| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2319 |
| Prevalence of Second Most Common Vertical Interval |
0.187 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8061 |
| Vertical Unisons |
0.05191 |
| Vertical Minor Seconds |
0.002207 |
| Vertical Thirds |
0.283 |
| Vertical Tritones |
0.006664 |
| Vertical Perfect Fourths |
0.1125 |
| Vertical Perfect Fifths |
0.187 |
| Vertical Sixths |
0.1395 |
| Vertical Sevenths |
0.02525 |
| Vertical Octaves |
0.18 |
| Perfect Vertical Intervals |
0.5315 |
| Vertical Dissonance Ratio |
0.04819 |
| Vertical Minor Third Prevalence |
0.442 |
| Vertical Major Third Prevalence |
0.2806 |
| Chord Duration |
2.453 |
| Partial Chords |
0.5719 |
| Standard Triads |
0.3154 |
| Diminished and Augmented Triads |
0.01213 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01213 |
| Non-Standard Chords |
0.1005 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.6 |
| Average Number of Simultaneous Pitch Classes |
2.32 |
| Variability of Number of Simultaneous Pitch Classes |
0.682 |
| Average Number of Simultaneous Pitches |
2.882 |
| Variability of Number of Simultaneous Pitches |
0.9954 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.821 |
| Variation of Dynamics In Each Voice |
1.824 |
| Average Note to Note Change in Dynamics |
2.181 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.143 |
| Stepwise Motion |
0.5668 |
| Melodic Thirds |
0.09759 |
| Melodic Perfect Fourths |
0.07219 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05348 |
| Melodic Sixths |
0.002674 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004011 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.615 |
| Melodic Embellishments |
0.009309 |
| Direction of Melodic Motion |
0.4144 |
| Average Length of Melodic Arcs |
1.812 |
| Average Interval Spanned by Melodic Arcs |
4.754 |
| Melodic Pitch Variety |
4.625 |
| Mean Melodic Interval |
2.106 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4238 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4795 |
| Amount of Arpeggiation |
0.3583 |
| Repeated Notes |
0.2032 |
| Importance of Middle Register |
0.8165 |
| Importance of High Register |
0.04654 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.87 |
| Mean Pitch Class |
5.136 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1343 |
| Prevalence of Most Common Pitch Class |
0.2221 |
| Relative Prevalence of Top Pitches |
0.7723 |
| Relative Prevalence of Top Pitch Classes |
0.8263 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.749 |
| Pitch Class Variability |
3.375 |
| Pitch Class Variability After Folding |
4.059 |
| Pitch Skewness |
-0.266 |
| Pitch Class Skewness |
0.1206 |
| Pitch Class Skewness After Folding |
1.551 |
| Pitch Kurtosis |
5.331 |
| Pitch Class Kurtosis |
4.694 |
| Pitch Class Kurtosis After Folding |
5.03 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.137 |
| Note Density per Quarter Note |
1.179 |
| Note Density per Quarter Note per Voice |
0.2947 |
| Note Density per Quarter Note Variability |
0.79 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7061 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8019 |
| Prevalence of Very Long Rhythmic Values |
0.04787 |
| Prevalence of Dotted Notes |
0.06516 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.537 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.508 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4084 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.626 |
| Rhythmic Value Skewness |
0.9914 |
| Rhythmic Value Kurtosis |
15.68 |
| Mean Rhythmic Value Run Length |
2.066 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.093 |
| Mean Rhythmic Value Offset |
0.06649 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8763 |
| Complete Rests Fraction |
0.000001633 |
| Partial Rests Fraction |
0.4984 |
| Average Rest Fraction Across Voices |
0.2343 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
36.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
13.29 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.99 |
| Variability Across Voices of Combined Rests |
5.972 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5877 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2098 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.801 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7976 |
| Rhythmic Variability - Tempo Standardized |
0.05149 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
752.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9247 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
0.4872 |
| Variability of Note Durations |
0.4009 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
7.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2108 |
| Strength of Second Strongest Rhythmic Pulse |
0.2054 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.026 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4161 |
| Rhythmic Variability |
0.03245 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4286 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
119.6 |
| Note Density |
6.286 |
| Note Density Variability |
3.685 |
| Average Time Between Attacks |
0.3848 |
| Average Time Between Attacks for Each Voice |
0.5976 |
| Variability of Time Between Attacks |
0.2132 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.3622 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.367 |
| Relative Note Durations of Lowest Line |
1.003 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8896 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05476 |
| Average Number of Independent Voices |
3.063 |
| Similar Motion |
0.2118 |
| Contrary Motion |
0.3098 |
| Oblique Motion |
0.4236 |
| Parallel Fifths |
0.002882 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9806 |
| Voice Equality - Number of Notes |
8.042 |
| Voice Equality - Note Duration |
1.12 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
0.0 |