| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2207 |
| Prevalence of Second Most Common Vertical Interval |
0.2003 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9078 |
| Vertical Unisons |
0.04537 |
| Vertical Minor Seconds |
0.006103 |
| Vertical Thirds |
0.3791 |
| Vertical Tritones |
0.02724 |
| Vertical Perfect Fourths |
0.03821 |
| Vertical Perfect Fifths |
0.1261 |
| Vertical Sixths |
0.1708 |
| Vertical Sevenths |
0.02282 |
| Vertical Octaves |
0.155 |
| Perfect Vertical Intervals |
0.3646 |
| Vertical Dissonance Ratio |
0.09342 |
| Vertical Minor Third Prevalence |
0.4256 |
| Vertical Major Third Prevalence |
0.3206 |
| Chord Duration |
1.904 |
| Partial Chords |
0.5367 |
| Standard Triads |
0.2808 |
| Diminished and Augmented Triads |
0.06911 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1825 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4773 |
| Average Number of Simultaneous Pitch Classes |
2.293 |
| Variability of Number of Simultaneous Pitch Classes |
0.6633 |
| Average Number of Simultaneous Pitches |
2.643 |
| Variability of Number of Simultaneous Pitches |
0.5565 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.388 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
135.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2755 |
| Stepwise Motion |
0.7719 |
| Melodic Thirds |
0.1186 |
| Melodic Perfect Fourths |
0.03832 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03467 |
| Melodic Sixths |
0.001825 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01277 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
0.8056 |
| Melodic Embellishments |
0.01815 |
| Direction of Melodic Motion |
0.4701 |
| Average Length of Melodic Arcs |
1.907 |
| Average Interval Spanned by Melodic Arcs |
4.416 |
| Melodic Pitch Variety |
5.027 |
| Mean Melodic Interval |
2.292 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4964 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5551 |
| Amount of Arpeggiation |
0.188 |
| Repeated Notes |
0.0219 |
| Importance of Middle Register |
0.608 |
| Importance of High Register |
0.001815 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.64 |
| Mean Pitch Class |
5.269 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1343 |
| Prevalence of Most Common Pitch Class |
0.2178 |
| Relative Prevalence of Top Pitches |
0.6351 |
| Relative Prevalence of Top Pitch Classes |
0.7083 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.172 |
| Pitch Class Variability |
3.294 |
| Pitch Class Variability After Folding |
4.303 |
| Pitch Skewness |
0.06984 |
| Pitch Class Skewness |
0.2446 |
| Pitch Class Skewness After Folding |
1.301 |
| Pitch Kurtosis |
5.342 |
| Pitch Class Kurtosis |
4.952 |
| Pitch Class Kurtosis After Folding |
4.543 |
| Major or Minor |
0.0 |
| First Pitch |
41.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.3902 |
| Note Density per Quarter Note |
1.042 |
| Note Density per Quarter Note per Voice |
0.3472 |
| Note Density per Quarter Note Variability |
0.4408 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00363 |
| Prevalence of Medium Rhythmic Values |
0.5554 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7786 |
| Prevalence of Very Long Rhythmic Values |
0.02904 |
| Prevalence of Dotted Notes |
0.1379 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.624 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3339 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8913 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.339 |
| Rhythmic Value Skewness |
1.398 |
| Rhythmic Value Kurtosis |
7.069 |
| Mean Rhythmic Value Run Length |
1.424 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9169 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.009436 |
| Partial Rests Fraction |
0.2174 |
| Average Rest Fraction Across Voices |
0.08883 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
20.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
5.874 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
5.544 |
| Variability Across Voices of Combined Rests |
13.11 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5074 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2627 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.931 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7701 |
| Rhythmic Variability - Tempo Standardized |
0.04823 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
551.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3999 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
1.538 |
| Average Note Duration |
0.5047 |
| Variability of Note Durations |
0.2576 |
| Amount of Staccato |
0.00363 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
52.0 |
| Second Strongest Rhythmic Pulse |
78.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2618 |
| Strength of Second Strongest Rhythmic Pulse |
0.2312 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.133 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.493 |
| Rhythmic Variability |
0.03422 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000004816 |
| Duration in Seconds |
101.7 |
| Note Density |
5.416 |
| Note Density Variability |
1.472 |
| Average Time Between Attacks |
0.3594 |
| Average Time Between Attacks for Each Voice |
0.5376 |
| Variability of Time Between Attacks |
0.1722 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6471 |
| Relative Range Isolation of Loudest Voice |
0.4111 |
| Relative Range of Highest Line |
0.6471 |
| Relative Note Density of Highest Line |
0.3485 |
| Relative Note Durations of Lowest Line |
1.013 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.677 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.08502 |
| Average Number of Independent Voices |
2.76 |
| Similar Motion |
0.1741 |
| Contrary Motion |
0.2874 |
| Oblique Motion |
0.4534 |
| Parallel Fifths |
0.002024 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4937 |
| Voice Equality - Number of Notes |
4.726 |
| Voice Equality - Note Duration |
2.522 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
4.509 |
| Importance of Loudest Voice |
20.0 |