| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2052 |
| Prevalence of Second Most Common Vertical Interval |
0.1896 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9238 |
| Vertical Unisons |
0.03622 |
| Vertical Minor Seconds |
0.004317 |
| Vertical Thirds |
0.3097 |
| Vertical Tritones |
0.01998 |
| Vertical Perfect Fourths |
0.09376 |
| Vertical Perfect Fifths |
0.1721 |
| Vertical Sixths |
0.1398 |
| Vertical Sevenths |
0.03288 |
| Vertical Octaves |
0.169 |
| Perfect Vertical Intervals |
0.4711 |
| Vertical Dissonance Ratio |
0.08633 |
| Vertical Minor Third Prevalence |
0.5858 |
| Vertical Major Third Prevalence |
0.3725 |
| Chord Duration |
2.297 |
| Partial Chords |
0.3722 |
| Standard Triads |
0.4076 |
| Diminished and Augmented Triads |
0.05823 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01266 |
| Non-Standard Chords |
0.2076 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.683 |
| Average Number of Simultaneous Pitch Classes |
2.613 |
| Variability of Number of Simultaneous Pitch Classes |
0.612 |
| Average Number of Simultaneous Pitches |
3.216 |
| Variability of Number of Simultaneous Pitches |
0.6624 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.535 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.84 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2203 |
| Stepwise Motion |
0.687 |
| Melodic Thirds |
0.1072 |
| Melodic Perfect Fourths |
0.05507 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04638 |
| Melodic Sixths |
0.002899 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002899 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.111 |
| Melodic Embellishments |
0.05444 |
| Direction of Melodic Motion |
0.492 |
| Average Length of Melodic Arcs |
2.101 |
| Average Interval Spanned by Melodic Arcs |
4.919 |
| Melodic Pitch Variety |
4.559 |
| Mean Melodic Interval |
2.159 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4667 |
| Relative Prevalence of Most Common Melodic Intervals |
0.472 |
| Amount of Arpeggiation |
0.2551 |
| Repeated Notes |
0.09855 |
| Importance of Middle Register |
0.7335 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.04 |
| Mean Pitch Class |
5.774 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1519 |
| Prevalence of Most Common Pitch Class |
0.2464 |
| Relative Prevalence of Top Pitches |
0.7358 |
| Relative Prevalence of Top Pitch Classes |
0.6977 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.593 |
| Pitch Class Variability |
3.159 |
| Pitch Class Variability After Folding |
3.773 |
| Pitch Skewness |
0.4094 |
| Pitch Class Skewness |
-1.165 |
| Pitch Class Skewness After Folding |
0.77 |
| Pitch Kurtosis |
5.404 |
| Pitch Class Kurtosis |
5.039 |
| Pitch Class Kurtosis After Folding |
5.365 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2665 |
| Note Density per Quarter Note |
0.8533 |
| Note Density per Quarter Note per Voice |
0.2133 |
| Note Density per Quarter Note Variability |
0.306 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2951 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8309 |
| Prevalence of Very Long Rhythmic Values |
0.2006 |
| Prevalence of Dotted Notes |
0.1519 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.914 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4327 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3907 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.32 |
| Rhythmic Value Skewness |
-0.1111 |
| Rhythmic Value Kurtosis |
7.327 |
| Mean Rhythmic Value Run Length |
1.608 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.36 |
| Mean Rhythmic Value Offset |
0.02292 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3024 |
| Complete Rests Fraction |
0.002425 |
| Partial Rests Fraction |
0.5648 |
| Average Rest Fraction Across Voices |
0.1601 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.39 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.54 |
| Variability Across Voices of Combined Rests |
52.06 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5146 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.258 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.995 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7726 |
| Rhythmic Variability - Tempo Standardized |
0.04853 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
349.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.128 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7571 |
| Variability of Note Durations |
0.465 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.376 |
| Strength of Second Strongest Rhythmic Pulse |
0.2121 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.772 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5881 |
| Rhythmic Variability |
0.03783 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003664 |
| Duration in Seconds |
78.65 |
| Note Density |
4.437 |
| Note Density Variability |
0.9809 |
| Average Time Between Attacks |
0.4142 |
| Average Time Between Attacks for Each Voice |
0.9666 |
| Variability of Time Between Attacks |
0.2377 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.4426 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.7335 |
| Relative Note Durations of Lowest Line |
1.383 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8138 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.06176 |
| Average Number of Independent Voices |
3.368 |
| Similar Motion |
0.1088 |
| Contrary Motion |
0.1147 |
| Oblique Motion |
0.7147 |
| Parallel Fifths |
0.002941 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.6081 |
| Voice Equality - Number of Notes |
29.84 |
| Voice Equality - Note Duration |
10.01 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
4.203 |
| Importance of Loudest Voice |
11.67 |