| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2051 |
| Prevalence of Second Most Common Vertical Interval |
0.1802 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8788 |
| Vertical Unisons |
0.03394 |
| Vertical Minor Seconds |
0.008806 |
| Vertical Thirds |
0.3754 |
| Vertical Tritones |
0.02686 |
| Vertical Perfect Fourths |
0.07834 |
| Vertical Perfect Fifths |
0.154 |
| Vertical Sixths |
0.1183 |
| Vertical Sevenths |
0.02608 |
| Vertical Octaves |
0.1463 |
| Perfect Vertical Intervals |
0.4125 |
| Vertical Dissonance Ratio |
0.1035 |
| Vertical Minor Third Prevalence |
0.375 |
| Vertical Major Third Prevalence |
0.4183 |
| Chord Duration |
1.832 |
| Partial Chords |
0.5335 |
| Standard Triads |
0.2641 |
| Diminished and Augmented Triads |
0.0493 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.2025 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3158 |
| Average Number of Simultaneous Pitch Classes |
2.388 |
| Variability of Number of Simultaneous Pitch Classes |
0.5867 |
| Average Number of Simultaneous Pitches |
2.773 |
| Variability of Number of Simultaneous Pitches |
0.4187 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.603 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
5.686 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2443 |
| Stepwise Motion |
0.7492 |
| Melodic Thirds |
0.127 |
| Melodic Perfect Fourths |
0.0456 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03583 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01303 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.294 |
| Melodic Embellishments |
0.03548 |
| Direction of Melodic Motion |
0.4295 |
| Average Length of Melodic Arcs |
2.041 |
| Average Interval Spanned by Melodic Arcs |
4.76 |
| Melodic Pitch Variety |
5.258 |
| Mean Melodic Interval |
2.326 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5049 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4839 |
| Amount of Arpeggiation |
0.2052 |
| Repeated Notes |
0.02932 |
| Importance of Middle Register |
0.7548 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.22 |
| Mean Pitch Class |
5.248 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1097 |
| Prevalence of Most Common Pitch Class |
0.2065 |
| Relative Prevalence of Top Pitches |
0.8824 |
| Relative Prevalence of Top Pitch Classes |
0.7969 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.535 |
| Pitch Class Variability |
3.203 |
| Pitch Class Variability After Folding |
4.18 |
| Pitch Skewness |
-0.02517 |
| Pitch Class Skewness |
0.2327 |
| Pitch Class Skewness After Folding |
1.127 |
| Pitch Kurtosis |
4.97 |
| Pitch Class Kurtosis |
5.031 |
| Pitch Class Kurtosis After Folding |
4.79 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.2452 |
| Note Density per Quarter Note |
1.03 |
| Note Density per Quarter Note per Voice |
0.3433 |
| Note Density per Quarter Note Variability |
0.363 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0129 |
| Prevalence of Medium Rhythmic Values |
0.5516 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7387 |
| Prevalence of Very Long Rhythmic Values |
0.07419 |
| Prevalence of Dotted Notes |
0.1613 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.774 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2903 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.834 |
| Rhythmic Value Skewness |
1.266 |
| Rhythmic Value Kurtosis |
11.81 |
| Mean Rhythmic Value Run Length |
1.449 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9063 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003295 |
| Partial Rests Fraction |
0.1362 |
| Average Rest Fraction Across Voices |
0.04759 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
6.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.528 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.376 |
| Variability Across Voices of Combined Rests |
1.155 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4615 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.277 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.666 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7385 |
| Rhythmic Variability - Tempo Standardized |
0.04654 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
310.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4349 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.6605 |
| Variability of Note Durations |
0.4366 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2752 |
| Strength of Second Strongest Rhythmic Pulse |
0.2511 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.096 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5263 |
| Rhythmic Variability |
0.03607 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.00000000007179 |
| Duration in Seconds |
71.66 |
| Note Density |
4.326 |
| Note Density Variability |
1.113 |
| Average Time Between Attacks |
0.4111 |
| Average Time Between Attacks for Each Voice |
0.6695 |
| Variability of Time Between Attacks |
0.234 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4615 |
| Relative Range Isolation of Loudest Voice |
0.1389 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.6387 |
| Relative Note Durations of Lowest Line |
1.065 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9065 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.04319 |
| Average Number of Independent Voices |
2.867 |
| Similar Motion |
0.1694 |
| Contrary Motion |
0.2392 |
| Oblique Motion |
0.5482 |
| Parallel Fifths |
0.003322 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3399 |
| Voice Equality - Number of Notes |
5.686 |
| Voice Equality - Note Duration |
0.2749 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.041 |
| Importance of Loudest Voice |
12.5 |