Vertical Minor Seconds |
0.002155 |
| Vertical Thirds |
0.3485 |
| Vertical Tritones |
0.0131 |
| Vertical Perfect Fourths |
0.07994 |
| Vertical Perfect Fifths |
0.1722 |
| Vertical Sixths |
0.157 |
| Vertical Sevenths |
0.02172 |
| Vertical Octaves |
0.1456 |
| Perfect Vertical Intervals |
0.4404 |
| Vertical Dissonance Ratio |
0.05714 |
| Vertical Minor Third Prevalence |
0.5449 |
| Vertical Major Third Prevalence |
0.4316 |
| Chord Duration |
2.109 |
| Partial Chords |
0.3913 |
| Standard Triads |
0.463 |
| Diminished and Augmented Triads |
0.03478 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01739 |
| Non-Standard Chords |
0.1283 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.048 |
| Average Number of Simultaneous Pitch Classes |
2.622 |
| Variability of Number of Simultaneous Pitch Classes |
0.5921 |
| Average Number of Simultaneous Pitches |
3.15 |
| Variability of Number of Simultaneous Pitches |
0.6691 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.909 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
22.37 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2489 |
| Stepwise Motion |
0.7093 |
| Melodic Thirds |
0.1476 |
| Melodic Perfect Fourths |
0.06828 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03304 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008811 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.68 |
| Melodic Embellishments |
0.04367 |
| Direction of Melodic Motion |
0.4647 |
| Average Length of Melodic Arcs |
2.005 |
| Average Interval Spanned by Melodic Arcs |
4.763 |
| Melodic Pitch Variety |
5.144 |
| Mean Melodic Interval |
2.346 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4604 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5407 |
| Amount of Arpeggiation |
0.2225 |
| Repeated Notes |
0.03304 |
| Importance of Middle Register |
0.6223 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.53 |
| Mean Pitch Class |
5.271 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1004 |
| Prevalence of Most Common Pitch Class |
0.1943 |
| Relative Prevalence of Top Pitches |
0.9348 |
| Relative Prevalence of Top Pitch Classes |
0.7865 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.817 |
| Pitch Class Variability |
3.212 |
| Pitch Class Variability After Folding |
3.928 |
| Pitch Skewness |
-0.01537 |
| Pitch Class Skewness |
0.2529 |
| Pitch Class Skewness After Folding |
1.134 |
| Pitch Kurtosis |
5.197 |
| Pitch Class Kurtosis |
4.83 |
| Pitch Class Kurtosis After Folding |
4.933 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3777 |
| Note Density per Quarter Note |
0.9683 |
| Note Density per Quarter Note per Voice |
0.2421 |
| Note Density per Quarter Note Variability |
0.4782 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4498 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7642 |
| Prevalence of Very Long Rhythmic Values |
0.1397 |
| Prevalence of Dotted Notes |
0.155 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.314 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3144 |
| Relative Prevalence of Most Common Rhythmic Values |
0.75 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.279 |
| Rhythmic Value Skewness |
0.414 |
| Rhythmic Value Kurtosis |
8.594 |
| Mean Rhythmic Value Run Length |
1.537 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.11 |
| Mean Rhythmic Value Offset |
0.0786 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.005 |
| Complete Rests Fraction |
0.01055 |
| Partial Rests Fraction |
0.5687 |
| Average Rest Fraction Across Voices |
0.1786 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
9.656 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
13.21 |
| Variability Across Voices of Combined Rests |
40.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4816 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2786 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.729 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7602 |
| Rhythmic Variability - Tempo Standardized |
0.04749 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
458.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9567 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
6.154 |
| Average Note Duration |
0.6525 |
| Variability of Note Durations |
0.5291 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2705 |
| Strength of Second Strongest Rhythmic Pulse |
0.2258 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.198 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4963 |
| Rhythmic Variability |
0.03425 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000004351 |
| Duration in Seconds |
90.96 |
| Note Density |
5.035 |
| Note Density Variability |
1.888 |
| Average Time Between Attacks |
0.383 |
| Average Time Between Attacks for Each Voice |
0.7898 |
| Variability of Time Between Attacks |
0.2374 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.06767 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.559 |
| Relative Note Durations of Lowest Line |
0.8275 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9061 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.646 |
| Parallel Motion |
0.05846 |
| Average Number of Independent Voices |
3.321 |
| Similar Motion |
0.1649 |
| Contrary Motion |
0.1461 |
| Oblique Motion |
0.6305 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6761 |
| Voice Equality - Number of Notes |
22.37 |
| Voice Equality - Note Duration |
7.847 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.872 |
| Importance of Loudest Voice |
11.67 |