| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2141 |
| Prevalence of Second Most Common Vertical Interval |
0.1895 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8853 |
| Vertical Unisons |
0.05223 |
| Vertical Minor Seconds |
0.002721 |
| Vertical Thirds |
0.3724 |
| Vertical Tritones |
0.01924 |
| Vertical Perfect Fourths |
0.0749 |
| Vertical Perfect Fifths |
0.1751 |
| Vertical Sixths |
0.1151 |
| Vertical Sevenths |
0.03331 |
| Vertical Octaves |
0.1373 |
| Perfect Vertical Intervals |
0.4395 |
| Vertical Dissonance Ratio |
0.07863 |
| Vertical Minor Third Prevalence |
0.5685 |
| Vertical Major Third Prevalence |
0.4214 |
| Chord Duration |
2.365 |
| Partial Chords |
0.4012 |
| Standard Triads |
0.3971 |
| Diminished and Augmented Triads |
0.0535 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.00823 |
| Non-Standard Chords |
0.1934 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.93 |
| Average Number of Simultaneous Pitch Classes |
2.593 |
| Variability of Number of Simultaneous Pitch Classes |
0.5781 |
| Average Number of Simultaneous Pitches |
3.058 |
| Variability of Number of Simultaneous Pitches |
0.5487 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.593 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
85.56 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1838 |
| Stepwise Motion |
0.6229 |
| Melodic Thirds |
0.179 |
| Melodic Perfect Fourths |
0.06205 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0358 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002387 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.778 |
| Melodic Embellishments |
0.03546 |
| Direction of Melodic Motion |
0.455 |
| Average Length of Melodic Arcs |
2.112 |
| Average Interval Spanned by Melodic Arcs |
5.179 |
| Melodic Pitch Variety |
4.694 |
| Mean Melodic Interval |
2.253 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4391 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4185 |
| Amount of Arpeggiation |
0.315 |
| Repeated Notes |
0.09785 |
| Importance of Middle Register |
0.7825 |
| Importance of High Register |
0.002364 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.79 |
| Mean Pitch Class |
4.87 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1182 |
| Prevalence of Most Common Pitch Class |
0.1939 |
| Relative Prevalence of Top Pitches |
0.88 |
| Relative Prevalence of Top Pitch Classes |
0.8902 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.513 |
| Pitch Class Variability |
3.337 |
| Pitch Class Variability After Folding |
3.967 |
| Pitch Skewness |
0.1525 |
| Pitch Class Skewness |
-0.1169 |
| Pitch Class Skewness After Folding |
0.8563 |
| Pitch Kurtosis |
5.275 |
| Pitch Class Kurtosis |
4.934 |
| Pitch Class Kurtosis After Folding |
5.268 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2151 |
| Note Density per Quarter Note |
0.8511 |
| Note Density per Quarter Note per Voice |
0.2128 |
| Note Density per Quarter Note Variability |
0.336 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3735 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8085 |
| Prevalence of Very Long Rhythmic Values |
0.234 |
| Prevalence of Dotted Notes |
0.1442 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.811 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3333 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5745 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.374 |
| Rhythmic Value Skewness |
-0.239 |
| Rhythmic Value Kurtosis |
6.013 |
| Mean Rhythmic Value Run Length |
1.627 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.049 |
| Mean Rhythmic Value Offset |
0.009456 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1945 |
| Complete Rests Fraction |
0.001995 |
| Partial Rests Fraction |
0.7183 |
| Average Rest Fraction Across Voices |
0.1871 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
92.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
13.28 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.72 |
| Variability Across Voices of Combined Rests |
60.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5253 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2536 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.072 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7789 |
| Rhythmic Variability - Tempo Standardized |
0.04892 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
423.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.411 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7347 |
| Variability of Note Durations |
0.4643 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3012 |
| Strength of Second Strongest Rhythmic Pulse |
0.2316 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.301 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5328 |
| Rhythmic Variability |
0.0356 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000004563 |
| Duration in Seconds |
95.58 |
| Note Density |
4.426 |
| Note Density Variability |
1.617 |
| Average Time Between Attacks |
0.4174 |
| Average Time Between Attacks for Each Voice |
0.9972 |
| Variability of Time Between Attacks |
0.2391 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.3642 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.6241 |
| Relative Note Durations of Lowest Line |
0.8919 |
| Relative Size of Melodic Intervals in Lowest Line |
1.333 |
| Voice Overlap |
0.7447 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.05594 |
| Average Number of Independent Voices |
3.258 |
| Similar Motion |
0.1189 |
| Contrary Motion |
0.1422 |
| Oblique Motion |
0.683 |
| Parallel Fifths |
0.004662 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4898 |
| Voice Equality - Number of Notes |
42.0 |
| Voice Equality - Note Duration |
11.65 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.5 |
| Importance of Loudest Voice |
20.0 |