| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1998 |
| Prevalence of Second Most Common Vertical Interval |
0.1889 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9453 |
| Vertical Unisons |
0.05581 |
| Vertical Minor Seconds |
0.003175 |
| Vertical Thirds |
0.3142 |
| Vertical Tritones |
0.008205 |
| Vertical Perfect Fourths |
0.1035 |
| Vertical Perfect Fifths |
0.1889 |
| Vertical Sixths |
0.1224 |
| Vertical Sevenths |
0.02525 |
| Vertical Octaves |
0.144 |
| Perfect Vertical Intervals |
0.4921 |
| Vertical Dissonance Ratio |
0.07677 |
| Vertical Minor Third Prevalence |
0.4438 |
| Vertical Major Third Prevalence |
0.4213 |
| Chord Duration |
2.21 |
| Partial Chords |
0.4518 |
| Standard Triads |
0.3869 |
| Diminished and Augmented Triads |
0.01228 |
| Dominant Seventh Chords |
0.0007082 |
| Seventh Chords |
0.01877 |
| Non-Standard Chords |
0.1425 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
3.192 |
| Average Number of Simultaneous Pitch Classes |
2.474 |
| Variability of Number of Simultaneous Pitch Classes |
0.7077 |
| Average Number of Simultaneous Pitches |
2.929 |
| Variability of Number of Simultaneous Pitches |
0.8313 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
10.0 |
| Variation of Dynamics |
4.268 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
79.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2303 |
| Stepwise Motion |
0.6931 |
| Melodic Thirds |
0.1483 |
| Melodic Perfect Fourths |
0.04414 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03862 |
| Melodic Sixths |
0.002069 |
| Melodic Sevenths |
0.002069 |
| Melodic Octaves |
0.007586 |
| Melodic Large Intervals |
0.0006897 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.119 |
| Melodic Embellishments |
0.04055 |
| Direction of Melodic Motion |
0.4654 |
| Average Length of Melodic Arcs |
2.152 |
| Average Interval Spanned by Melodic Arcs |
5.155 |
| Melodic Pitch Variety |
5.077 |
| Mean Melodic Interval |
2.26 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4628 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4978 |
| Amount of Arpeggiation |
0.26 |
| Repeated Notes |
0.06345 |
| Importance of Middle Register |
0.7704 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.53 |
| Mean Pitch Class |
5.645 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1189 |
| Prevalence of Most Common Pitch Class |
0.211 |
| Relative Prevalence of Top Pitches |
0.8266 |
| Relative Prevalence of Top Pitch Classes |
0.8111 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.316 |
| Pitch Class Variability |
3.183 |
| Pitch Class Variability After Folding |
3.971 |
| Pitch Skewness |
-0.2926 |
| Pitch Class Skewness |
-0.3342 |
| Pitch Class Skewness After Folding |
1.008 |
| Pitch Kurtosis |
5.433 |
| Pitch Class Kurtosis |
4.876 |
| Pitch Class Kurtosis After Folding |
4.924 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2296 |
| Note Density per Quarter Note |
0.9491 |
| Note Density per Quarter Note per Voice |
0.1898 |
| Note Density per Quarter Note Variability |
0.3927 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002749 |
| Prevalence of Medium Rhythmic Values |
0.5313 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7924 |
| Prevalence of Very Long Rhythmic Values |
0.1086 |
| Prevalence of Dotted Notes |
0.2069 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.139 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3237 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7813 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.377 |
| Rhythmic Value Skewness |
1.437 |
| Rhythmic Value Kurtosis |
11.46 |
| Mean Rhythmic Value Run Length |
1.491 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.712 |
| Mean Rhythmic Value Offset |
0.1778 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.378 |
| Complete Rests Fraction |
0.000584 |
| Partial Rests Fraction |
0.9941 |
| Average Rest Fraction Across Voices |
0.373 |
| Longest Complete Rest |
0.8953 |
| Longest Partial Rest |
658.2 |
| Mean Complete Rest Duration |
0.8953 |
| Mean Partial Rest Duration |
34.86 |
| Median Complete Rest Duration |
0.8953 |
| Median Partial Rest Duration |
4.514 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
102.6 |
| Variability Across Voices of Combined Rests |
458.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.517 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.227 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.278 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7439 |
| Rhythmic Variability - Tempo Standardized |
0.0471 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1455.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.202 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.6969 |
| Variability of Note Durations |
0.6728 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
287.9 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.479 |
| Strength of Strongest Rhythmic Pulse |
0.2542 |
| Strength of Second Strongest Rhythmic Pulse |
0.2449 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.038 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4991 |
| Rhythmic Variability |
0.03385 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
31.19 |
| Duration in Seconds |
323.4 |
| Note Density |
4.499 |
| Note Density Variability |
1.149 |
| Average Time Between Attacks |
0.3969 |
| Average Time Between Attacks for Each Voice |
2.162 |
| Variability of Time Between Attacks |
0.2439 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5312 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.2165 |
| Relative Note Durations of Lowest Line |
0.8772 |
| Relative Size of Melodic Intervals in Lowest Line |
1.25 |
| Voice Overlap |
0.8124 |
| Voice Separation |
3.5 |
| Variability of Voice Separation |
6.351 |
| Parallel Motion |
0.03935 |
| Average Number of Independent Voices |
3.131 |
| Similar Motion |
0.1265 |
| Contrary Motion |
0.1448 |
| Oblique Motion |
0.6894 |
| Parallel Fifths |
0.0007027 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.831 |
| Voice Equality - Number of Notes |
206.2 |
| Voice Equality - Note Duration |
96.7 |
| Voice Equality - Dynamics |
5.0 |
| Voice Equality - Melodic Leaps |
0.8944 |
| Voice Equality - Range |
7.855 |
| Importance of Loudest Voice |
6.25 |