| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2363 |
| Prevalence of Second Most Common Vertical Interval |
0.2126 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8998 |
| Vertical Unisons |
0.006459 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3184 |
| Vertical Tritones |
0.01027 |
| Vertical Perfect Fourths |
0.03174 |
| Vertical Perfect Fifths |
0.2126 |
| Vertical Sixths |
0.1376 |
| Vertical Sevenths |
0.0284 |
| Vertical Octaves |
0.2298 |
| Perfect Vertical Intervals |
0.4806 |
| Vertical Dissonance Ratio |
0.06767 |
| Vertical Minor Third Prevalence |
0.45 |
| Vertical Major Third Prevalence |
0.2763 |
| Chord Duration |
1.901 |
| Partial Chords |
0.5103 |
| Standard Triads |
0.3569 |
| Diminished and Augmented Triads |
0.0236 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1327 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.27 |
| Average Number of Simultaneous Pitch Classes |
2.329 |
| Variability of Number of Simultaneous Pitch Classes |
0.6607 |
| Average Number of Simultaneous Pitches |
2.882 |
| Variability of Number of Simultaneous Pitches |
0.3231 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.57 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
18.73 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1933 |
| Stepwise Motion |
0.5798 |
| Melodic Thirds |
0.1793 |
| Melodic Perfect Fourths |
0.09524 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07003 |
| Melodic Sixths |
0.005602 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0112 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.368 |
| Melodic Embellishments |
0.03889 |
| Direction of Melodic Motion |
0.4435 |
| Average Length of Melodic Arcs |
1.806 |
| Average Interval Spanned by Melodic Arcs |
5.108 |
| Melodic Pitch Variety |
5.306 |
| Mean Melodic Interval |
2.703 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3866 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5 |
| Amount of Arpeggiation |
0.3193 |
| Repeated Notes |
0.05882 |
| Importance of Middle Register |
0.7056 |
| Importance of High Register |
0.1806 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.8 |
| Mean Pitch Class |
4.747 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1139 |
| Prevalence of Most Common Pitch Class |
0.2583 |
| Relative Prevalence of Top Pitches |
0.7805 |
| Relative Prevalence of Top Pitch Classes |
0.6559 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.607 |
| Pitch Class Variability |
3.278 |
| Pitch Class Variability After Folding |
3.237 |
| Pitch Skewness |
0.1895 |
| Pitch Class Skewness |
0.6838 |
| Pitch Class Skewness After Folding |
0.6461 |
| Pitch Kurtosis |
5.123 |
| Pitch Class Kurtosis |
5.018 |
| Pitch Class Kurtosis After Folding |
6.826 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.1139 |
| Note Density per Quarter Note |
0.9351 |
| Note Density per Quarter Note per Voice |
0.3117 |
| Note Density per Quarter Note Variability |
0.4137 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01667 |
| Prevalence of Medium Rhythmic Values |
0.5139 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8222 |
| Prevalence of Very Long Rhythmic Values |
0.08889 |
| Prevalence of Dotted Notes |
0.1444 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.061 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3361 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9091 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.044 |
| Rhythmic Value Skewness |
1.558 |
| Rhythmic Value Kurtosis |
11.94 |
| Mean Rhythmic Value Run Length |
1.385 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7598 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.01297 |
| Partial Rests Fraction |
0.1117 |
| Average Rest Fraction Across Voices |
0.04587 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
14.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
2.943 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
2.941 |
| Variability Across Voices of Combined Rests |
8.327 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.556 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2259 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.461 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7819 |
| Rhythmic Variability - Tempo Standardized |
0.04976 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
360.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5432 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.7288 |
| Variability of Note Durations |
0.4865 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
63.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2717 |
| Strength of Second Strongest Rhythmic Pulse |
0.2714 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.001 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5431 |
| Rhythmic Variability |
0.0373 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
0.0000000001044 |
| Duration in Seconds |
91.66 |
| Note Density |
3.927 |
| Note Density Variability |
1.177 |
| Average Time Between Attacks |
0.428 |
| Average Time Between Attacks for Each Voice |
0.7541 |
| Variability of Time Between Attacks |
0.2874 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5556 |
| Relative Range Isolation of Loudest Voice |
0.7163 |
| Relative Range of Highest Line |
0.5556 |
| Relative Note Density of Highest Line |
0.5917 |
| Relative Note Durations of Lowest Line |
1.112 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.6056 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.02817 |
| Average Number of Independent Voices |
2.9 |
| Similar Motion |
0.1315 |
| Contrary Motion |
0.2136 |
| Oblique Motion |
0.6268 |
| Parallel Fifths |
0.002347 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3 |
| Voice Equality - Number of Notes |
18.73 |
| Voice Equality - Note Duration |
1.983 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.528 |
| Importance of Loudest Voice |
12.5 |