| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1989 |
| Prevalence of Second Most Common Vertical Interval |
0.1768 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8887 |
| Vertical Unisons |
0.04044 |
| Vertical Minor Seconds |
0.01072 |
| Vertical Thirds |
0.3406 |
| Vertical Tritones |
0.0245 |
| Vertical Perfect Fourths |
0.05951 |
| Vertical Perfect Fifths |
0.1768 |
| Vertical Sixths |
0.1568 |
| Vertical Sevenths |
0.03439 |
| Vertical Octaves |
0.1298 |
| Perfect Vertical Intervals |
0.4065 |
| Vertical Dissonance Ratio |
0.1062 |
| Vertical Minor Third Prevalence |
0.3591 |
| Vertical Major Third Prevalence |
0.2514 |
| Chord Duration |
1.726 |
| Partial Chords |
0.6555 |
| Standard Triads |
0.219 |
| Diminished and Augmented Triads |
0.04067 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1254 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.551 |
| Average Number of Simultaneous Pitch Classes |
2.179 |
| Variability of Number of Simultaneous Pitch Classes |
0.6269 |
| Average Number of Simultaneous Pitches |
2.428 |
| Variability of Number of Simultaneous Pitches |
0.5639 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.463 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
128.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.249 |
| Stepwise Motion |
0.7276 |
| Melodic Thirds |
0.1551 |
| Melodic Perfect Fourths |
0.05306 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02245 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009184 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.897 |
| Melodic Embellishments |
0.06002 |
| Direction of Melodic Motion |
0.4599 |
| Average Length of Melodic Arcs |
2.043 |
| Average Interval Spanned by Melodic Arcs |
4.718 |
| Melodic Pitch Variety |
5.458 |
| Mean Melodic Interval |
2.244 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4786 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5203 |
| Amount of Arpeggiation |
0.2194 |
| Repeated Notes |
0.03265 |
| Importance of Middle Register |
0.5137 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
55.32 |
| Mean Pitch Class |
4.523 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1302 |
| Prevalence of Most Common Pitch Class |
0.233 |
| Relative Prevalence of Top Pitches |
0.8906 |
| Relative Prevalence of Top Pitch Classes |
0.8384 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.286 |
| Pitch Class Variability |
3.221 |
| Pitch Class Variability After Folding |
3.426 |
| Pitch Skewness |
0.3442 |
| Pitch Class Skewness |
0.487 |
| Pitch Class Skewness After Folding |
0.7883 |
| Pitch Kurtosis |
4.865 |
| Pitch Class Kurtosis |
5.302 |
| Pitch Class Kurtosis After Folding |
6.179 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.4863 |
| Note Density per Quarter Note |
0.93 |
| Note Density per Quarter Note per Voice |
0.31 |
| Note Density per Quarter Note Variability |
0.421 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02442 |
| Prevalence of Medium Rhythmic Values |
0.5605 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7202 |
| Prevalence of Very Long Rhythmic Values |
0.06104 |
| Prevalence of Dotted Notes |
0.2187 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.705 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2808 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8949 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.736 |
| Rhythmic Value Skewness |
1.218 |
| Rhythmic Value Kurtosis |
11.41 |
| Mean Rhythmic Value Run Length |
1.529 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.191 |
| Mean Rhythmic Value Offset |
0.02993 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2288 |
| Complete Rests Fraction |
0.0009461 |
| Partial Rests Fraction |
0.4658 |
| Average Rest Fraction Across Voices |
0.1633 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
156.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.244 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
25.48 |
| Variability Across Voices of Combined Rests |
156.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
7.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4246 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2236 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.898 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6482 |
| Rhythmic Variability - Tempo Standardized |
0.04107 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
983.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.368 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
3.81 |
| Average Note Duration |
0.6427 |
| Variability of Note Durations |
0.4332 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2474 |
| Strength of Second Strongest Rhythmic Pulse |
0.214 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.156 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4614 |
| Rhythmic Variability |
0.03199 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.0000000005057 |
| Duration in Seconds |
251.7 |
| Note Density |
3.906 |
| Note Density Variability |
1.354 |
| Average Time Between Attacks |
0.4044 |
| Average Time Between Attacks for Each Voice |
0.8196 |
| Variability of Time Between Attacks |
0.2118 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6538 |
| Relative Range Isolation of Loudest Voice |
0.3953 |
| Relative Range of Highest Line |
0.6538 |
| Relative Note Density of Highest Line |
0.1862 |
| Relative Note Durations of Lowest Line |
0.9503 |
| Relative Size of Melodic Intervals in Lowest Line |
1.2 |
| Voice Overlap |
0.825 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
7.071 |
| Parallel Motion |
0.04374 |
| Average Number of Independent Voices |
2.513 |
| Similar Motion |
0.1383 |
| Contrary Motion |
0.1726 |
| Oblique Motion |
0.6454 |
| Parallel Fifths |
0.001182 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5423 |
| Voice Equality - Number of Notes |
128.5 |
| Voice Equality - Note Duration |
37.28 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.606 |
| Importance of Loudest Voice |
15.0 |