| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2457 |
| Prevalence of Second Most Common Vertical Interval |
0.2264 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9214 |
| Vertical Unisons |
0.01852 |
| Vertical Minor Seconds |
0.004743 |
| Vertical Thirds |
0.3695 |
| Vertical Tritones |
0.009034 |
| Vertical Perfect Fourths |
0.02281 |
| Vertical Perfect Fifths |
0.1543 |
| Vertical Sixths |
0.1359 |
| Vertical Sevenths |
0.02631 |
| Vertical Octaves |
0.2272 |
| Perfect Vertical Intervals |
0.4228 |
| Vertical Dissonance Ratio |
0.07738 |
| Vertical Minor Third Prevalence |
0.4297 |
| Vertical Major Third Prevalence |
0.3021 |
| Chord Duration |
2.199 |
| Partial Chords |
0.5965 |
| Standard Triads |
0.2778 |
| Diminished and Augmented Triads |
0.01462 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1257 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7925 |
| Average Number of Simultaneous Pitch Classes |
2.25 |
| Variability of Number of Simultaneous Pitch Classes |
0.6374 |
| Average Number of Simultaneous Pitches |
2.794 |
| Variability of Number of Simultaneous Pitches |
0.4042 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.585 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
69.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2209 |
| Stepwise Motion |
0.7045 |
| Melodic Thirds |
0.1373 |
| Melodic Perfect Fourths |
0.05373 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05373 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.002985 |
| Melodic Octaves |
0.00597 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.833 |
| Melodic Embellishments |
0.05621 |
| Direction of Melodic Motion |
0.4798 |
| Average Length of Melodic Arcs |
1.899 |
| Average Interval Spanned by Melodic Arcs |
4.592 |
| Melodic Pitch Variety |
4.918 |
| Mean Melodic Interval |
2.382 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4836 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4568 |
| Amount of Arpeggiation |
0.2418 |
| Repeated Notes |
0.04179 |
| Importance of Middle Register |
0.7219 |
| Importance of High Register |
0.0 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
58.33 |
| Mean Pitch Class |
5.92 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1272 |
| Prevalence of Most Common Pitch Class |
0.2544 |
| Relative Prevalence of Top Pitches |
0.6977 |
| Relative Prevalence of Top Pitch Classes |
0.6395 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
7.558 |
| Pitch Class Variability |
3.123 |
| Pitch Class Variability After Folding |
3.864 |
| Pitch Skewness |
0.2407 |
| Pitch Class Skewness |
-1.037 |
| Pitch Class Skewness After Folding |
0.8752 |
| Pitch Kurtosis |
5.149 |
| Pitch Class Kurtosis |
5.087 |
| Pitch Class Kurtosis After Folding |
5.141 |
| Major or Minor |
0.0 |
| First Pitch |
43.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2781 |
| Note Density per Quarter Note |
0.8779 |
| Note Density per Quarter Note per Voice |
0.2926 |
| Note Density per Quarter Note Variability |
0.3432 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4379 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8314 |
| Prevalence of Very Long Rhythmic Values |
0.1036 |
| Prevalence of Dotted Notes |
0.1095 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
3.231 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3787 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7109 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.842 |
| Rhythmic Value Skewness |
0.3758 |
| Rhythmic Value Kurtosis |
7.008 |
| Mean Rhythmic Value Run Length |
1.536 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.168 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002576 |
| Partial Rests Fraction |
0.1584 |
| Average Rest Fraction Across Voices |
0.05452 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
12.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.936 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.377 |
| Variability Across Voices of Combined Rests |
7.211 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5505 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2257 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.439 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7762 |
| Rhythmic Variability - Tempo Standardized |
0.04987 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
338.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4331 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
1.538 |
| Average Note Duration |
0.6213 |
| Variability of Note Durations |
0.3543 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3086 |
| Strength of Second Strongest Rhythmic Pulse |
0.2399 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.287 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5485 |
| Rhythmic Variability |
0.03612 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000003347 |
| Duration in Seconds |
74.04 |
| Note Density |
4.565 |
| Note Density Variability |
1.05 |
| Average Time Between Attacks |
0.3957 |
| Average Time Between Attacks for Each Voice |
0.6476 |
| Variability of Time Between Attacks |
0.2431 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.375 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.5858 |
| Relative Note Durations of Lowest Line |
1.088 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.6864 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.05398 |
| Average Number of Independent Voices |
2.844 |
| Similar Motion |
0.1278 |
| Contrary Motion |
0.25 |
| Oblique Motion |
0.5682 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3631 |
| Voice Equality - Number of Notes |
7.024 |
| Voice Equality - Note Duration |
1.387 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
1.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
20.0 |