| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2043 |
| Prevalence of Second Most Common Vertical Interval |
0.1976 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9673 |
| Vertical Unisons |
0.031 |
| Vertical Minor Seconds |
0.004451 |
| Vertical Thirds |
0.3132 |
| Vertical Tritones |
0.01634 |
| Vertical Perfect Fourths |
0.04266 |
| Vertical Perfect Fifths |
0.1826 |
| Vertical Sixths |
0.1915 |
| Vertical Sevenths |
0.02248 |
| Vertical Octaves |
0.1666 |
| Perfect Vertical Intervals |
0.4229 |
| Vertical Dissonance Ratio |
0.07809 |
| Vertical Minor Third Prevalence |
0.4359 |
| Vertical Major Third Prevalence |
0.2324 |
| Chord Duration |
1.785 |
| Partial Chords |
0.5598 |
| Standard Triads |
0.3098 |
| Diminished and Augmented Triads |
0.02174 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1304 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.562 |
| Average Number of Simultaneous Pitch Classes |
2.274 |
| Variability of Number of Simultaneous Pitch Classes |
0.6555 |
| Average Number of Simultaneous Pitches |
2.628 |
| Variability of Number of Simultaneous Pitches |
0.5572 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.613 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
65.05 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2585 |
| Stepwise Motion |
0.7015 |
| Melodic Thirds |
0.12 |
| Melodic Perfect Fourths |
0.06769 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04923 |
| Melodic Sixths |
0.006154 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009231 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.333 |
| Melodic Embellishments |
0.01524 |
| Direction of Melodic Motion |
0.4548 |
| Average Length of Melodic Arcs |
2.053 |
| Average Interval Spanned by Melodic Arcs |
5.04 |
| Melodic Pitch Variety |
5.22 |
| Mean Melodic Interval |
2.382 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4431 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5833 |
| Amount of Arpeggiation |
0.2246 |
| Repeated Notes |
0.04615 |
| Importance of Middle Register |
0.7287 |
| Importance of High Register |
0.02134 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.06 |
| Mean Pitch Class |
5.78 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.128 |
| Prevalence of Most Common Pitch Class |
0.2165 |
| Relative Prevalence of Top Pitches |
0.6905 |
| Relative Prevalence of Top Pitch Classes |
0.8028 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.224 |
| Pitch Class Variability |
3.213 |
| Pitch Class Variability After Folding |
3.761 |
| Pitch Skewness |
0.5723 |
| Pitch Class Skewness |
-1.139 |
| Pitch Class Skewness After Folding |
0.9046 |
| Pitch Kurtosis |
5.205 |
| Pitch Class Kurtosis |
4.905 |
| Pitch Class Kurtosis After Folding |
5.244 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.25 |
| Note Density per Quarter Note |
1.048 |
| Note Density per Quarter Note per Voice |
0.3493 |
| Note Density per Quarter Note Variability |
0.4033 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02439 |
| Prevalence of Medium Rhythmic Values |
0.6646 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7744 |
| Prevalence of Very Long Rhythmic Values |
0.04878 |
| Prevalence of Dotted Notes |
0.1006 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.573 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.439 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4861 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.759 |
| Rhythmic Value Skewness |
0.9773 |
| Rhythmic Value Kurtosis |
15.77 |
| Mean Rhythmic Value Run Length |
1.783 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.257 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003168 |
| Partial Rests Fraction |
0.2588 |
| Average Rest Fraction Across Voices |
0.1011 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.523 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.125 |
| Variability Across Voices of Combined Rests |
5.033 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5837 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.211 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.766 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7946 |
| Rhythmic Variability - Tempo Standardized |
0.05095 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
328.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4857 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.6127 |
| Variability of Note Durations |
0.4189 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
126.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2757 |
| Strength of Second Strongest Rhythmic Pulse |
0.2628 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.049 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5384 |
| Rhythmic Variability |
0.03723 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
0.00000000004084 |
| Duration in Seconds |
74.52 |
| Note Density |
4.401 |
| Note Density Variability |
1.069 |
| Average Time Between Attacks |
0.3905 |
| Average Time Between Attacks for Each Voice |
0.6362 |
| Variability of Time Between Attacks |
0.1729 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.9068 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.6128 |
| Relative Note Durations of Lowest Line |
1.138 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.6372 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
5.657 |
| Parallel Motion |
0.04138 |
| Average Number of Independent Voices |
2.705 |
| Similar Motion |
0.1862 |
| Contrary Motion |
0.2069 |
| Oblique Motion |
0.5655 |
| Parallel Fifths |
0.003448 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5337 |
| Voice Equality - Number of Notes |
10.26 |
| Voice Equality - Note Duration |
1.198 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
20.0 |