| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2128 |
| Prevalence of Second Most Common Vertical Interval |
0.1838 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8637 |
| Vertical Unisons |
0.0173 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3188 |
| Vertical Tritones |
0.02259 |
| Vertical Perfect Fourths |
0.05256 |
| Vertical Perfect Fifths |
0.2128 |
| Vertical Sixths |
0.1632 |
| Vertical Sevenths |
0.02475 |
| Vertical Octaves |
0.1665 |
| Perfect Vertical Intervals |
0.4492 |
| Vertical Dissonance Ratio |
0.07386 |
| Vertical Minor Third Prevalence |
0.3309 |
| Vertical Major Third Prevalence |
0.3043 |
| Chord Duration |
3.025 |
| Partial Chords |
0.5992 |
| Standard Triads |
0.2582 |
| Diminished and Augmented Triads |
0.04484 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1427 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9192 |
| Average Number of Simultaneous Pitch Classes |
2.245 |
| Variability of Number of Simultaneous Pitch Classes |
0.6382 |
| Average Number of Simultaneous Pitches |
2.627 |
| Variability of Number of Simultaneous Pitches |
0.5915 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.606 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
9.292 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.257 |
| Stepwise Motion |
0.7111 |
| Melodic Thirds |
0.1126 |
| Melodic Perfect Fourths |
0.06191 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03002 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.001876 |
| Melodic Octaves |
0.007505 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
6.5 |
| Melodic Embellishments |
0.03545 |
| Direction of Melodic Motion |
0.4888 |
| Average Length of Melodic Arcs |
2.046 |
| Average Interval Spanned by Melodic Arcs |
4.714 |
| Melodic Pitch Variety |
4.993 |
| Mean Melodic Interval |
2.146 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.454 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5661 |
| Amount of Arpeggiation |
0.227 |
| Repeated Notes |
0.07505 |
| Importance of Middle Register |
0.6903 |
| Importance of High Register |
0.02425 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.57 |
| Mean Pitch Class |
4.951 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1175 |
| Prevalence of Most Common Pitch Class |
0.2239 |
| Relative Prevalence of Top Pitches |
0.8413 |
| Relative Prevalence of Top Pitch Classes |
0.6833 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.344 |
| Pitch Class Variability |
3.439 |
| Pitch Class Variability After Folding |
3.527 |
| Pitch Skewness |
-0.346 |
| Pitch Class Skewness |
0.8301 |
| Pitch Class Skewness After Folding |
0.9743 |
| Pitch Kurtosis |
5.151 |
| Pitch Class Kurtosis |
4.847 |
| Pitch Class Kurtosis After Folding |
5.685 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2854 |
| Note Density per Quarter Note |
0.6373 |
| Note Density per Quarter Note per Voice |
0.2124 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3153 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8713 |
| Prevalence of Very Long Rhythmic Values |
0.2444 |
| Prevalence of Dotted Notes |
0.1493 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.049 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4011 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4651 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.332 |
| Rhythmic Value Skewness |
0.06241 |
| Rhythmic Value Kurtosis |
6.727 |
| Mean Rhythmic Value Run Length |
1.531 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.026 |
| Mean Rhythmic Value Offset |
0.07463 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9443 |
| Complete Rests Fraction |
0.01545 |
| Partial Rests Fraction |
0.2842 |
| Average Rest Fraction Across Voices |
0.124 |
| Longest Complete Rest |
12.0 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
6.496 |
| Mean Partial Rest Duration |
9.205 |
| Median Complete Rest Duration |
12.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
7.784 |
| Variability of Partial Rest Durations |
11.17 |
| Variability Across Voices of Combined Rests |
39.72 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5711 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2534 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.254 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8245 |
| Rhythmic Variability - Tempo Standardized |
0.05092 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
536.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9647 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
6.154 |
| Average Note Duration |
0.7929 |
| Variability of Note Durations |
0.5273 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3866 |
| Strength of Second Strongest Rhythmic Pulse |
0.2364 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.635 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6229 |
| Rhythmic Variability |
0.03921 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000006274 |
| Duration in Seconds |
161.7 |
| Note Density |
3.314 |
| Note Density Variability |
1.202 |
| Average Time Between Attacks |
0.5293 |
| Average Time Between Attacks for Each Voice |
0.8876 |
| Variability of Time Between Attacks |
0.3012 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.4649 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.3694 |
| Relative Note Durations of Lowest Line |
1.106 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.7799 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.03899 |
| Average Number of Independent Voices |
2.669 |
| Similar Motion |
0.1399 |
| Contrary Motion |
0.2362 |
| Oblique Motion |
0.5849 |
| Parallel Fifths |
0.006881 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5808 |
| Voice Equality - Number of Notes |
9.292 |
| Voice Equality - Note Duration |
7.638 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
12.5 |