| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2108 |
| Prevalence of Second Most Common Vertical Interval |
0.1945 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9227 |
| Vertical Unisons |
0.05718 |
| Vertical Minor Seconds |
0.006977 |
| Vertical Thirds |
0.3099 |
| Vertical Tritones |
0.01664 |
| Vertical Perfect Fourths |
0.077 |
| Vertical Perfect Fifths |
0.1493 |
| Vertical Sixths |
0.1653 |
| Vertical Sevenths |
0.03127 |
| Vertical Octaves |
0.1536 |
| Perfect Vertical Intervals |
0.437 |
| Vertical Dissonance Ratio |
0.09629 |
| Vertical Minor Third Prevalence |
0.3982 |
| Vertical Major Third Prevalence |
0.2552 |
| Chord Duration |
1.959 |
| Partial Chords |
0.6292 |
| Standard Triads |
0.2253 |
| Diminished and Augmented Triads |
0.01967 |
| Dominant Seventh Chords |
0.003734 |
| Seventh Chords |
0.01817 |
| Non-Standard Chords |
0.1273 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.864 |
| Average Number of Simultaneous Pitch Classes |
2.231 |
| Variability of Number of Simultaneous Pitch Classes |
0.7115 |
| Average Number of Simultaneous Pitches |
2.592 |
| Variability of Number of Simultaneous Pitches |
0.7981 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.426 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
335.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2153 |
| Stepwise Motion |
0.7132 |
| Melodic Thirds |
0.1508 |
| Melodic Perfect Fourths |
0.04603 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03754 |
| Melodic Sixths |
0.001416 |
| Melodic Sevenths |
0.0007082 |
| Melodic Octaves |
0.005666 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.944 |
| Melodic Embellishments |
0.04096 |
| Direction of Melodic Motion |
0.4455 |
| Average Length of Melodic Arcs |
2.118 |
| Average Interval Spanned by Melodic Arcs |
5.03 |
| Melodic Pitch Variety |
5.302 |
| Mean Melodic Interval |
2.282 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4979 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4324 |
| Amount of Arpeggiation |
0.2394 |
| Repeated Notes |
0.04462 |
| Importance of Middle Register |
0.8658 |
| Importance of High Register |
0.0226 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
61.48 |
| Mean Pitch Class |
5.635 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1095 |
| Prevalence of Most Common Pitch Class |
0.2175 |
| Relative Prevalence of Top Pitches |
0.9871 |
| Relative Prevalence of Top Pitch Classes |
0.7208 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.279 |
| Pitch Class Variability |
3.321 |
| Pitch Class Variability After Folding |
3.899 |
| Pitch Skewness |
-0.07727 |
| Pitch Class Skewness |
-1.233 |
| Pitch Class Skewness After Folding |
0.8439 |
| Pitch Kurtosis |
5.051 |
| Pitch Class Kurtosis |
4.83 |
| Pitch Class Kurtosis After Folding |
5.068 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
30.0 |
| Importance of Bass Register |
0.1116 |
| Note Density per Quarter Note |
0.9213 |
| Note Density per Quarter Note per Voice |
0.2303 |
| Note Density per Quarter Note Variability |
0.4076 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00565 |
| Prevalence of Medium Rhythmic Values |
0.5727 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.779 |
| Prevalence of Very Long Rhythmic Values |
0.09746 |
| Prevalence of Dotted Notes |
0.1674 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.927 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3517 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6325 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.092 |
| Rhythmic Value Skewness |
1.33 |
| Rhythmic Value Kurtosis |
11.31 |
| Mean Rhythmic Value Run Length |
1.526 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.064 |
| Mean Rhythmic Value Offset |
0.06709 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7196 |
| Complete Rests Fraction |
0.0005369 |
| Partial Rests Fraction |
0.7591 |
| Average Rest Fraction Across Voices |
0.3066 |
| Longest Complete Rest |
0.8252 |
| Longest Partial Rest |
403.6 |
| Mean Complete Rest Duration |
0.8252 |
| Mean Partial Rest Duration |
23.56 |
| Median Complete Rest Duration |
0.8252 |
| Median Partial Rest Duration |
4.161 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
60.37 |
| Variability Across Voices of Combined Rests |
394.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5231 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2306 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.269 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7536 |
| Rhythmic Variability - Tempo Standardized |
0.04787 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1416.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.313 |
| Minimum Note Duration |
0.09524 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.6891 |
| Variability of Note Durations |
0.5837 |
| Amount of Staccato |
0.00565 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
264.2 |
| Strongest Rhythmic Pulse |
66.0 |
| Second Strongest Rhythmic Pulse |
44.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2697 |
| Strength of Second Strongest Rhythmic Pulse |
0.2635 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.024 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5331 |
| Rhythmic Variability |
0.03634 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
24.87 |
| Duration in Seconds |
351.8 |
| Note Density |
4.025 |
| Note Density Variability |
1.241 |
| Average Time Between Attacks |
0.4164 |
| Average Time Between Attacks for Each Voice |
1.684 |
| Variability of Time Between Attacks |
0.2657 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5333 |
| Relative Range Isolation of Loudest Voice |
0.1762 |
| Relative Range of Highest Line |
0.5333 |
| Relative Note Density of Highest Line |
0.1921 |
| Relative Note Durations of Lowest Line |
0.9929 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.904 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.06364 |
| Average Number of Independent Voices |
2.751 |
| Similar Motion |
0.1257 |
| Contrary Motion |
0.1599 |
| Oblique Motion |
0.6508 |
| Parallel Fifths |
0.002387 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8428 |
| Voice Equality - Number of Notes |
212.1 |
| Voice Equality - Note Duration |
90.24 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
20.0 |