| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2258 |
| Prevalence of Second Most Common Vertical Interval |
0.2026 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8976 |
| Vertical Unisons |
0.03148 |
| Vertical Minor Seconds |
0.004328 |
| Vertical Thirds |
0.3739 |
| Vertical Tritones |
0.01112 |
| Vertical Perfect Fourths |
0.04535 |
| Vertical Perfect Fifths |
0.1724 |
| Vertical Sixths |
0.1484 |
| Vertical Sevenths |
0.0178 |
| Vertical Octaves |
0.1712 |
| Perfect Vertical Intervals |
0.4204 |
| Vertical Dissonance Ratio |
0.06073 |
| Vertical Minor Third Prevalence |
0.4023 |
| Vertical Major Third Prevalence |
0.2876 |
| Chord Duration |
2.612 |
| Partial Chords |
0.6552 |
| Standard Triads |
0.2608 |
| Diminished and Augmented Triads |
0.02371 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.08405 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.521 |
| Average Number of Simultaneous Pitch Classes |
2.173 |
| Variability of Number of Simultaneous Pitch Classes |
0.6314 |
| Average Number of Simultaneous Pitches |
2.53 |
| Variability of Number of Simultaneous Pitches |
0.5825 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.62 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
72.83 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2527 |
| Stepwise Motion |
0.7065 |
| Melodic Thirds |
0.1359 |
| Melodic Perfect Fourths |
0.03533 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03533 |
| Melodic Sixths |
0.002717 |
| Melodic Sevenths |
0.002717 |
| Melodic Octaves |
0.002717 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.846 |
| Melodic Embellishments |
0.02965 |
| Direction of Melodic Motion |
0.4838 |
| Average Length of Melodic Arcs |
2.387 |
| Average Interval Spanned by Melodic Arcs |
5.324 |
| Melodic Pitch Variety |
5.19 |
| Mean Melodic Interval |
2.109 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4538 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5569 |
| Amount of Arpeggiation |
0.2554 |
| Repeated Notes |
0.0788 |
| Importance of Middle Register |
0.655 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
54.98 |
| Mean Pitch Class |
5.927 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1536 |
| Prevalence of Most Common Pitch Class |
0.2453 |
| Relative Prevalence of Top Pitches |
0.6842 |
| Relative Prevalence of Top Pitch Classes |
0.6484 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.483 |
| Pitch Class Variability |
3.165 |
| Pitch Class Variability After Folding |
3.878 |
| Pitch Skewness |
-0.6613 |
| Pitch Class Skewness |
-1.017 |
| Pitch Class Skewness After Folding |
0.9759 |
| Pitch Kurtosis |
5.626 |
| Pitch Class Kurtosis |
4.972 |
| Pitch Class Kurtosis After Folding |
4.96 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.345 |
| Note Density per Quarter Note |
0.6909 |
| Note Density per Quarter Note per Voice |
0.2303 |
| Note Density per Quarter Note Variability |
0.3345 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3747 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8464 |
| Prevalence of Very Long Rhythmic Values |
0.1833 |
| Prevalence of Dotted Notes |
0.1213 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.704 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.407 |
| Relative Prevalence of Most Common Rhythmic Values |
0.543 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.221 |
| Rhythmic Value Skewness |
-0.4005 |
| Rhythmic Value Kurtosis |
7.589 |
| Mean Rhythmic Value Run Length |
1.656 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.286 |
| Mean Rhythmic Value Offset |
0.02156 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2933 |
| Complete Rests Fraction |
0.009296 |
| Partial Rests Fraction |
0.378 |
| Average Rest Fraction Across Voices |
0.1421 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
68.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
9.159 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
14.12 |
| Variability Across Voices of Combined Rests |
40.22 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5924 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2374 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.496 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8298 |
| Rhythmic Variability - Tempo Standardized |
0.05184 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
371.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6989 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7164 |
| Variability of Note Durations |
0.446 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3532 |
| Strength of Second Strongest Rhythmic Pulse |
0.2421 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.459 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5953 |
| Rhythmic Variability |
0.03817 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000004875 |
| Duration in Seconds |
103.3 |
| Note Density |
3.593 |
| Note Density Variability |
1.244 |
| Average Time Between Attacks |
0.4649 |
| Average Time Between Attacks for Each Voice |
0.7806 |
| Variability of Time Between Attacks |
0.2484 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5625 |
| Relative Range Isolation of Loudest Voice |
0.209 |
| Relative Range of Highest Line |
0.5625 |
| Relative Note Density of Highest Line |
0.4933 |
| Relative Note Durations of Lowest Line |
1.137 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.7251 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.04483 |
| Average Number of Independent Voices |
2.598 |
| Similar Motion |
0.1483 |
| Contrary Motion |
0.1931 |
| Oblique Motion |
0.6138 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5483 |
| Voice Equality - Number of Notes |
9.074 |
| Voice Equality - Note Duration |
7.734 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
20.0 |